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 Jan 2016 Anon C
Third Eye Candy
singing you is no problem.
but the problem with problems is no one cares.
no one hurts as they should; we only love deep enough to call it love
and that's a day of smooches
in the cavern
of our long
lost.

a soft job. a mule in the crater
where love is a function...
[ not a joy. ]

give me your meadows to restore the talk -
of our murmur amid the silence
in our meadow of
too loud
but twice
dark.

let's be friends that hold the grudge
like opening a present
where a future

veered off.

let's be friends that hold a grudge

and be more than ' **** it '

just for once.

the  problem with problems
must be the tangle
and the sweet
knot.

let's be that.

come on.

come on.

come on.
 Jan 2016 Anon C
Third Eye Candy
Shouldn't I have
loved you
more ?
you seem less dreamy
and the night is fast
like a bird
heart.
But i've been numb.
Remote is a form
of music
but fragile.

it's not cheap
to be real
but slavery has a way of sexing the fool
and no one knows
how much
you hate
till you look
at You.
 Dec 2015 Anon C
Claire Elizabeth
I don’t know if you realized this but for most of the night, I looked you; looked at your profile and your fine, straight ***** nose. Looked at the curve of your forehead and delicate indent under your cheekbones. I couldn’t get enough of this beautiful configuration of atoms sitting next to me.

And for most of the night we laid in our seats and we were always touching, A hand, a few fingers, an arm or our heads. And your warmth transferred to me, and mine to you. We were these two small stars amidst the glowing sea of city lights spread out below us. And we stayed like that for hours.

After all of this, I can’t believe that a person like me would be so lucky as to have found a person like you. Because you are the moon and the small flakes of snow that fall silently at night and you are the hushed whisper that I wish I could hear saying “I love you” at night.

Because I would say the same thing back.
A solid center presages
two generous edges
to shoulder the weight
of the curve: the bow
relinquishes tension
to the anchors of the
taut bow-string.

The wayfaring archer
tends to the curve,
notches the arrow,
selects the target,
gauges the wind,
surrenders --

Riding like an arrow on the wind,      
sure to find its mark in Breath,      
and the end of Breath it portends.
      

A reveler
abiding the flirt
of angle and arc,
finite and eternal,
arbiter of the holy
moment, the dance
linking death with life;

So unbearably
near the horizons,
desire yields its grip
to the coaxing
womb of the curve: tension
sighs into the space
between arrow-head
and its mark.

And in the transmission of feeling      
is the spirit of Life,      
clinging - so gently - to free itself      
of its own burdens.
      

A sudden violence
voids archer and stag:
Continuity rushes forth
to meet the sacrifice.
The heart of the bow
resumes its tension.

And the curve
evaporates,
all but a trick
of Timing.
Mathematically inspired.

Italicized portions are from "Memory Is A Prison" (http://hellopoetry.com/poem/557707/memory-is-a-prison/), a work of automatic writing the meaning of which is further illustrated here.
 Dec 2015 Anon C
Dana Colgan
Ive given up
on you,
on me.
On you and me.

For you will
never
Be for me.

And thats
OK.
Or at least
it will be.
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