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feed corn in field for weeks
to fatten them up for the ****

from stands of live oak, hackberry
they would come, fawn and doe

leaving tracks in morning dew
to and from the scattered grain

I slept through their feeding, then
followed their trail into the copse

where I found fawn gutted
by the mythic mountain lion

I did not believe existed,
until that morn

I pulled the carcass to the edge of the wood,
in view of the stand

where I waited with rifle and starlight scope
for the great cat

who came with the waning crescent moon
and did not know I shot him

through his red river heart
as he crouched to finish his meal

(Cross Timbers, Texas, 1991)
West Center Street was, not so long ago,
A kaleidoscopic flood come three o’clock:
Children in waves of blues, greens, and golds
Set free from Margiotti Elementary,
The more subdued hues of the men
Finishing first shift, at the Montmorenci Mills
All filling the sidewalk
Like some great jigsaw puzzle in continual motion.
Now, the color seems to have left us for greener pastures,
Only the faded, unevenly washed yellow buses
Which take the children
To the central school over in St. Mary’s remain,
Solemn faces forlornly pressed to the windows
As they pass the ungainly and obsolete building
Now dark and silent, squat and hunched-over,
And further on the mill, gates padlocked,R
rusted pieces of chain-link pointing accusatorily downward,
As if the fault for its closing
Lies with us and us alone.

Ah, but it was different, near enough in time
That the memories remain sharp, clear, biting
And they come back in curious bits and pieces,
Like how the Market Basket stayed open twenty-four hours
So the third-shifters could shop for groceries
Without having to short-change themselves on sleep,
The lights in Carter’s Depatment Store,
Bright as Heaven itself to six-year old eyes
Fixed wonderingly on an electric football game
Or a toy bridge of the Enterprise, complete with a transporter
Which made Spock disappear As Seen on TV,
Or how, when we went to the Friday fish-fry at the Kinzua House,
We would stop at every table,
Fathers exchanging greetings, finishing those jokes
Which the noise along the line had left incomplete.

You left, just like everyone else, but not for good, of course;
It was just a temp job to make some money
Until you’d saved up enough to help out your mom.
Once you got settled, you’d come back home
To visit—by Christmas, at the very latest.
We waited outside of the old Rexall for the Trailways bus
That would take you to Erie,
And after the shortest half-hour I’d ever known
We kissed at the curb and embrace
Until the driver intimated with his horn
That we either needed to say goodbye or get a room.
Still, I knew you’d be back, as, after all
There are bonds that time and distance cannot break.



That is all over now, and those dreams
Our parents clung to like rosaries,
Where our lives were better than what they had known
Have moved south to Charlotte, or Houston, or Birmingham;
The Market Basket closed, boarded and de-windowed;
Hell, you can’t buy a single gallon of milk
Between here and Ridgway,
And the Kinzua House long gone as well,
Save for the tattoo place that occupies the space
Where the bar once was,  
And once in a while, though less so every year,
You’ll catch one of the old-timers, frozen in time,
Staring at the smokestacks of the old mill
Ancient obelisks like those
Looming over the graves of the town’s founders
Tucked away in the old section of the cemetery
Up on Bootjack Hill,
The paths chock-full with weeds and briars,
The grass unmown for some three summers now.

*When I got your card, it was postmarked from Denver;
The temp gig hadn’t lasted as long as it was supposed to,
And it’s not like Erie is a boom town, after all.
Still, you were there long enough to meet someone,
Someone, you noted who was looking ahead,
Not over his shoulder all the **** time;
Besides, you noted in your one
And ultimately failed attempt at humor
You remembered how our Geography teacher had once said
That all the land east of the Missisippi,
Even here in the foothills of the Endless Mountains,
Were simply mounds of dirt, old and dead,
While the Rockies were young, vibrant, still shifting and growing.
The card was one of those that come blank on the inside
So you can compose your own witty epithet,
As there are some sentiments so dreadful in their foolishness
That even Hallmark won’t touch them.
my daughter and her friend
scream and laugh
watching a scary movie.

i listen to them.

a moment of heaven
reverberating
through the universe
of our brief lives.

a moment when the struggle of life is forgotten.
The only thing brighter than hope
is loss
it chews into the goldsmith
that makes the soul
and gnaws me into colors
each part of me flying down
into the wilderness I am fluttering
as the farmer ploughs me into earth
where my intensity can rest.

In full dress once
I left an economy of boughs,
the candle isn't lit, a wick without its crown
I leave the world schooled in lean and lithe, a yogi,
I am here to study my own neglect.
The rest of the world, lion bodied,
glances at my century of rough.

But I robed the ground with my convictions
I couldn’t keep them
seasons burst out of me
even if I wanted to hoard my greedy treasures for myself
I couldn't
thus robbed of my enfranchisement
I mutter in time to the wind
sorrow gave me this reason-flayed second purpose

Which is to feed others, my body now a spilled nut
I am birded by the sowing belly of earth
my bells are rained and pinched
by this tapering
I am being shrunk to get through the door to death
only snow will enter in the end
when I am covered white and immaculate
together we give up color for the season of bones.
©marywinslow2016 all right reserved. This is a re-post of one of my favorites. It is also in the collection "Dea Tacita" that I published with Jeff Stier. This was published in Avocet online, fall 2016
leaves
arch and fall like
a river of gold sun,

what breaks
and what comes to life,
the pit of my stomach
a scaffolding of
dark fear

i kiss your lips
and your love
drowns me in
moroccan silk,

my heart caves in
my legs cave in

everything is you,
everything is
longing,

a ghost wrapped in
honey,
sweet night where
the stained red maple leaves
melt near the window.
A bartered dark
of full shone armours
gallowed brooks in
shins of alder
trod the clays of stilted copse
that crest the low slung chestnut rides

To inglenooks of scuttled hamlets
strung in river- maiden's hair ,
a haven for the last ascendant
flinted from the steeping turf.

A subtle art of arcane movement
starboard cupped
in stone- pocked pewter

sparks the grailed pain
of foxes harrowed
in that sudden wood.
moonrise over old kent villages
 Oct 2017 Jonathan Witte
L B
Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem:

Painting a Function Different

I peek out over the railing of reality’s magic
Beyond the porch-floor
Minerva hangs her wash
making the invisible visible
Eighty two and three quarters deaf
she doesn’t notice  
But this is, in fact, reality
Has always been this way—
Bent and bird-like existence  
Balanced on two twigs—always busy—

Her task, is the ******* of space  
Cutting coupons, crushing aluminum cans, ironing
The three phenomena which I must....

Things no one notices—
climbing on the abstract surface of a picture
Switching the curtains  
God! I wish from the infinity of space..she wouldn’t…!

It figures that—
Rusty, her cat, is weaving in fortune or misfortune  
I try to fix them—
Her ankles now
And she curses at accidental quality
from the corner of her mouth
which has only one form
Clothespin or cigarette?  
Long johns and animals and men in heaven
and bureau scarf and sheets—all, non-infinite deities
surround us translucent, contained
  
I decide what to get for her birthday—

We are good friends
through painting a function different

For me?
Predestined necessity.

Minerva?
forgets her manners
and eats like a survivor—

Thanks going without saying.
Thank you to my friend, Minerva for those years we shared living by the river.  And thanks, to my daughter, Andi, for seeing this poem in an academic assignment.

Art is what it is, imploring us to touch its experience.... It asks no approval.  It seldom gives reasons.
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