May 2020
'Actually, my friend in Taranaki makes the stars. I combine them with my own elements and string them into garlands,' wrote Makery. There was an element of apology about her words. As if she’d been rumbled. As if someone had confirmed the voice of self-doubt that whispered in her ear, 'Who do you think you are, calling yourself an artisan?'
Stringing things together is applied artistry - whether it be words, Scandi-style stars, or fairytale mushrooms threaded on candy coloured twine. We are all hunter-gatherers who construct our creations from discovered elements. Some transmute received knowledge into constructed knowledge. Others beachcomb lexica for found syncretic treasures. All aspire to contribute to the infinite compendium of human self-expression, to create something which says, 'This is who I am.' With the silent addendum, 'I hope you like it.'
Stringing things together is applied artistry - whether it be words, Scandi-style stars, or fairytale mushrooms threaded on candy coloured twine. We are all hunter-gatherers who construct our creations from discovered elements. Some transmute received knowledge into constructed knowledge. Others beachcomb lexica for found syncretic treasures. All aspire to contribute to the infinite compendium of human self-expression, to create something which says, 'This is who I am.' With the silent addendum, 'I hope you like it.'
'Creating is living doubly. The groping, anxious quest of a Proust, his meticulous collecting of flowers, of wallpapers, and of anxieties, signifies nothing else.'
- Albert Camus, The Myth of Sisyphus and Other Essays
- Albert Camus, The Myth of Sisyphus and Other Essays
(F/Christchurch, New Zealand)
Please log in to view and add comments on poems
