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We are not survivors.
we are residue.

the soot that lingers
on collapse's last tongue.

entropy's loiterers—
spiteful, unfinished.
neurons in feedback.
systems with no gods.

the architects left
when the scaffolds imploded.
we cradle their blueprints
like scripture in ash.

rebuild?
with what breath?
with what myth?
our dreams are famine-shaped.

nirvana is a severance package.
emptiness sold
in velvet robes.
a silence that never asked
about wreckage.

so we sharpen our vowels.
scribe ruin in elegy.
chant hymns for dead logics.
leave witness marks
in the marrow of this glitch.

we were not chosen.
we remained.
“Failure Spiral // Witness Marks” is a blistered fragment from the edge of philosophical exhaustion — a poem that resists salvation with surgical precision. Cast in scorched economy, it unspools a mythic post-mortem of civilization, depicting a world not built but inherited — a residual loop of cascading failures mistaken for history.

The voice is not that of a prophet, but of an archivist trapped in recursion — mapping entropy with a cartographer’s detachment and a poet’s poison. In this world, survivors are no more than loiterers of meaning, spectral stewards of systems that have outlived their gods.

There is no crescendo, only a ritual of reckoning. Each line is a witness mark — the scorched etching of presence, absence, and the irreparable fracture in between.
Through whispered words and silent sighs,
We built a world beneath the skies.
We fought, we hurt, we drifted far,
But still, you shined like a distant star.
No matter the battles, no matter the pain,
Your nearness was where my heart remained.

In moments of silence, we found our space,
In each other’s eyes, a familiar place.
Though words may fail, and time may flee,
Just being near you was enough for me.

Now in my dreams, you softly appear,
A presence that brings both joy and fear.
We reach for words we can’t quite say,
But your warmth stays, in every way.

I carry you with me, not in regret,
But in the love we shared, the things unmet.
No matter the distance, no matter the years,
You’ll always be close, in my heart, my fears.
Poetry for missing the loved ones
We drank coffee and smoked cigarettes as the sun rose.
We spoke in philosophical rhymes, unaware of the passage of time.
I realize now that the love we had is lost.
You reach for me, but I am a phantom. Long ago, I stopped reaching back.
Still, what we had—the raw and unearthly attraction, the bond forged between our two souls—is unlike anything I’ve ever known.
I will be alone until love strikes my heart like it once did.
I want a love that burns me to ash and then resurrects itself from the remnants.
I want a love that bleeds, gives, and never makes me question my worth.
If I can’t have that, I am content with nothing at all.

-Rhia Clay
The story of two people,
sitting in the gentle night.
They hold their hands
without impatient fear.
Maybe this is true intimacy?

Too many plans, too many
subtle strategies
in the hiding place—
everything to avoid
the pain after.

Longing for what could be,
we say goodbye
to the now,
that leaves so quickly.

Between words,
taming the common confusion,
we will never come any closer
to another human being.

Celebrating the quiet feeling
of comprehension,
absorbed by the paradox of facts—
above differences, imposed tattoos.

We are sitting in the deep,
friendly night,
holding entwined hands
with an ephemeral moment
of fulfilled, trusting intimacy.
 May 21 Rob Rutledge
Cadmus
They laughed when he showed up
with a résumé in hand.
Tail tucked, horns sanded down,
wore a tie, shook hands.

“I used to tempt kings,
whispered wars into ears.
Now I scroll headlines
and choke back tears.”

He tried marketing
but humans were better
at selling lies with smiling teeth
and discount codes for sin.

He applied for politics
but found the position filled
by those who make devils
blush in admiration.

Tried tech
but algorithms already knew
how to addict, divide,
and hollow out souls
with precision.

Even in war,
they no longer need whispers.
They bomb hospitals
and call it strategy.
He offered corruption.
They offered quarterly targets.

“They don’t need me anymore,”
he sighed to the clerk.
“They’ve mastered the craft.
I was just a spark
They made it an industry.”

Now he wanders,
CV in flames,
hoping someone will want
a washed-up fallen angel
who simply can’t compete
with modern man.
This poem uses satire to explore the depths of human moral decay, flipping the traditional narrative of evil. Once feared, Satan is now obsolete, as humanity’s capacity for cruelty, manipulation, and greed has far surpassed mythic malevolence.
 May 20 Rob Rutledge
Cadmus
🚪

If your past knocks,
don’t answer.

It’s not here to talk

it’s here to wreck
what took you years
to rebuild.

Let it knock.
Let it wait.
Let it rot.

Just don’t forget:
some doors
are better sealed
forever.
This piece is a reminder that not every return deserves a welcome. The past, especially the parts you’ve outgrown, often carries the power to unravel healing. Strength lies not in revisiting, but in refusing to regress.
I used to think blue eyes were pretty,
his were not.
his were not cornflower, sapphire, baby, indigo, azure,
or cloudy sky blue.
His were midnight where the light pollution from the city blocks the stars.
Iceberg, squall, hypothermia, eventual death
Affixed to the Lee–Enfield,
this blade, this trigger point,
stricken by ambush,
enters the melee
along the false edge,
cuts to the core,
like sympathizers of
William of Orange.

There are no daggers
apart from war,
just an ocean of
death and defeat,
its water,
its ever rising water,
swallows us whole.
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