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 Jun 2012 Emily Von Shultz
Darkin
Circle's intentions.
Time's intentions.
Solace. Unity.
A record of movement.
How? Blood. Solidified.
Shared separation, soon to shake hands,
but in the mean time...
scratching.
clacking.
crumbling.
melting.
Stories to tell, stories told. Ears to fill in the verbose silence.
Science. Colors.
Origins and reconciliations.
And still, be still.
The rocks will whisper
Circle's intentions.
Time's intentions.
Definitely about rocks.
I can write the saddest poem of all tonight.

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.

To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.

What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.

That's all. Far away, someone sings. Far away.
My soul is lost without her.

As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.

The same night that whitens the same trees.
We, we who were, we are the same no longer.

I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.

Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.

I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.

Because on nights like this I held her in my arms,
my soul is lost without her.

Although this may be the last pain she causes me,
and this may be the last poem I write for her.
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
 Mar 2012 Emily Von Shultz
ju
No men.
But when the
conversation starts, they dominate.
Worm their way into every sentence, every silence.
Every caught breath, exhaled pause.
Names, nice-to-meet-yous, passed round with sandwiches and tea.
Hole-riddled autobiographies, wadded out with circumstance and need.
Explaining themselves, defending their actions. In turn. And I?
Have never felt so young.
To my left, and working clockwise: Affair-with-the-boss, Heart-condition, High-risk-of-genetic-defects,
In-the-middle-of-a-divorce-not-sure-why-she-slept-with-him, Grown-up-children-can’t-bear-to-go-through-that-again,
and back to me. (Boyfriend-has-two-kids-wants-no-more)
He noticed that I’m pregnant.
Was pregnant.
Was.
We chew our way through sandwiches. Different coloured fillings, no flavour- choked down with lukewarm tea.
We know it’s a test.
We have to talk, smile, eat, drink, laugh (not manically)
if we're to go home.
I can’t do it.
I want to cry. But I’ve been told off for that already (curled up on a trolley, examining bloodied fingers)
I drift, I think.
Jump out of my skin when she speaks to me.
You must eat she says.
You must eat.
I search for myself in their eyes,
re-make myself from fragments and reflections I find there (Four parts child, one part *****)
It’s OK, I tell her. It’s OK.
On my way home I’ll get a Happy Meal.
I’m collecting the toys.
Oak
It gets better
he said soothingly
And he wasn't the first to say it
nor-I think-will he be the last
but it was the first time
I believed it if only for a moment
Take your time, he assured me
And in a world of
rush rush rush
Those words alone made sense to me
and as we stood and smiled I felt hope flicker to life
at least for a moment
 Feb 2012 Emily Von Shultz
Emma
Stepping softly makes the grass breathe
easier, I imagine

I like to touch the trees as I pass by,
the bark leaving a tingle on my fingers
I like to imagine that in my fingerprint a small spot of warmth
is absorbed into the heart of the tree
I intend for the tree to understand I mean
"Thank you"

I whisper when I'm by myself.
I imagine the wind to be full of words
of soft-spoken wanderers,
content with the slowness of
deeply breathing the world in.
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