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Dante  Nov 2011
Untitled (Credo)
Dante Nov 2011
You should all be running
There clocks are singing
There cracks are screaming
The horizon one hundred yards away, So
you should be running
Firing your energies, feel the cannon fodder, straight from the Howl
Down past the credence
Up & over indulgence
In the bright earnest face we all so fear
My mother's eyes show me
My father's will teaches
Because his words go
Up, down and up and down and straight & die
& through and ground
Reaching time reach the audience
Reach out for bleachers where watch
tictoc right American preachers
1,2,3,4,1,2,3,4
Me junction, the merger, our mental *******
Me ******, me scared
Me changing like canon fire
Right! To the ocean, deep deep depths
To think think future
TicTicTicTicTicTicTic
a clock there is singing
Showtunes for theme songs, church bells
Notify
Defcon 12 falling tanks off me shelf
See the mad red carnation
Shot at the pieces in eclipse of today
I keep going when I still have nothing to say
The drapery dying the godbirds still flying
I will never know what comes next
But I've got influence
& I'll need congruence
To empty a vault full of universal need
I want to be running
I'd wish you were running
The stitches, the fabric, sewn loving care
Like the landscaping, keep you warm
I've stolen from homeless
I've stolen from men
I break all the precepts
My breathing's from them
I steal all their oxygen
Whenever I breath Me harmony
Me stretching Me arm reach no peace
I see the world over
the oceans are strange
There's volcanic lightening
& men in white coats
I don't eat, I don’t sleep
I walk for them, should running
out there should running
We feel for the riches
We feel for the dying
Cancerous limp-ation, now windmill's orchestration
Shoes stuck in mud with laces together
Women see lightening when held through the weather
The war, land the peace is
The dynamic tension
The balance in pieces
With eyes up to heaven
Who cares if we're dying
We're all one
One what
I accuse you of calling the charlatan, ****
One bread piece obtuse cause
the sandwich is dying
Do you think that's normal?
Do you think that's abstract?
Boys crying because their teachers have fears
From the past make it last
What is wrong with your peers
Hold together mold together
Find out what's next
Feeling perplexed
Run run run you silly little girls
There's no sense in hiding the rest of the world
We've got one thing in common
And one thing is this
We've all got timing for HIGHER CONSCIOUSNESS
Hold together, mold together
Cry together scream
the bonding is no place
for a welcome machine
Then
What do we do
What do we do
What do we do
What do we do?
End swimming, out running
Over fencing, out running, Break walling, out running
Down clouding, out running
Fall like jumpers, run like dying
Out through planetary & temporary adrenal-line
Sleep when men in white coats
Them start walking
They march, they country
They apple of eden & run when the men
in white coats, they lay sleepin
The world is a mountain
the people they range
Look at these weirdos, make them say change
Educate the many use mindscreen no strife
The point of the riddle
Eternal solvation
We are confused with the mental *******
I'm ******* I'm sorry I'm scared
There's isolation in landscape
Something sounds like prepared
Listen to wordplay
try to find the right light
there's air in the landscape...
Cool to the touch
(a few beats)
1,2,3,4
Say ******* with metaphor
(a few beats)
I've got words, I've got wisdom
I watch movies
There's motion, just grab it
Keep going
You should be running
You should all be running
The world is going to start at any second
You should be running
My soul is a vacant lot
filled with weeds,
lacking fragrance and vibrance.

It's not weighty
nor worthy
of your attention
or affection

It's roots grow out of appreciation
for the few weeds you pulled, leaving spaces
for some new seeds to be planted

Maybe someday this will all look more like fertilizer
and less like ****
John F McCullagh Nov 2011
When my father was a boy,
in the County of Tyrone,
His father owned a quarry
and he worked the fields of stone.

My Dad grew lean and hard
As he excavated stone
Yielding granite for stone carvers
And gravel aggregate for roads.

His hands grew strong and powerful
He had a muscular physique
He couldn’t read or write
But no one dared to call him weak.

When my Dad was in his twenties
He was working in the mines
Excavating British coal
at Newcastle on  Tynes.

Later on in life
He was living in the “States”
Working in landscaping
on large Gold Coast estates.

When my Dad was in his fifties
He was digging graves by hand.
Once again in Fields of stone
a hard working Union man.

Each morning he’d rise early
And walk two miles to work
He never had an office
And he’d never be a clerk.

He rose to be a foreman
Working in that field of stone
And when darkness overtook him
It became his earthly home.

Now when I go visit him
I kneel and pray alone
Beside his Celtic Cross
standing in the field of stones.
J Arturo Dec 2017
A little bird tried to fly through the screen door and I thought, 'if only there were more air up here'.

The view from the second story deck encompassed miles of low scrub hills, piñon, and was daily growing less hazy as the fires subsided. The little bird was dead. Was not even twitching or rolling or whatever idiot birds do to fight or hold onto life. Or maybe it was unconscious. If it was a head impact, it could just be out cold. I could take it in for a bit, see if it revives. But the brains of birds are very small... maybe not large enough to switch out of consciousness without damaging the whole system. It could wake up brain damaged: amnesic, whistling gibberish, unable to collaborate or co-worm-locate or sit on eggs or whatever other higher functions birds perform. Angry, all the time. Likely a burden and a danger to the community. Condemned to either death or a life of lonely suffering. I'd rather not be culpable for that.

Prospective buyers are arriving at four, the realtor as well, for a tour, so I grabbed a broom and swept the quiet body into the shaggy juniper that surrounded the house. Swept up with maple leaves that had settled on the porch since this time yesterday, together a mass of decomposing matter, under the railing and into the dark.

I'd spent a lot of time alone in the house on Grand. Watched nature slowly creep through the iron fence and into the faux-pond, up under the patio bricks, purple flowered and needley plants growing taller and more hostile daily. Increasing numbers of little brown birds mistaking the reflected sunset in the plate glass doors for real sky.

"If only there were more air up here." A little joke I repeat out loud while sweeping broken bodies into shrubs. The thickest places, where they wouldn’t be seen when (if) someone ever dropped by to view the house.


I don't live here, the house is soon to be foreclosed. But a friend of mine knew I needed a place to stay and offered this, his third home, empty of everything except a coffee maker, some landscaping tools, a few boxes that had yet to be moved. I have a twin sized mattress in what must have been a child's room: a strip of Denver Broncos wallpaper runs the circumference, every other surface painted complimentary blue.


The couple arrived at five. She wears a salmon coloured shawl over a white blouse. They’re performing the theatric act of young couples in love (with the idea of a larger house): she ecstatic over the seven jets in the master Jacuzzi tub, he hesitant about the people-paths in the wall-to-wall-carpet, the everpresent pastels we know were once in vogue but will take weeks and at least two layers of base to fully eradicate. It’s the realtor’s job to showcase the place but I often stand outside the plate glass windows of the living room, keeping an eye. Playing the role of groundskeeper because hitchhiker is so much less glorious.

So far it’s been the same. Always she with a genuine smile that will be gone forty minutes after she’s left the driveway. He, always in t-shirt and “trying to be casual” jacket calculating the square footage of each room, the viability of the fireplace. Opening cabinets, but not concerned with storage space. He wants to see if the brass hinges really have brass pins. Is it wood, linoleum? Look closely at his eyes and watch them dance across a virtual blackboard, adding up the gallons of primer and paint needed to cover up the colour mistakes of a before-his-decade.

  2

You can almost watch his eyes dart across the blackboard. A house is a house but the home must be shredded, burned, before making it yours.


But they all do this. A dozen or so now, this summer. And I spend a lot of time alone. Injecting my thoughts into people who think they know what they need next, before getting in a small car and checking out a properly closer to town. Making little jokes to myself as I sweep the porch. The isolation even maybe altering small parts of my self. The social parts, perhaps. I feel good, most days, but find myself repeating the same phrases: “****. Shower. Shave”, “If only there were more air up here.”, “I could learn to love a leopard”, even recently a little Old Testament, which like a ******* I’ve been taking to bed with increasing frequency and a growing selfish guilt, repeating,

“As the sun was setting, Abram fell into a deep sleep, and a thick and dreadful darkness came over him.”


They won’t be back, but for the first time now there’s a deer in the yard. Meaning there must be a hole in the fence. A doe, and fawn too, and I can sit and stare with my broom in hand because my job is to sweep the deck. Dead birds and maybe rats, leaves of course, but with all the water the bank is wasting on this waste of a lawn, come deer: come all ye deer, come and eat. Maybe you will even eat the frighteningly thistly things. Regardless, in exchange for this room I was given a broom and deer are far too large to sweep.



When my student visa expired in Canada I left the country with no identification, five Canadian dollars, a five litre backpack mostly occupied by a camera, and in my mind some distillation of the romanticism from On The Road that I’d managed to power-read in a Heathrow bookstore four years before (lacking the pounds to actually purchase the book). I crossed the border via ferry, and entered the country without identification. I thought this was impossible but it turns out that when you have no time but your whole future ahead of you, and nowhere to get to anyway, insisting “I am a U.S. citizen and you need to let me into this country” does in fact work, if you repeat it enough, and are willing to wait. In my case border patrol even gave me a twenty note and a pat on the back before sending me on my way.


How I ended up sitting on the floor watching birds die, backlit by a desert sunset, in the mountains of New Mexico, is a long story, and to be honest the details have largely escaped me. I do remember I was reading Hemingway. “The Innocents Abroad”, and trying to find myself in any character I could lay my hand on. The word “Innocent” in the title, I suppose, far moreso any actual character, struck the most.


It’s the middle of The Great Recession. Or The Great Depression. The Great Compression. I can’t remember any longer which economic period this particular episode occupied (why can’t they name them more sensibly, like hurricanes?) Call it, then, The Great Introspection, as I narrated myself through the dozen rooms of a million-dollar house: the material self still alive and thriving inside in a self-congratulatory spiral over the personal ROI that left Canada on five dollars and put me, rent free, in a home worth that multiplied 200,000 times. The home where I first had my own key. The home where I learned to drink a glass of water before my morning coffee.

(Five years and $98,000 in college expenses later that was, easily, the best advice I’ve ever received.)


Eventually the phone was disconnected, the water, the power. The jacuzzi, though dry, was still a good place to lie and read. And the piñon and snakes, cacti and juniper, then inklings of pine trees came in steadily. When you would look at them they would freeze. But every morning something new was growing, some new pink flower popped up promisingly to crack the mortar in front of the door. Sweetly at first, then growing thorns, and I walking the perimeters saying “if only there were more air out here”, saying, “can not feel her anymore”, as if the decadent madness of the lawn could be silenced by speaking out loud. Trying to walk the edge of the fence, increasingly losing it in the encroaching bush, then resigning myself to the living room, the **** carpet flattening into a forest path while I impressed miles into that offensive floor.



words. seeds. thistles. marvin morales.


Sleeping on that filthy mattress, the Denver Broncos looking down, still optimistic about their upcoming trophy, or cup. Whatever it was that a bunch of cartoon horses could win. But the sweeping gave me solace, even though the growing thistles made the bricks uneven and caught in the bristles of the broom, leaving little shards of transplanted pink flowers emedded in the yellow polyethylene. I loathed them, but looking back I can see I played straight into their plan. Transplanting little seeds to new weak places in the cement, where they could grow tall again and **** up what little good was left of the land. Bring deer to eat them. Bring little idiot birds to pick the seeds out of the faeces, recycling with pure intent, and flying off into the bright light of sunset. Then crashing broken to the floor.

And like the lawn, like the porch, like what happens when you read Twain, something in me changed. “If only there were more air”, yes, but there is never enough air. Piling up among the deer, among the doe, among my now all-consuming pacing and talking to ghosts who don’t live here anymore, among the many birds who ate their worms and went on to hatch a dozen more, flew into a plate glass sunset, and were ignored.
9/22/2014
JoJo Nguyen  Jun 2013
Firing
JoJo Nguyen Jun 2013
The Rain falls warm.
It's humid and the shirt
sticks to my *******.
How much has fallen
into my collective bucket
during the pass hour
Of heavy monsoon rain?

I gulp chunks
to replace water
in this futile work cycle.
Adiabatic landscaping
in a stifling heat,
within some complex
feed-forward loop.

The cigarette burns
beneath a protective dome,
my cupped hand.
Particulates drift away into
the hazy mist, embedding
itself in breath,
and choking congested,
fluid-filled lungs.

I watch a tiny display
showing small spiking memes
feeding forward to what?
Will it be an apocalyptic
firing storm  or a recognition
gestalt, inhibitory spikes
triggering attenuation.

I drink again the rain.
Can I supervise Win-Lose
games? Am I learning
some wrong algorithm
while drunk on heavy water,
in Futile cycles?

With my open hand
I take Virgil's lead
into our Gradient descent,
urging him on, afraid
our alpha steps are too
small, and the time too
short. There is a constant
fear of being trapped
in some eternal,
local minimal.
Ann Beaver Nov 2013
A place on the periphery
outside edge
sharpen with her stare
Could I ever make her care?
Covered in roses
Intricate poses

I took out all the thorns
threw them at you
blood battered
fried and hot  
taking what is due.
I never meant to love you
I never meant to stop and start

We never meant to part.
This abandoned land
Wounded, broken and seeping evil
Crevices, from which it oozes
Crawling across the land
Seeking a foothold

It's not empty
There is just no power
Nowhere exists to help
The people are alone
No magic to stand the balance

People, live
Ragged, sometimes pitiful things
Trying to live, scrape a living
Building, hoping
Fighting back

Creatures of nightmares
Walking and crawling
Darkening the earth, skies
Massive and small
Even the insects, malice

Earthquakes shake with rage
Gods quiver in amusement
This plight, desperation
Ever seeking heroes
To beat back storms

Mountainous terrain
Fencing, create this world
Horrible stonemen hunt
Adventurous travelers
Feasting on bones

Fearsome creatures
Mind boggling porportions
Patrol the seas
Breaking the timbers
Of the most sturdy ships

Dark swamps, poison the air
Misshapen creatures
Banished from the Living Lands
Finding strength in only numbers
Desiring to render flesh

And yet, men still walk
Determined and strong
Grown hard in this land
Living and sometimes thriving
But only for a brief time

Time shunts life here
Wearing down even the strongest
Such is age, such is life
This land is hungry
And it feasts
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Nat Lipstadt Nov 2013
a  e  i  o  u  and opposing thumbs*

my woman, she's a
snuggler and spooner.

burying herself on my,
no, in my
double barreled chest,
her blonde hair,
my field of gold.^

she landscapes my life,
paralyzing me with the
simplest of gestures.

she sleeps holding my thumbs.
locks me up.
locks me down.
so I cannot transcribe
the lines of poetry mindful,
landlines shut,
land-mines of verse
unexploded,
till these now,
hours later.

a few notes ago,
a few days ago,
heard an octet,
eight voices singing of
five letters, five vowels,
a  e  i  o  u.

you can hear what I heard too.

after you listen,
better understand
vowels are the butter of language.
the anointing oil of connectivity.
more than a line of code,
they are the keys to the code,
that make words and life musical.

I suppose we could mange without them if we had to.
spsz v cd mng wthot thm ff v hd t.

but not so well.

I suppose we could manage
without opposing thumbs.
learn to type with my nose,
paint with my toes.
but not so well.

here is how it comes all together.
a  e  i  o  u  and opposing thumbs,
never give them more than a
never thought, passing over, assumed.

oh yeah, on some tv show,
you can buy a vowel.

these glues are the things that
give me the chance to tell this:

this poem it is a bit about me.
this poem it is a bit about her.
this poem is really about you.

I could live without
a  e  i  o  u  and opposing thumbs.
but I could not live
without her landscaping my chest.

but
when I share this knowledge
with you friend, it becomes a
verified, realized, acknowledged truth.

So you see this poem is about
a  e  i  o  u  and opposing thumbs,
but really about you.

In fact, I am thinking,
that if I did not love the title
a  e  i  o  u  and opposing thumbs
so much,
would entitle it instead,
a wholesome democracy of love.*

you, a registered voter,
vote then with both all the
a  e  i  o  u  and opposing thumbs
at your disposal.
Notes:
^ So she took her love
For to gaze awhile
Upon the fields of barley
In his arms she fell
As her hair came down
Among the fields of gold

Sting "Fields Of Gold"

~~
www.youtube.com/watch?v=mYbFJJnJ9Q4

Aug 5, 2009 - Uploaded by roomfulofteeth
Roomful of Teeth premieres Judd Greenstein's "AEIOU"

~~
Indebted to james-bradley-mccallum for the phrase that deserves a poem of its own,
*a wholesome democracy of love.**

Born at midnight, realized at 2:45am,
When my thumbs read the
Declaration of Emancipation.
ha.

Yet and still
Vowels and thumbs
Can live without
As long as we our have
Hearts to point the way...
Westley Barnes Jun 2013
Nine months after I was born, the Twentieth Century began to collapse.
East Berlin,graffiti-mural concrete, a jutted enigma scratched
on ordinance maps, the sort found
landscaping westernized Primary School walls.
Where within, labored in real time, the television told my parents
(and everyone else given to social conservation in 1989) that a wall falling down
would bring an end to the gap between the working and the working poor.
Freedom waited for many on the other side.
But of course, History draws up different plans.

Never content to just go out with a bash, or to
fleetingly drift by leaving
in its absence an underwhelmed lull
The bloodiest century yet
left the new world entrenched
in an odyssey of hatreds
handed down from the past
right about the time human suffering became a bit dull
and the peaceful countries were too busy
tripling their money instead.

What does History really teach us and what are the real benefits
of being free, or freer than you were before?
Human ambition, which burns it way out of any oasis of calm,
which calls children out of sleeping in the night
Always seeks out the exhaustible
An inveterate Black sheep leading astray
the ever susceptible ****** lamb
Delusion’s strange bedfellows are the worthiest adversaries
to run away from, to reserve contrition for.

Unlike the inevitability of uprooted animal migration
during a monsoon swell
Can a people with an invested addiction
to the pursuit of happiness
Ever truly be prepared
for the inevitability of rapid change?
DJ Thomas May 2010
Lacking of life now
I lol on my fine divan
Laziness often
lacks the power of rapture
as in sofa or bedsprings


Labour of love her
for large obese lobster me
Mermaids capture me
a symphony of sea-sick
rasping tongues lick our lumps


Little old lady
typing the language of love
A real cyber date
computer romance limits
operational life's love


Laughing over lines
of disco ****- pure *******
Lewd obscene language
grasping lemon or lime highs
to count Hollywood star shootings


A full length of life
the longing off, lay proceeds
Lady of the Lake
lunging our lisps sound depths
we are - breathing harmony


The land of Lincoln
legion of Lucifer's Lord
landscaping of lawns,
losing our liberty's law,
leaving on lights, blinding


Lots of Laughs or 'lol'
populist abbreviation*
language often less,
leftovers of literate
gone to libraries of late
copyright©DJThomas@inbox.com 2010

A renga written in collaboration
with
Christopher Terry Everson,
Nicholas Ripley
and 
Jacqueline Ivascu.

— The End —