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 Jul 2014
Kobbie Cotssy
I write to you because  I want to,
I write to you because am filled with much to express,
I write to you with my soul,
I write to you with my heart,
I write to you with a mind that’s rational, so that my words are  not mistaken for emotions only,
I write to you, with every inch and bit of me,
I write to you, you alone that I think of,
I write to you, the one who confuses me, but I in Return  like the confusion u stir up in me,
I write to you, who makes everything crystal clear in a blurry world,
I write to you, you who makes me move mountains,
Mountains that can only b moved in my mind,
I write to you, to you I write this words, words that tell the intensity of what I feel,
I write to you, to you that gave me the world,
A cliche it sounds,
My tears  I have cried,
My tears wiped by you,
So to you I write, I write for you to read,
For you to feel,
For you I Write.
 Jul 2014
Nat Lipstadt
Touch

You cannot lift or load it,
over your shoulder, throw it,
to best assay its weight -
is it ponderous, full of big *** gravitas
or a snack, a parfait desert,
a haiku delight?

You cannot touch it,
but it can touch you,
It can grasp both your shoulders,
shake you from complacency,
put its hands upon thy throat,
gasp emit, a scream demanded,
paint whimsy lines on thy face,
from ear to ear.

See

With yours eyes, by a mere glance,
true reveal its length,
stanzas multiple or an itty bitty ditty,
but this gives no value clue,  
Ogden Nash vs. Tennyson,
in two minutes make you laugh,
in twenty, make you beg, mercy!

Smell

Some Poe poems do stink,
befouled mushrooms in
a dank place, some require nerve to read,
but your olfactory be ill suited for
poetic deconstruction and criticism.

Hear

Wake you with kisses upon thy face,
inject love poems into thy ears,
straight to the brain verbal crack *******
yet even the hearing the whisper
of words from my lips,
is an insufficient,
sensorily speaking methodology,
of how a poem, to best comprehend

How then?

If touch, vision, smell and cursory hearing alone
can't essence capture, what then, weary reader,
is the supposed Laureate's approved analytical tool?

Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member
in a tasting menu,
Perfect only in conjunction
with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip
upon the roof of your mouth
and the exalted exhalations of
air rushing past thy cheeks
as you messenger breath from
your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down,
a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move
as you savor my words,
my taste you share,
and we are closer for it.


*
Deaf, dumb and blind,
all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
an old favorite of mine reposted.
 Jul 2014
JDK
I'm in love with a lesbian;
I love when she laughs.
I'm in love with a straight man.
I'm in love with a ***.
I'm in love with a totally pretentious ***;
always self-flattering - I love how he brags.
I'm in love with a shy girl who hardly says a thing.
Quiet as a mouse,
but oh when she sings!
I'm in love with a dancer whose movements are poetry.
I'm in love with an artist who's modestly vain.
I am completely in love with a rationalist
if only because he's clearly insane.
I'm in love with a girl who's crazy about God.
I'm in love with another who spoils her dog.
I'm in love with the world when it's not bearing down on me.
Love as far as the eye can see.
I am in love with myself -
it feels good and true,
but more than anyone,
I'm in love with you!
More less than three please

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