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How  do  the  tourist's
know  I'm  local.
They  are  always  stopping  me.
And  asking  the  way  to  the  lake.
Perhaps  It's  because
I'm  walking  on  my  own.

Keith  Wilson.  Windermere.  UK.  2016.
The boatman glides over dark waters,
Calloused hands hold heavy oars.
City lights twinkle like fire flies,
On murky currents forged by undertows.
His face well carved by years of hardship,
A backbone bent by deep regret,
He's marking tickets off for the passengers,
Most still unawares
His name be Death.
A desert between us?
Only in your dreams.
Your longing?
Reciprocal, it seems.
Your heart ache?
Nothing compared to mine.
My promises?
Rare and always held.
Your smile?
Bright sunray
Throughout my day.
Your heart beats?
My earthquakes.
Your verses,
Daily narcotics.
My horizon?
Just to love you,
On and on.
Paint my heart as empty
all blue and black and grey

Around it perforate a circle
from beginning back to start

Paint it very gently
then quickly pull away

Tearing it out
without ripping it apart

Someday they'll surely place it
in the Gallery of Fools

Inside the Wailing Walls
out past the Hall of Shame

And when the people face it
they'll cherish their own hearts

As if anatomy has
anything to do with pain

©Jason Cole
In my waking hours
You're not there.
You're never there.
No matter how loud I call
No matter how much I scream for you
You're never there.
In my waking hours
You're somewhere else.
In a grocery store perhaps
Or screaming for me
In your waking hours.

Asleep, you're next to me
Under that apple tree
In that field
Asleep you are here, always.

— The End —