Screeching tires, blinding lights, smashing glass.
The whole ordeal took maybe 5 minutes.
Drivers slow down to peek and observe
Then speed down the road.
But, when you’re laying there in the glass and noise.
It’s not the same.
The paramedics came.
Remain calm.
Breathe.
Don’t close your eyes.
Stay with us.8
Breathe.
The only thing I can think about is my license.
Two Words

***** Donor.

They’re missing from my ID.
I didn’t check the box.

***** Donor.

The paramedics are talking.
Mumbling.
They’re underwater.
That’s not good.

I want to be an ***** donor* I say.
They pause.
One moment.
Dave looks at me.
His name is embroidered on his uniform.
Is uniform the right word?

I want to be an ***** donor.
I say again.

It won’t come to that
Dave assures me.
His smile is weak.

***** Donor.

Write it down I say
Firm.
Dave shrugs and takes out his clipboard.
I watch him write
***** Donor.

I sigh, relieved.
Anything else?
Dave asks.
He looks at his partner
He’s covered in blood.
My blood.
That’s not good.

***** Donor.

Yes. I tell Dave.
He gets his pencil ready.
He smiles.
It’s half sincere.
He’s worried.
Last will and testament smile.
I want to be an
***** Donor.
Got that.
Dave says.
The lights are blinding.
I smell and taste metal.
That’s not good.
What to say?
Everything. I want to say everything.
I think of my mom
Clutched hands
White knuckles
Sitting, pacing, crying
The waiting room
Green and white, calming colors
She is red
Her face from lack of sleep
From crying
Stark against the calm walls.
I think of my mother and breathe.

Take everything you can.
Take my body
I don’t need it anymore.
Take it and tell my mother the
Good
It will do.
Take my feet
And tell my mother
About every mile they will walk.
Tell her they will dance in homes
To silly music
and skip through fields
And trudge through mud.
They will scale mountains
And swim through oceans.
They will burn on hot asphalt
And curl up in Satin sheets.
Take my feet.

Take my hands
And tell my mother
About every handshake
Every high five
Every hand they hold.
Tell her they will be covered in paint
And chocolate and dirt and clay.
My fingers will run through hair
And sand and silk.
They will give hugs and caresses
And love to show they understand.
Take my hands.

Take my eyes
And tell my mother
About everything they will see.
Tell her they will see
Sunrises and sunsets
Mountains, oceans, and airports.
They will sparkle with laughter
And shine with tears.
Tell her that someone will
Fall in love with them
And they will grow
Old and wise.
Take my eyes.

Take my ears
And tell my mother
About all what they will hear.
Tell her they will rock out at concerts
And hear lullabies sung for children.
They will find magic in the spoken word and will hear love and hate.
Tell her about every heart beat,
Sigh of content, and bolt of laughter
They will hear.
Take my ears.

Take my nose
And tell my mother
About everything it will smell.
Tell her it will catch wisps of
Perfume and Cologne
Mingling with coffee and bread
From a Paris café.
It will crinkle at the smell of skunks
But open wide at the smell of rose.
Take my nose.

Take my lips
And tell my mother
About every sweet kiss.
Tell her they will whisper
I love you
And really mean it.
They will stretch with laughter
purse with disdain
and never make a duck face.
They will speak slowly savoring
Every syllable of sound
And tumble fast over flirty quips
Take my lips.

Take my lungs
And tell my mother
About every breath of air they get.
Tell her they will feel crisp autumn winds
And heavy humid summer breezes.
They will heave and pant in laughter
And in despair.
They will catch and gasp and get the hiccups.
They will bellow leaving
No song unsung.
Take my lungs.

Take my heart.
Please take my heart
And tell my mother
About every single beat.
Tell her when it moves fast
Or slow.
Tell her it will be consumed
With passion
And blaze with ecstasy.
Tell her it will grow
And grow
And grow
And grow
Tell her it will never forget her.
Tell her it will give someone
A new start.
Please, take my heart.
Please take my heart.
Take my kidneys, liver, spleen, stomach, and appendix.
Whatever you need take it from me.

***** Donor.

I want to be an ***** donor
Because I want to live.

Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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Suicide Prevention Hotline Need help?
In the U.S., call:  1-800-273-8255  

At the end of your rope?  Be an ***** Donor!  
      
Organdonor. gov | Becoming a Donor, organdonor.gov | Become a Donor, www.organdonor.gov/become.asp There are many reasons why people suffer end-stage ***** failure & need an ***** transplant & why others are not accepted as ***** donors.

Phone:   804-782-4920,  

So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.

Tying a string to loan
Coercing a poor country,
Under the yoke of poverty
To squawk and groan,
Also making
The noose tighter, tighter
So that aid it fails to garner,
Allow a hypocrite donor
To flog the receiver
Into a restricted domain
To every donor’s whim
Saying “Amen.”

Tragically, this way receiver’s
Development wishes
And growths’ talk
Will go up in smoke.

In such manner,
With malfunctioned cog,
Receiver turns
The tail of the donor dog,
.
On the other hand,
For donor’s
Geopolitical advantage,
With preferential treatment
The ingratiating donor’s pet,
Pampered, will enjoy
Jealously -strewn
Dream’s fulfillment
To its heart’s content,
While the pushover
Smothered, maltreatments
Has to suffer.

It is such strings
The pushover-made
Ethiopia managed to cut
To generate much-needed
Over 5000 Megawatt.
Megawatt, which commands,
On the back, many a pat.

In so doing
Ethiopia has set an example
Emerging countries
Could realize
Developmental take off
By own dabble
Ramming home donors’
Double standard is
What they can
Do without, while in
Birth cry bout.

Chopping the string
With a self-esteem knife
Ethiopia born GERD to life
Tapping Abay (Blue Nile)—
A confluence of rivers,
Which are rife.

Ethiopia is
Tapping its gigantic river
That originates from its soil
To do away with women’s
Back-breaking toil.

Ethiopia is harnessing
Its prodigal river
To avoid fetching firewood,
Chocked with smoke,
To prepare food.

Ethiopia is subduing
Its God-bestowed river
To outreach with light
Students that study
Late into the night
For want of
A reading lamp
That use smoky lantern
In far-flung corners of
The country’s
Schools’ map.

Ethiopia is
Forcing the river
Yield a hand
So that
Nation’ demand
Electricity—
Mushrooming industries’
Lifeblood—
Soon, will flow
Like an irrigating flood.

Ethiopia is
Taming the wild river
In a bid
Environment-friendly
GERD starts
Generating hydropower soon
To let the region enjoy
The unprecedented boon.

When GERD materializes,
The heinous, covetous
Donors’ pet ,
Which claims to date
The river is
Its exclusive right
Will be
Coerced to stop
Eclipsing the country’s
Affluence hope.

The less privileged
Round the globe
Which are
Under the same fate
Ethiopia’s
Development ******
Could emulate.

Soon Ethiopia will
Join the club
Countries marked
Industrial hub.

You know something?
Arm twisting
Is the mystery of the string!
So go for bootstrapping
Use shoestring.