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Andrew Lees Oct 2016
I wrote this long ago for a friend with cancer - a small malignancy the size of a pearl in her lung. The hateful thing metastasised to her pancreas after two years in the shadows - she lost her battle last week. She was 73. She was firm friends with my mother my entire life, and her own children Isobel and Craig are like my own flesh and blood. I was unable to attend the funeral due to ill health, but she requested this poem be read out at her funeral - I'm sharing it here as a tribute to her, and I've changed names to preserve her privacy and dignity. **


This kingdom's hewn of time and words
And glances flashing over
Shadows, shapes and silhouettes
And pearls of smoke and ochre.

Rude invaders! Generals!
Who dares encroach our borders?
"Naught but pearls my princess, so
We strike! At dawn! No quarter!".

Set shoulders low and feet aplant
And curl your fingers slowly.
Your enemy is swift and lean,
Ten thousand times below you.

No mercy from a princess who
Instilled in fresh disciples
Wisdom, courage, whimsy, love and
When it's called for... rifles.

Gather muskets! Catapults!
Oh marshalls! Summon nurses!
The game's afoot and outcomes?
Well, who dwells on whom we versus?

For masses swell behind you and your
Gleaming armour guides us.
Swords aflame! We saw! We came!
Wakes of pearls behind us!

Ten years hence, one hundred, more
Louises, Davids, Andrews,
Will sing with you your victory,
Sandy Alexandrou.
Andrew Lees Oct 2016
Idle talk and sullen hands and eyes askance at roses--
Nothing more plus something less makes zero, one supposes.

Dust to dust and flowers, well, the flowers dried to parchment
Scribed with future's promises -- in blood, then thrice discarded.

Once was for my labours tilling soil and shaping branches,
Another for the petals growing shells and shields and lances.

Third is wonders yet to come, beyond that yawns a darkness.
But death's concern is transient. We all must live, regardless.
This is a study in 14-syllable lines - dubbed 'fourteeners' (can't imagine why), they aren't very common now but were very popular in the Elizabethan era and I personally think they're all class. Provide a strong meter to draw the eye along (this one uses trochees) and they are lyrical, reflective and quite lively as they skip their way across the page.
Andrew Lees Oct 2016
Clasp your hands behind your back,
Count to fifteen slowly.
Close your eyes and form a wish,
Kiss the air and show me.

Pass my tools, a block of stone,
A glass of wine, and time alone.
Some silk to lay a newborn dove:
Your masterpiece is ready, love.
Andrew Lees Oct 2016
Eyes left wide, for
Now I've seen
The vanguard of my fevered dreams and

Jungle cats pace in my brain.
Paws alight, their
Claws aflame

And sinews
Incandescent white--
Seamless, green, their glowing eyes

Constellate where shadows heap.
Enough! My skull,
The marrow creaks...

What hells we weave
Through. Bitter dreams,
Awake, asleep or caught between.
One of my favourite forms is triplets, with a syllable count of 4/4/8 (or thereabouts). In this piece, I tried inverting every second stanza: 4/4/8, 8/4/4 et al. I think the inversion worked, it provides a nice visual and metric link between each stanza and lends the piece improved flow. It's a worthwhile device I'll definitely be exploring further in upcoming pieces.
Andrew Lees Oct 2016
I've caught this instant - firmly, by the
Tailfeathers. Plucked in darting flight and
Iridescent in the hollow of my hand, sheer
Primacy is utterly intoxicating me.
A study in iambic rhythm, I most enjoy the work and techniques of the old masters and usually try and pay close attention to meter and scansion. Postmodernism has freed up the poetic form but I do love the humbling talent required to work within meter.
Andrew Lees Oct 2016
My fingers close on nothing more
Or less than what was there before,

But what is now was meant to be.
This heart will starve in reverie.

So to the next, whichever path
This river takes, what's past is past,

What's next is next... but now is mine--
My gift to me, all bound in twine

And velvet drape. The water's still.
Shall I leap? I think I will.
Andrew Lees Oct 2016
I ***** a finger - scribe in red
But lord, oh how I miss my pen.

Yet on I write - I glance, assess
If beauty lurks among the mess...

Not near enough. I slice a vein,
Wipe my face and dive again.
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