She wore a windbreaker as red
as her parents voting habits,
and smoked American Spirits
as rough as the next-door
skateboarder's hands.

At 18, she was bored by
teen-aged touch,
and looked towards the
thirty-five year-old avant-garde
painter, who meandered in his
sun room, like a soul
pretending to be lost.

At 20, her parents told her
to go to college, to go to
'some place other than here'.
So, she went and had skinny,
Greek fingers with chipped nail-polish,
dip down and inside of her, without
judgement, without thought, and,
with this touch, she felt free.

At 24, she was an undergrad with
an apartment and a guy named 'Blake',
and Blake said Brown and she said State.
And when Blake left, she felt complete
despite losing something meaningful.

And when her story started to go on forever,
her body spread across the pavement like
seeded jam on burnt toast, scraped thin,
without image and without future, lost
inside crevices and cracks, a memory
or thought, wandering nothingness.

Trust your arms, not thorns

The night unravelling,
caught in the moment of the earth's
dance on its tilt

when it's just as day
as it is the night; like light
appearing behind shut eyelids

who am I to trust
when the earth turns and dreams
turn into daytime reveries

will I wake up and forget
or will your elbow slide off the table
and break the spell?

This time is a perfidious lover,
so tell me,
whose side is it on

tonight?

Underneath these artless skies
I marry the ghost within you
because the stories are now
screaming mad, and dark,
and every time your name
rolls unto my tongue, it thunders,
and I tremble, and tremble,
and like a thousand ships set against
the tide, I will my eyes to sleep;
cold as ice, mother, pray tell
how does one go to sleep when
Thanatos is the one weaving the
blanket; rather awake than dead;
half a heart than half a soul;
tell me if I open you up I'll find anything
other than flesh, other than nothingness;
you're so vacant and uninhabited, I forget
you're not an abandoned building;
tell me how I can go to sleep
without being woken up by the ghost
of you in my head, dancing to music
we once made when we touched; I'll
revisit those little joys, and maybe I'll
understand why empty vessels make
the loudest noise.

The car will edge past the truck maybe
and maybe we'll survive this message
playing on repeat, apologies like daft lilies
and then you go ahead and tell me that you've never
learnt from your mistakes, or my mistakes.
That mistakes are only bad unless you change the order
of analogy. This experiment has been contaminated.
Now a fresh batch. Trust me, there's a point to this.
I'm counting back from a hundred and two
and you've got me standing in the middle of the highway,
blindfolded; this is what loving you felt like,
you said. But I think it was more dramatic in my head.
Nuclear fission and the seige of Dresden dressed
up playing Adagio in D minor; I'm dust. I'm dust.
I've become ash and misery and I'm trying to stay inside you
but you've been coughing a lot, and who's to say
you were holding your breath for something exciting,
I just know for a fact that at the end of this beep,
you'll know what to do and yet
you're not going to leave another message.

My name spells love in every language
you say you’ve learnt; the pulsating
streets of your veins are alight with life tonight.

We walk them with empty-pockets and
hand-in-hand; the only crimes we commit
is that we lead each other to dark places;

a castle of lies; half-said the only loving
we’ve done is in our heads.
We lose time in words and suddenly

it’s four a.m. and the coldest hands
have only ever been yours; all that throbbing
gone to waste. Rest your heart

with me, it’s never lost; four a.m.
is your hour with me
because you’ll sleep and awake

and we’ll become thieves of conversations
stealing emotions we hide in jokes
and the sundry ‘have a nice day’s.