Someday, you'll give everything you have
and more to something or someone.
You'll care so much, and nothing seems
to come from your hard work and effort.

It's draining and you'll be exhausted.
One day you'll say to yourself,
I care too much. I'm done caring.
You'll shut away your hope and give up faith.

In the end, you'll be nothing but cold.

Her voice is strained.
Her skin is fair.
Her ******* lay on the countertop.
I **** her until my thoughts stop.

She rejects the notion of love for all,
as she leans against my kitchen wall,
with a cigarette and an unbuttoned blouse-
she wants to be homeless in my house.

She keeps me in her necklace's locket,
and I keep her in the wallet in my pocket.
Her toes kiss the linoleum,
she walks like she's made of helium.

She mumbles that I taste like mint chocolate chip,
as she rubs against my hip.
Her breath smells like Malboro Lights,
and I hope she decides to stay the night.

Milky Ways and Vanilla Cakes,
she likes the way my body shakes,
as we lay and eat our troubles away.
Hurried words slow the day.

She asks me about my stretch marks and scars,
and if I've ever been hit by a car.
And I say no, but I've been hit by love before,
and it feels like getting your hand caught in a door.

Hurried smiles and bathroom stalls,
she likes the way my family never calls.
The words escape between her plump lips,
as my hand travels between her hips.

We move until we forget
that the world is moving faster.

We're twenty-one and we shouldn't be.
We make love like there's jealousy-
We hide in reflections because we
assume we'll live forever.
There's a hotel inside of our eyes,
where we live in a disintegrating atmosphere-
people are seasons,
as the cars gather in front of what used to be here.
I didn't know we were old,
until I watched the skin fall
off your bones
and onto my body.

We can tell them to *******,
and to believe in you and me.
Tell them we're twenty-one,
and I loved you
despite every time you'd cheat.
Can I tell them that you're not a hotel
and that my stay can be more fleeting-
Why do they say that
I'm terrified of what you'd hide
and that you're the one that's leaving?

Fringe-love superstar,
I loved you so much that it left a scar.
Elephant memories,
get away from me.
The Hotel Lauren is for making love
out of jealousy-
Tell them to *******
and to believe in you and me.
I want to tell them that I'm different.
I want to tell them that my love is pure.
I want to tell them that I'm different.
I want to tell them that I'm more.

Dear Talia,

I don't want to be a tortured artist.
I don't want to be depressed and I don't want to be anxious.
Competitive sadness and disorders treated like accessories disgust me.

The world glamorizes mental illness, and I don't understand why. There is nothing romantic about being mentally ill just like how there's nothing glamorous about a broken wrist or a torn medial collateral ligament. There's nothing romantic about constantly being afraid that the world will fold in itself and **** you with it. There's nothing romantic about feeling like you could break down and cry at any moment.

This is the first piece I've written while being medicated.

I want it to be Christmas already.

The world dreams itself a halo, but can only attain horns. The halo is an illusion and the horns are an idea.

I'm due to take another Lorazepam. Would I look cool to the kids who idolize dysfunction and misinterpret pain as style, if I were to take one of these, with water and a distant glance, in front of them? Geez, to have their approval would to have everything and nothing at all.

I'm not sure why I've written as much about this as I have.

You.

It is 2:48 am and all I can think about, in this moment, is you.

I can't wait to spend Christmas with you. I can't wait to wear bad Christmas sweaters, and be the couple everyone hates, as we sing Christmas carols and spread holiday cheer.

I wrote this poem a few minutes ago. Sometime around 2:30 am. I'm not sure. I'm exhausted:

I sat on the edge of my bed, and on the edge of my life,
medicated to the point of pointlessness. Soft.
It was the nineteenth, not the twentieth,
and I wished I saw the fireworks with her fifteen days earlier.

My gasps tore the shingles off of the house.
And they hung suspended above the hole in the roof.
And God stared down into my room, as the shingles swirled skyward.
"I see you," I said, "but I don't believe in you."

I left home and ran until I was a dream that had passed itself.


I hope that was okay.

I love you.


Yours,

Joshua Haines

My dad dug his foot into my back like a shovel breaking soil.
If I do enough push ups, can I put a smile on your face.
If I move the earth for you, will meteors stop me.

I carried sparklers in my hands while cannon-kisses erupted in the sky,
and my cousin swore that I'd hurt myself.
But I explained to him that history repeats itself,
and that my hurt is unavoidable.

Like the hug of a grieving grandmother,
and the staring off into space,
as her tears stain my white oxford lie.
There's no way to get out of this place.
Finding new ways to live in death.

I don't want to be cool. I don't want to be cool.

And her fingers left a ******* on my back.
And my mouth melted onto hers.
I love her until my eyes **** in sleep.
And it's deep. And it's deep.

The swirl of the ceiling sank down
like a child being drowned by his mother.
And I missed my brother, and I missed it all.

I don't want to be cool. I don't want to be cool.
No, not anymore.

The most earnest of advice,
no matter how well intentioned,
all too oft does more harm than good.

One cannot teach by example
when everyone else is too self-absorbed
to learn by example.