I am driving home under the melancholy grey sky that reminds you of the empty spaces in your chest. Sickly yellow street lamps are coming on, one by one, highlighting the potholes and cracks in the road. I can't help but picture what it might have looked like in the 60's. The still all American heartland town, when the rusted buildings were new and shining, when the once grand houses had fresh paint, well manicured yards, un-littered by fake deer and old tires. I remember old news papers from estate sale boxes, pictures of women in smart dresses with cinched waists, sitting prettily in the society section. They are probably dead now. Buried in the cemetery on a hill that overlooks the city, and down onto the tiny matchbox houses now boarded up or falling into disrepair. Still yet it seems maybe it was never new. There was always the dust, the smudge, the ghostly fog on old mirrors. I wonder how it will continue, or if it will at all, perpetually rise and fall, as all things do, or simply fall, the lifeblood of youth trickling out and down the freeway, or soaking into the already saturated ground.
     Hopeless seems so dark a word, but the truth was never pretty, was it? Perhaps, here, is the hardness of truth, in its grit, its blood. The pebbles that stick in your palms and skinned knees. They once said the depressed were the most realistic of us all, that it was the perpetual state of the human mind-- everyone else in optimistic denial. I was inclined to believe them. Our rose colored glasses taint the world cotton-candy pink while E-flat minor and discorded harmonies echo somewhere in the mountains, longing, hard, sad.
     What haunts you? I want to ask the old rail road tracks. Who died here? I say to the gaping cinder block house. Do you remember what laughter sounds like? I know you remember the bark of dogs, the screech of tires, gunshots or fireworks, who can tell. Dust the memories off the way we dusted sawdust and insulation from the boxes in the hoarder's attic-- find them suspended just the way you left them, open the room-- unchanged since the children left. The toys lie on the floor where they fell from small hands. The safest memories are the ones unremembered. The more they are recalled the more corrupted they become till we are painting our own picture all over again, and we are Van Gogh on a rainy night. Is that what happened? You remembered them all too often. You stared at the sun till you were blind and wondered why you could not see the stars. Yes, that must be it. You clutched those slips of laughter so greedily-- recalled them again and again until they faded, till now you hear nothing but the wind, and cough nothing but ashes.