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 Jun 2015 Helen
Nat Lipstadt
"the guppy letters,
swim spring river current fast,
like little boys catch me fast who run past,
they cannot be caught and easy captured"

From "You, Your Best Poem"
~~~

the duo of little boys in my life,
a small percentage of my size,
yet,
somehow they are
Superman~adept
at getting past my grasp
just when I need to
precision tool them,
hug them air tight,
way way beyond just right,
conspiratorially whispering our
Socrates secrets

I cannot capture them,
for they caught me
a priori,
from the very inception of our
commonality starting line

yet when little boys hide and go seeking,
their diminution is ammunition
for their evasion and disappearance
from mine eyes
that  lust for their touch,
their-skin-so-soft-it's-a-miracle

but persistence is an adult failing,
seek and ye shall find little boys,
giggling their passwords
under dining room tables,
the ceiling skies of the top bunk bed,
safe house places of young boys

take them home,
for a life-in-prison,
in the prison of a
adult's love for little men,
discontented by their never ending
growing up,
serial escape attempts

as they grow up,
and I grow down,
think that some day,
I will require
these skilled speedsters
(and their associated older sisters)
to

"little boys catch me  fast"

happy in the knowing
that they,
now, trained so well
in the art of hugging,
will catch and capture
me
yet again
when I need it most
 Jun 2015 Helen
Joel Frye
To live life in intensive clarity
you must prepare yourself a lonely house.
A friend or three, of course. Perhaps a spouse
or three, as well, though even they won't see
how deep the silent spring that feeds your soul.
Intensity, in truth, is rarely loud
or boastful; more like one who's been allowed
perspective broad enough to see the whole.
Many come to visit, few will stay.
Some believe one lesson will suffice
until they understand in full the price,
the cost it takes to find and walk your Way.
For wisdom's earned not doing as you're bid
by those who knew much better than you did.
You can order peace of mind for carry-out.  In fact, it's most strongly advised.
 Jun 2015 Helen
PrttyBrd
Beholden
 Jun 2015 Helen
PrttyBrd
In all honesty,
The best part of me
...is you*




6915
10w
 Jun 2015 Helen
PrttyBrd
Wasted
Alone in a land of wishes
Wanting to be wanted
Needing to be loved
Never realizing
It is in the very air
Taken in with every breathe
Waiting
In a world of half truths
And make believe
For a fairytale dream
Afraid to be dreamt
Longing
For what was deemed undeserved
In a life suffering in settlement
Searching
Through nightmares
For a pinpoint of light
For an alternate reality
For some semblance of home
Finding
What has always existed
What was birthed side by side
Created from the very same dust
Before time
Through time
Knowing
Loneliness no longer exists
6915
Always and Forever
 Jun 2015 Helen
Nat Lipstadt
I watch your face
as you write

in the furrows of the brow,
see you and the
word-seeds being seized,
harvested,
prepared, ready-roasted
for sumptuous consumption

grimace and smile,
alternating currents,
grimace and smile,
ponderous pondering
chew each word,
flavor extracting,
does its taste fit,
is it only,
but,
perfect?

you get up, you sit,
you move about,
pretending, misleading,
purposed to be aimless

yet eyes squinting
betray
a fearsome full
concentration rapture,
a mind computing
the numerical quality of
words,
summing, subtracting,
solving for X

you employ technique,
formats, tools and aids,
thesaurus, dinosaurus, dictionary,
even pictionary
when
the guppy letters
swim spring river current fast,
little boy catch me fast run past,
cannot be caught and easy captured

why
do I watch
your face
as you write?

for there visaged,
is your truest work,
you, your best poem

what words you select
matters little to me,
t'is the struggles,
the blush of satisfactory,
the distempered white of
disillusionment,
of inspiration sought
but not found

all these dancers,
you choreograph
a word-ballet in three acts,
scheme a midsummer nights dream
upon the stage of your face

return the favor poet?

watch mine,
watch my face,

as I read your poem
and see thine own best
reflection
in teary eyes caught inside crows-feet,
pencil thin smile lines of fine wine whimsy,
in feet that airlift,
the contour of
who you are
and
think

*You, Poet,
you are your best poem
Inspired by a talk from Edward Villela, a dancer and choreographer,
and a performance of the ballet,
A Midsummers Night Dream
 May 2015 Helen
Mike Essig
An old man smitten against the odds;
what could be more pathetic?
He knows a lot. He knows better than this.
He has been to war, married, divorced.
He knows all the games from both sides.
He knows she is young, beautiful, far away.
He knows that she chooses whom she wants;
that she runs the game.
He knows he brings nothing to her
but empty hands and a worshipful soul.
He has stayed alive this long
by knowing and covering the odds.
In that, he has always been smart.
Never play the other man's game.
Keep a clear head. Surprise your enemies.
Know when to laugh and walk away.
And yet, he wants nothing more
in the world than a seat at this table
in this most unlikely game.
A chance to win what can't be won.
A chance to have what can't be taken.
One very much last chance.
An old man smitten against the odds;
what could be more pathetic?

  ~mce
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