Daisy. A little flower with white petals that sometimes turn pink. An orange centre that withstands the constant extraction of those petals, with the pang and echo of tiny voice shouting “He loves me; he loves me not! Often mistaken for a ****.
Daisy. A girl who winces with insecurity every time the nearest dandelion clock is plucked from the soiled earth around her. She watches with wet, reddened eyes as she is paralysed and unable to stop the careless children blow away Time, as if it were some sort of lark, seed by seed.
Daisy. A witness to the exposure of stalks and leaves alike; a veteran of the unwanted embrace and, indeed, the wanton thieving of petals and memories and silence and voice combined.
She is swaying but explicitly not bending to the wind. She stands her ground and she has blossomed.
Written in 2018 and published in an anthology the same year, this poem acted as some sort of prophecy for what I was to endure in the next 6 years or so. It’s really cathartic for me now, as I have just rediscovered it and can’t get over how much I can relate to it.