Drug addiction killed the writer.
Long before longhand became slow talk from a slack jaw, I was closing my eyes, not knowing whether or not I was tired or nodding.

Insufflating, incomprehensible snorting, the sound a nose makes when one is in disgust. As ugly as this euphoria is, I can't stop. Or I won't stop. That is why this writer is dead.

How many times can you wake up from an intentional overdose? More than three-hundred and sixty-five. **** it, because one day becomes one year becomes one lost person that is not only insufferable, but also a person that is no longer provocative, no longer privy to a responsible privacy that every man deserves.

So, as a man loses his privacy, that which we all seek, he can only close his eyes, because of drugs or not, and hope and pray that this is the night that he reaches eternal sleep.

I want to be loved for one night,
then I shall be content in isolation,
comfortable in the lack of weight
on the other side of the bed.

One night, to be kissed brand-new
by foreign lips; a familiar fear
as she leaves her dress on the chair,
and our inhibitions on the floor.

Absence of physical touch, heard words;
no tangible proof I exist, or should exist
at all. I miss the fatigue. Brief sensation,
some energy - our collective heat;

the way we sweat beneath the sheets.
The way you need to call out to me.
I have not heard my name in weeks.

I want to be loved for one night,
then I can return to pollute these pages
with something beyond conjecture,
something worth holding on to.

She looked at me and said,
"You should **** me
before you love me."
And so I did.

Her hands covered her *******
and she said,
"I want you to guess which breast
my father touched first."
And so I did.

The bones in her hands shifted
as she fixed her hair into a ponytail.
"You're going to promise me that
you're not going to try to fix me.
You're going to promise me, okay?"
And so I did.

Her lips would start bleeding
because when she lied
she chewed her lips.
She said, "I think today
will be the last day I live."
And I asked her for one more.

Dry blood sat on her inner lips
as she kissed me good morning.
Her voice softly cooed,
"I hope that isn't the last time
I kiss you."
And I asked her for one more.

She bled,
"All you write about are girls.
You never write about me.
All you write about are faces
without souls. What about my soul?
Are you going to
******* write about my soul?
Are you going to write another poem?"
And I asked her for one more.

Looking at me,
she ran her fingers
down her hips,
across scars,
and said,
"Too many men look at me
and see what they want to.
They look at me and see
broken picture frames
that they can repair
and put our faces into."

Our hands met
and our fingers grasped
at the pieces of ourselves
that were deeper than faces.
But it was only me
as she whispered,
"Stop,"
licked my cheek
to my ear,
finishing,
"Don't fall in love
with what you
think you see.
Just **** me."

And so I did.
And so I asked her for one more.

My parents
Tell me to look upward
To find god
My therapist
Tells me to look inward
To find a cause
So I'm left here
Answering every multiple choice question
With "C guys, I'm fine"
Because it's easier to pretend
That life is perfect
Than deal with the fact that their efforts are worthless

You gave your love to the government.
Your liver to the greyhounds
and the squalor you live in.

The Asian district disappoints you
with its inaccessible women
to whom you are flaccid and unlovable.

The pub is full of students,
air humid with *** and youth-
all those impossible frames of reference.

You, proud emblem, are confused by it all.
The drawl of the six o'clock news:
“there is a war at your own front door.”

The Golden Age was taken for granted,
a party spoiled by strangers,
strange music, strange clothes;

the symbols you cannot understand.
Tradition fades to dementia, greyscale,
redundant colour, and jaded patriotism;

you raise the mourning flag alone.
A country died in your lifetime,
your romanticised vision of home.

O kaptain

this ship is out of control
I've never felt
so sick at sea
and it's all so wonderful

the stars are swirling
waves are crashing
the tide is running high

the salty breeze
on wounded knees

and sickness
soon to subside

across the unforgiving sea
you are wherever I will roam

this ship is a feeling
a mansion, prison

& it's the closest thing to home

It's unseasonably warm
for a January morning.

I was dreaming of a girl
and blue western skies

...a faded bedsheet
sideways in the breeze
on an old clothes line.

I was dreaming
she was mine.

I sit and I dream,
a parasitic dream,
where we aren't
who we were
and we aren't
how we seem.
Where I eat you
and you eat me
and somehow
we're still
happy.

In each pile of
body on body
I walk by
loneliness
and loss.
I love you's
and
I hate me's
saturate the air's
conscience.
Us,
the nation and all
are pinned against
each wall
being ******,
mercilessly.
We are
*******
heartbreakers.
Our ***** are
property of
others:
intellectual property.

In my dream,
where I dream,
everyone
I've ever loved,
is dreaming
and
trapped in a pit
of motorized
rubber ******
where the rubber
pumps and eats,
pumps and eats,
breaking ribs,
shattering spines,
ripping esophagus,
splitting spirit like
tissue paper.
Bodies ripped apart
by branded, artificial
"love":
society's configuration.
Brand recognition.
Product placement.
Motor salad.