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Kay Ireland Oct 2015
I brewed a *** of coffee
And drank it all
In half-hour intervals
Beginning at 9pm
And ending at 10:30.
It was just enough
To keep me from sleeping;
To keep me from dreaming about you.
Kay Ireland Oct 2015
If you can sleep at night
With your past behind you
And your future ahead,
What is left to dream about?
Kay Ireland Sep 2015
Leather jackets don't keep you warm.
Disappointment settles into my stomach with each passing minute.
He's forgotten about us.

Second floor railing.
Black Xs on both hands.
Knee between bars.
Brown paper bag at my feet.
A drunk Englishman with no shoes yelling about America and chickens.
He tells us not to go to Charlestown tomorrow;
He is going to rob a bank.
A folk punk band drinking from a flagon,
Screaming and singing lyrics I cannot understand,
But my body still moves with them.

Lights off. Silence.
A text.
Do you want to come to the floor?

She's short. She won't be able to see. It's too crowded now.

I have a spot for you. I'll come escort you.

A bearded man with glazed eyes appears.
He shakes my hand, says,
"Follow me. I have a surprise."

Away from the railing,
People laughing.
"They gave up a railing spot?"
Past the bar, down the stairs.
Working through the crowd.
It's loud. So loud.
Closer and closer.
Where are we going? Where is he bringing us?
Closer and closer.
Past the barricades.
A divider.
Two security guards.
"They're with me tonight," he says. They nod.

"You're kidding, right?" I ask.
"Go on," he smiles.
I hug this man I've just met,
He holds on a second longer.
"Get over there. Don't be shy."
I find myself pressed against the side of stage.
Our railing spot has filled in.
They see us; they're confused.
"I have to go do my job now," he says,
"I'll check on you later."

Each passing second is an eternity.
He turns on the lights.
They appear.
The man who once held my life in a chord.
He is there, before me.
I join the congregation,
Hundreds of words spilling from me in song,
Picked out of the deepest depths of my soul.
I have never felt so alive.

The bass player looks at me dozens of times
During each song.
He watches my lips.
He sees me singing.
I look away.
He looks away.
I look back.
He looks back.
I smile.
He smiles.
Not a word is uttered.

The drummer I hugged two years ago
Is hidden from my view.
But for a moment, we saw one another.
I don't think he recognised me.

Mid-song a hand rests upon my shoulder
And I find a bottle of water placed before me.
I turn to thank my anonymous donor,
And see only the back of his head
And the silhouette of a beard.
He came to check on us.

He pulls the microphone from the stand
And before I can comprehend it,
He is before me, inches away, if only for a moment.
I am crippled by my own love and all I can do
Is sing along with him.
Two hours pass by in a flash.

He turns on the house lights.
The crowd begins to disperse.
The Union Jack steps on cans and sticky puddles of alcohol.
I find my bearded god and hug him again.
He reeks of marijuana but he does his job well.
This night changed my life and he knows it.

We go and visit the drunken Englishman.
I hand him a few bills and he cracks a few jokes.
I walk away with a cd and a smile,
He tells us not to go to Charlestown tomorrow.

I carry my paper bag to the merch line.
A middle-aged, ***-bellied man greets me,
Compliments my hat, tries to speak to me further.
I thank him and turn my back.
My loneliness appears to be an invitation.
I quietly decline.

The line dwindles down until I finally hand her the bag.
"Frank told me to bring these to you."
She questions me, I explain what they are,
And her face lights up.
"Oh! Frank told me about this! That's so kind of you!" she gushes,
"I'll put them...I'll put them on the bus!"
I thank her profusely.
An exchange of words and bills
And we are ushered away into the crisp September air.

I watch a man fall asleep standing up on the sidewalk.

I fall asleep in my own bed, dreaming of flickering lights
And an Englishman.
Kay Ireland Sep 2015
They told me to take caution.
Boys like you make a mess out of girls like me.
Splatter me across the wall like a bucket of paint when you're upset.
I'll submit.

I have been wrapping myself tighter around your finger
With each passing week of your silence.
Maybe one day I will sever it
And you will feel me then.

Run, they told me. Run.
I could never bring myself to do it fully.
My shoes were wrong, I ran out of breath;
I ended up tired and sore.

I told myself that I was done.
But then you came back,
With your tears and your grasping hands,
And I crumbled beside you.

I cannot bear to see your suffering,
And you know this to be true.
We both know that you pretend
Not to see mine.
Kay Ireland Sep 2015
They drip down walls,
Melt into asphalt
And seep into the earth,
Unnoticed.
Cities full of similar shapes,
And I will pick them out of the crowd
Every single time.
I do not need to see anything else.
I will always recognise the biggest mistake I ever made.
Kay Ireland Sep 2015
I am aching
And skin
And bedsheets
And nothing else.

My hair is a disheveled sunset against a stark white pillow,
A flame that does not die down.
The intricacies of my fingertips
Have not been touched in ages.
Something inside me longs for the touch of another.

A melancholy Scotsman whispers lullabies
To the backdrop of an electric fire.
My heart knows not how to rest.
I want to feel him, I want to hear him,
I want to know that we're both alive.

A hand lay upon my shoulder today;
Tomorrow it shall be on a plane back to LA.
Please tell me what it's like to have someone who stays.
Kay Ireland Sep 2015
Reality or reverie,
We burn the candle at both ends
Until nothing remains.
Balancing on city curbs, hand in hand;
A listless distraction.
Where does this train stop?
Spider-silk eyelashes catch the light
Of the sparks between our fingertips.
We burn out our corneas with ease
And suffer through the pain
Of our poetry and our freedom.
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