In a queue for the tube a man is on fire
flames climb up his collar
as he waits for his train.
But he stands unaware
of the smoke filled air
instead he checks his melting watch
and impatiently taps his burning foot
ignited by angst over his delayed route.

The woman by his side tries to tell him to cool down
tries to tell him he's burning
but she can't, she's drowning.
Water soaks up her suit
and seeps through her skin
so that she's coughing and spluttering
and sinking from within.

Two colleagues across the platform pay careful attention
to this storm and from it form conversation,
they judge the gentleman's irritation
and questions the woman's suffocation
but fail to notice the cause of each other's frustration.

Only the driver as his train pulls in closer,
witnesses one co-worker being blown over
whilst a rat races furtively up the other one's leg.

Every night
at 8:49
I tie the rope
a little bit tighter
in hope that
your last breath
squeezes closer
so when I say
‘Ladies and gentlemen’
my charm overrides the sound of
your palms banging on the glass
as you challenge the water from
making you its cadaver
and choke back the salted tears that
seep from your eyes
like the malice that
seeps from mine
reviewers say it’s clear that I
enjoy this trick the most
but it’s hard not to when I know
your lungs are the
consequence
of
a
dripping
tap
until the basin’s full and you reach your final centilitre of conscious breath at 8:56:02.
With one last tug
you escape by :03
unfortunately
but the papers will say it was your
‘most truthful performance yet’
5 Stars to The Water Torture Bell Jar.

See, there’s a reason these seats fill
as fast as your tank,
Irving and Houdini had it figured first:
if you push a body to its limits
and watch it yoyo to the edge of death and
back again night after night
you will always sell out.

There’s more to being a Magician’s Assistant than meets the eye.
Perhaps tomorrow I’ll try a new knot.