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  Apr 2017 Nat Lipstadt
onlylovepoetry
flexing flummoxing freaking insatiable pleasuring*


~

didn't write these words
some other me created

woefully admit l,
in them, yet, I believed
in them,
as a piece of my soul,
once removed

wearily confess I,
the absence of flummoxing, infuriating confusion,
understanding instant with perfect illusion,
what they mean
the flexing of insatiable pleasuring

of the why
now, one more added,
the mystery, one molecule lessened,
the irrational irritation of the princess pea in my soul,
the flexing flummoxing freaking insatiable pleasuring
of writing

only love poetry
april one 2 nought seventeen
10:25am
  Apr 2017 Nat Lipstadt
Left Foot Poet
“I can calculate the movement of stars, but not the madness of men.”   Sir Isaac Newton**

I can, but only of my own,
the orbits of the stars
within my envisioned mind,
this anti-expanding universe
this black hole of anti-matter
collapsing inward, the gravitational pull calculable
where I, madman creator,
am the sole witness mine self-destruction

I summon fate, luck, random numbers to the dock,
but all pleadingly state it wasn't me,
"I was somewhere else, had to be,
you cannot see my mathematical probability,
ergo i am definitionally
not capable of being guilty-
my orbit of madness
non transferable to you-mans"

who then can I blame?

for-seen poems every where,
upon on every face lay dime store words of bad novellas,
awake to work in dread,
return from it more deadened
and the piety pointy poetry pills
refusing to cooperate,
and the madness equation
has too many answers viable

what shall I title this poem?
Nat Lipstadt Apr 2017
oh! woe is me and woe is thee,

this noble, royal but blighted line,
this now benighted House of York,
its reign hath ended,
its famous, familiar format felled by an
enhancing, advancing Tudor technology blade,
and now lays bloodied in Bosworth Field,
both Richard III and
his Boswell biographer,
Sir Eliot of York,
no more,
unto history's flocculent dust of bones and
lost manuscripts
now forever
consigned

the lathe of mocking shouts of
"Long Live the King,"
cut the fingertips still searching too many
pull down menus,
all penned in a modern
faint hearted font

these guides,
some above and some below,
their exact location discoverable
only by the pain of new childbirth,
not worthy Maestro,
of the indignity
of trial and error

'pon my soul, these menus,
alas, give no guidance intuitive on
how to save this, my newest folio,
in the lady-in-waiting status of
draft

history is a usurping, scheming Mother Queen,
seeking power advantageous for her own issue,
but new bloodlines gain ascendancy inevitable,
but this focal turning point,
came upon us yeoman folk unannounced,
like a medieval black plague slaughtering
our poetic composure -
why were we not consulted?

hath England not taught us plainer folks,
the singular lesson of tradition,
the value immense of retaining
what has gone before,
that all hallowed must be kept,
and some changes
turned aside,
another cheek of change,
must be refused!
  
'tis no accident of fate
that the Crown Jewels
in the Tower
do reside,
the selfsame place many other
Kings and Queens
were Tudor dispatched to meet a ****** end

the smiling, soothing sayers
gentle the troubled masses,
with whimsy and whimpers of
"this too shall pass,"
and promises that the contempt of familiarity,
shall soon enroll and enfold
all untended and now untenured objections

but my memories yet mourn the loss of
simpler times and a simple place that welcomed an Ameddican
back in nought '13, and where he has placed his trust
in its servers and its Yorkshire servant to keep his
thousand plus poems pillowed safe

so no more changes,
by your leave,
do not forget the no longer mighty Tudors,
were themselves felled by times childless ravages,
no more emendations,
if you please,
lest these hoary hairs mine yet turn,
a whiter shade of pale

surely undesired,
yet one more revolution
from these formerly
English shores to come arising,
haunting thine
venerated palaces of poetry!
seriously, I like the new format though I must say finding my way around on a small iPhone is not trial and error, but trial by fire!
Nat Lipstadt Apr 2017
Of Baseball, Poetry and the Human Condition




~~

From  “The Art of Fielding.”* by Chad Harbach

"You loved it,” he writes of the game (baseball), “because you considered it an art: an apparently pointless affair, undertaken by people with a special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about the Human Condition.

The Human Condition being, basically, that we’re alive and have access to beauty, can even erratically create it, but will someday be dead and will not."*

~~
  thus, the circle grows ever small,
binding the obvious and unblinding the oblivious

more than the mere, poetry in baseball, for both forms of art,
knowledge intuited from watching the catcher's body weave
this way and that, a dancer en pointe, arms raised in worship,
addressing the heavens with a body's broad brush strokes,
all to catch with concentrated skill, a lazy, towering popup,
climaxing oft with an exclamation point
a perilous desperation leap
into the dugout encampment of the inimical opposition

yeah, you knew that,
tho verbalizing same,
before the age of thirty,
presumed maturity,
was not an act of the sane of heart,
or the sound of mind and body melded

what you dared not admit was that the conditional principle,
was primal and not tangential, though perhaps,
some itinerant fathers foolishly mumbled incoherently
of a life linkage parallel motifs
of
that desperate beauty, the ferric magnetic irony,
that our full access pass to envisioning the finery,
imaging the stuff of our own daily creation genesis,
whether concocting undisciplined disassembled parts, words,
into a line, a stanza that froze your lungs from
the boredom of the regularity of heaving and breathing,
was in no way different
than the curvature of the boy's arm
in desperation outstretched, seeking spectacular safety for
a well hit ball of cork into a worn leather mitten and thus
confirming his humanity to the watching tribal membership

and these momentary moments of momentousness,
will live forever until we die, judged of equal stature,
a soldiers stripes, ribbons of his theaters of service,
medals of the honor and the errors of his own
human condition
Nat Lipstadt Apr 2017
Of Baseball, Poetry and the Human Condition




~~

From  “The Art of Fielding.”* by Chad Harbach

"You loved it,” he writes of the game (baseball), “because you considered it an art: an apparently pointless affair, undertaken by people with a special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about the Human Condition.

The Human Condition being, basically, that we’re alive and have access to beauty, can even erratically create it, but will someday be dead and will not."

~~
and thus, the circling noose grows ever small,
binding the obvious and unblinding the oblivious

more than the mere, poetry in baseball, for both forms of art,
knowledge intuited from watching the catcher's body weave
this way and that, a dancer en pointe, arms raised in worship,
addressing the heavens with a body's broad brush strokes,
all to catch with concentrated skill, a lazy, towering popup,
climaxing oft with an exclamation point -
a perilous desperation leap
into the dugout encampment of the inimical opposition

yeah, yeah, sure, sure,
you knew that,

tho daring to verbalize same,
before the age of thirty,
presumed maturity,
was not an act of the sane of heart,
or the sound of mind with body melded

what you dared not admit was that the conditional principle,
was primal and not tangential, though perhaps,
some itinerant fathers foolishly mumbled incoherently
of life's linkages and motifs parallel

of
that desperate beauty, the ferric magnetic irony,
that our full access pass to envisioning the finery,
imaging the stuff of our own daily creation genesis,
whether concocting undisciplined disassembled parts,
called words,
into a singular line, a stanza that froze your lungs from
the boredom of the regularity of heaving and breathing,

was in no way different
than the curvature of the boy's arm
in desperation outstretched, seeking spectacular safety for
a well hit ball of cork into a worn leather mitten and thus
confirming his humanity to the watching tribal membership

and these momentary moments of momentousness,
will live forever until we die, judged of equal stature,
a soldiers stripes, ribbons of his theaters of service,
medals of the honor and the errors of his own
truthful, youthful and crucial
human condition
Nat Lipstadt Apr 2017
it cannot be.  

be, being  an interesting conception
today it
be
a proscriptive,
a prohibitive
status,
painful be this being.

when the only adjective suitable is
utter
as in total and complete and
life's every non-random gesture slaps you into a
religious silence of no utterance
and being or is,
just intolerable,
just cannot be,

and the answer is both
for the sole question which is,
which is worse,
the silence of the pain
or the emission of the howl
the utter of being
is not merely intolerable
but is inconceivable
  Apr 2017 Nat Lipstadt
onlylovepoetry
two white coffee cups*

reveal every sip,
mark every drip,
the metaphorical  staining
of the man and the woman
in bed
on a Sunday morn,
each sipping and drip drinking
from white mismatched coffee cups

unleashes his tear ducts;
he sips the tear drips

now the coffee tear-infused tastes
just like a stained life,
a metaphor realized
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