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Kiernan Norman Feb 2016
The museums all end eventually.
If coral lipstick claimed
decades
the way regret seems to-
I'd never stop talking.

I've been forgetting little
pieces of each full moon
across the weeds
of the world.
I don't think anyone minds.

I dreamed your soul attached
to dumb little details
while my body stretched
out against the absence and
I wasn’t that sad anymore.

I don't  swallow feelings;
I feast on poems.
I play with fires howling
In my ribs and
extinguish names
like we rehearshed.

My days are cheap but I’m burning soft again-
like nothing stole my miracles,
like I didn’t lose eleven months with you
tangling my tongue.

it's something else now,
something less like summer brave
and  more like feathers
stitched together
just pretending to glow.
Kiernan Norman Oct 2015
A blinding fall
reflected off lakes in greens and browns
almost a year removed
from wide-eyed walks across
the Borden Avenue Bridge,
counting steps and calculating
just how many sweaters
you’d have to layer for it to seem accidental.

November was dragging
and you weren't trying to impress.
You drove to school
and didn't go to class.
You thought I’m flexing,
you thought I’m finding my feet,
you thought thinking was overrated.

You smoked cloves on benches,
let bracelets rot off your wrists,  followed every ‘person
you may know’
on Twitter.

Holed up in libraries across the Shoreline, you read Vice,
posed for pictures with strangers
and made friends with Cat Marnell but she never texted back.
You played with words in a way that started to smell nice.

December was still lucent,
your curvy cheeks and sloping
thighs receded into something new-giggling and compact.
When you skipped finals
and failed every class,
you shrugged, deleted the emails
and got really into makeup.

Winter was a dizzy dazzle of
new pills and old clothes and
a pallor that crept just on the line of
***, glitter and death.
not done/ relevant I just don't want to lose it.
Kiernan Norman Oct 2015
June took root in the same way you learned to scream
but now it's fall and you're trying
to sing.

It slipped away from muddy lids like lifting a veil,
like stepping into a bath,
(toes, sole, calf. toes, sole, calf.)
and crawled unseen behind apartment-light echoes;
crooning sultry half-truths,
weighing down vascular walls.

My heartstrings aren't laundry lines but the conversations
we never finished (last night, last week, last year)
hang from them; pinned to sheets, unbothered.

It's pulling on my sleeves;  heavy and damp.
The wind isn't howling but
I don't want to hear about the dream you had
where I was a Priest,
where I was hitchhiking,
where I cut off my hair in a taxi's front seat,
and gave it to you in ziplock bags.

A hazy sky; slow and sweet,
coats my traipsing moods like honey
and sticks to the bottom of your favorite mug
(yes, that one, with the chipped rim and your rival
high school's logo.)

We're still here, springing forward and listening.
It's growing, humming cold verses in a new language
while we watch his name take shape in the mist accidentally.
You don't mention how fiercely I'm blushing and I'm grateful I don't have to laugh it off. Some days laughing feels worse than puking.

We are still here.
We are still.
We are.

I'm looking for something important and I won't know it until I see it.
It's morning, it's warmer and we lift our chins to coastline.
I blow smoke upwind;
today physics is purely speculation.
Today I feel like secrets are extinct and I'm certain the day is so much clearer through my Atlantic eyes than their protesting embrace.

You can keep June, I'll take the sky.
whaaaa
Kiernan Norman Sep 2015
I need more souls around.
Look-
the knife I chewed up sharp
sways and dangles a glaring charm,
(and a charming glare)
double knotted on a piece of rope and
tucked under my shirt.
It bruises my breastbone when I jump.
I’m always jumping.

I don’t cut paradise into pieces anymore.
I take it all in with one quick bite.
I’m hardly chewing;
I never learned to savor
and it hasn’t rotted me out yet.

Late last week I had an idea.
I told the room:
(thirty eyes squinting,
a dozen minds listening,)
‘Let's get together and refuse
to acquire a taste for civility.’
So what do you think?
I was only speaking to you.

I've been playing a private game
all summer and I keep scoring.
I wear long skirts and eyeliner
and keep my mouth shut.
I trapeze across centuries and well traveled
roads with my long hair
and track the pontential and power
assigned to my quiet smile
and gentle pout.

The world can be mine with a
flick of my wrist, a lick of my lips-
But I don't want it:
i'm here to expel, not to endure,
the point is to leave as light
as possible.
I won’t win until I have nothing left to carry.

Tonight I'll just seer sailors;
soldiers call to me
like I’m their sole daughter, their soul daughter,
dripping green jewels and deep, brown
curls onto tan toes and
dancing in the road-
(eyes decidedly closed,
rush hour.)

I gulp in smoke from their pipes
while spinning circles in the dirt.
My voice trails over tree branches,
my lungs smolder and ashe.
I smile sweetly-slow.

When I do meet their gaze-
(measuredly striking; a tender,
lingered look which veers me from gypsy to divinity,)
they tense.
They call out
You are my Odyssey.
You are my Wild Waves.
you are my Purple Heart.

Skipping stones over oceans and puddles,
I keep nodding and careening.
I keep coursing and coiling,
keep slurring my words,
refusing my name
and pocketing your promises.
I gave up on air-drying my skirt,
(You are not what I’m thinking of.)

I’m only a little bit of what’s left--
everything we tried to know,
everything we only read once-
everything we left in footnotes of
essays, under passenger seats
and tangled in the bed sheets
of that swollen-heart name
no longer spoken.
I'm only the woven wires
and reins braiding bold
acrylic cities across knuckles
and palms, flashlight
illuminated and glowing.
It's new skin shimmering in the
daylight, pearling over
and throbbing awake
in places only I can see.
trying different style
Kiernan Norman Sep 2015
9/7
Standing like a steeple in his shower,
just as revered and rickety,
mouth open,
pooling warm tap further than you'd think.

I spit cities, shining terror.
I swallow rust, I gulp fluoride.

I'm not nocturnal,
I’ve never liked wine.
(We’re still right here
still in a foggy half-love and still shouting
over where it went.)

Your performance on the bench,
baiting me but not reeling me in.
There were no nights swept dancing like water lilies over the quiet morning creek,
spinning slimy pirouettes on algae glazed boulders
animated over arguments
or kissing in truck beds until Mexican blankets
stopped feeling scratchy.


I'm just a distraction
a pretty one
to touch and slip toward
but nothing worth bragging about.
Nothing worth exaggerating or keeping
folded like a wallet in your back pocket
Levis for for beer nights in dive bars to come.
Kiernan Norman Sep 2015
9/8
a backlit ode to rooftops
in skeleton suburbs
(like nostalgic,
like naked,
like full of stars and sinking-)

His flannel soul is gripping bruises,
is running madly toward dawns' finished dreams;
endless and grotesque in matching cardigans.

a sloppy ode to lips shaping words
and absurd emotional oversights,
to any uttering reflection that grinds too close to incoherent urgency,
(or to potential delight,)
pressed dizzy into a girl who looks like me;
all soapy panic and sometimes light.
visually brutal,
belovedly torched.

An ode to night like nonsense picks at our shins
reminding us how we don’t add up.
that being here now is already fading,
intertwined,
hardly sacrificed, a small canopied disaster
quietly running out of time.
Kiernan Norman Apr 2015
I don’t want to write poems about breaking anymore.
I’m so sick of my words weaving knots into the fiber
of a noose and polishing the clip of
the anchor it’s tied to
in a dull sleep,
a heavy, hibernation light-years deep
in a cold, black lake,
tangled in seaweed.

Reeling it in,
(sweating, grunting, bellowing)
it doesn’t budge.
I’m figuring out how to
stand my ground too.
I’m done putting my books down
for people who don’t need me,
(people who like me but not enough.)
I’m done with rope burn.

I’ve been wearing my stringy hurt
as a badge all winter and it grosses me out.
I keep mistaking eyes for hands,
smiles and laughs for a net to land in;
this free-fall for an optical illusion.

Awake, my mind is vigilant.
It’s quick and fierce to bat away
any thought that might land,
wheels down onto bits of you,
but I can’t guard my sleeping brain.

In dreams my mind circles back to
quiet-night, November coasting.
Back to my fingers carving out shapes
in the steam fog of your windshield,
back to each dizzy morning where
I searched my phone for a ‘Good Morning’ text
that I never found-
(you never sent one, I never asked.
We were both without precedent.)

How do I exist if not in varying forms of unravel?
What’s the point of collecting the words pumping through
and out of me if not to cover, shield,
and serve as armor when I have no skin?
There’s so much more than you and your fingerprints
or me and my kaleidoscope mind.
Sometimes the best part is no part at all:

I want to write a poem about the silence:
the thick, metal tangle of wires that coil in my head-
they swear they’re waterproof but I’m still terrified to sweat.

I want to write a poem about the before:
before the envelopes were opened,
before the kisses felt cautionary,
before I threw myself in the kiln-
when I was shaped but not permanent,
when I could still make corrections.

Summer has been rolling in and
getting closer to my tanning shoulders
with each sunset and each curtain call.
By the time its here for good
I’ll be writing poems you can’t find yourself in at all.
I’ll be writing poems that
don’t begin broken.
They’ll be poems that are whole
from the very first line and stream words
growing stronger
instead of
growing apart.
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