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It was a cold dark night
Sailing for Hopes for Dreams
An Island beyond the sea
A home of victory
A home that will
Now never be yours 

Flashes of light
In the torrent of the sea
Father and child
Held on tight
Struggled for their dream
Before my eyes
I saw their dream die
In the cold black pit of the sea
I want to say
I am Sorry

I am Sorry
To all voyagers
Of despair and courage
Their lost Hopes and Dreams
Crossing to
An Island beyond the sea

*To the Hundreds of Souls lost on the journey to Lampedusa
She came into this world
By accident.
Never planned,
But her parents
Didn’t regret a thing.

She grew up with
Her hands stretched out,
Hungry for knowledge
And taking in
Everything she
Could reach.

She was only 9 years old,
When she saw both her parents
Screaming at each other.
She didn’t understand,
“Why are mummy and
Daddy fighting?”
She asked as tears
Started to fall from
Her eyes to her
Delicate skin.
Her parents sighed as
They knew it wasn’t
Working out.
Things were crashing down.

She was only 10 years old
When her daddy left her.
As he carried his bags
Out the door,
She cried,
“Where are you going, daddy?”
He left, without a word.

She grew up,
Without love.
She grew up,
Believing  that
Love is the problem.

She never trusted love.
She never wanted love.
She never needed love.

She was only 13
When she took
Her first puff
Of cigarette.
She was hoping
That her misery
Would fade away,
Just like the smoke.

She was only 15
When she was suicidal.
Nobody knew about
Her struggles.
Nobody knew
She cried herself
To sleep, wishing everything
Was different and simple.
Her wrist was like
Her own canvas,
Covered with scars,
New and old.

She was drowning,
In her miseries.
All she wanted
Was someone to save her,
Or least teach her
How to swim,
But no one did.

She was drowning,
As she watched
People around her
Minding their own lives.

Till this day,
She’s still
Drowning,
Still
Struggling.

And no one
Cares enough
To save her.
 Oct 2013 alan spivey
jar
a few months ago,
you asked me: "What is love?"
As you can see,
it had taken me a long time to understand the question myself,
but I think I've finally come up with an answer.
Unfortunately,
the English language
has only one word to describe something that has limitless interpretations.
In Greek,
there are three words for the three basic types of love.
Eros;
lust.
This type of love
is when you find yourself doodling their name
on the inside of your history textbook,
dotting the I's with hearts
as if you are 13 again and you were just asked on your first date.
You chose that textbook
because it will be the only place no one would ever think to look.
You think about everything you would be far too shy to say or act in person,
making out in the back of a movie theatre
not caring who would walk past,
sneaking off away from your friends just to have two measly moments of what you both call "peace."
Most often,
this type of love is encased in "I love you"
only to obtain a certain goal.
Virginty,
a picture,
or even just one more night
of having them in your arms.
Eros is not authentic,
it is emphemeral.
Phileo;
Brotherly Love.
The friend you would drop anything for in a heartbeat to make sure of their wellbeing,
but also the neighbor you see from time to time watering their garden.
They ask you
to tend to their garden while they are away,
and you do it
even though you've never spoken more than a paragraph to the man
because it is what you believe is right.
This type of love is the devotion of time and energy without any promise of compensation in return,
purely out of the good of heart.
Phileo lasts as long as the people do.
The final type of love
is Agape;
unconditional love.
In religion,
we are guided
or pushed
towards showing this type of love towards the diety.
Yet, very rarely
it is shown towards a human being.
Unconditional love
is the ability to say so much with only uttering a single word.
I have experienced this love,
it is great pain
and great sadness
but the feelings of pain will never leave my lips
in case they are transferred to the person i wish to have the least pain.
This kind of love
is when it is not only enough that you think about them every waking moment but every slumber-filled one as well. You have hung up your needs at the front door along with the key to your heart and devoted yourself entirely to them,
even if they don't reciprocate.
They have been adopted by your body and taken the form of a vital *****.
If you do not
pay absolute attention
to them at all times
you will run into many problems.
You need to keep them running smoothly in order to stay alive and healthy,
because without them you are nothing.
You are a sorry sack of bones with a beating heart with no purpose.
Unconditional love is taking all the lessons you have ever learned
all the rights and wrongs you have finally learned the difference between and throwing them out the window.
It is the thin line between sanity and insanity,
heaven and hell,
and safety and danger.
You walk the rope
from building to building
without the promise of a net.
Unconditional love
is authentic,
but not emphemeral.
((Love *****, don't do it.))
 Sep 2013 alan spivey
Mara Kennet
I wanna smoke a cigarrette with Obama

We’ll lower the sound on Futurama

He will hand me a pack of Marlboro or Newport

He will puff I will puff

Life will be like a resort

We will talk about politics and in vain

Puff again puff again puff again puff again

We would smoke and we would quit

He will swear again

For six years ”no cigarrettes lit”

I will quit smoking too

We will play peekaboo

And turn the volume back up on Futurama

I will boast to my friends

I quit smoking again with Obama
You shouldn't kiss guardrails
Because they have chapped lips
And the jagged edges
Will slice your tongue
Whenever you touch them

You shouldn't kiss guardrails
Because metal on metal
Isn't a forgiving sound
But you already know that
From when you had your first kiss
And you were each wearing braces

You shouldn't kiss telephone poles
Because they are sensitive
And will bite your lip with an electric current
But not in the way that you were hoping

And rear view mirrors aren't for decoration
But you never bothered to look at them
When you were desperately switching lanes
And speedometers aren't for your entertainment
But you always enjoyed watching the needle fluctuate
As though your life depended on it
(It did)

And the high beams of oncoming cars
Aren't Christmas lights in restaurant windows
And crashing through the windshields
Won't bring you any closer
To the apple pie the bakery down the street made
That always reminded you of home

And even though you no longer recognize
The town you grew up in
Or the boy you fell in love with
You shouldn't kiss guardrails
Because they might kiss you back
But not in the way that you were hoping.
 Sep 2013 alan spivey
Shevola
(FAT)
 Sep 2013 alan spivey
Shevola
I think of this world all day                                      
When I open my mouth, I've nothing to say          
Nothing to take this word away                                
It's clinging, it's hanging, it's here to stay.
(fat)
I think of this word at night
Is it why you can not hold me so tight
It promised and pleaded to make things right
So why do I lie rigid in fright?
(fat)
I think of this word inbetween
Insane as though it may seem
It haunts my each and every dream
Pulls life apart at the seam
(fat)
I think of this word when I'm with you
I say I'm fine
(it isn't true)
I need you
to STAY
to guide me through
I'm sorry
But really,
I do.
 Sep 2013 alan spivey
Shevola
Emerged from the forest of before,
lying out here on nature's open floor.

Hushed silence descends on the crowd,
astronomic anticipation deafeningly loud.

And an audience of many a twinkling light,
an audience of burning green eyes keep us in sight.

The spotlight is trained on a boy perched on a red box,
He ignores the creaking seats and the rude whispered talk.

The silence is blessed,
as Jupiter smiles down from above,
As the grass tickles our cheeks,
Necks arched
We need to behold it.

Clasped in embrace, lips coiled in fear,
Something is stirring, monsters of society rear
Ugly heads to turn away,
Their anger, their fright, their life...
is on display

A star gazing ******, new to this universe,
new to the way the galaxies converse.
New to the language of this astrology,
I now write previous lives eulogy.

Even though this masquerade leaves us dissuaded,
its lines ensnare us, to overlook mumbled words
and taut stagnant blank faces.
This dancing boy cries out in many voices,
now he's loud enough to be heard.

And then we see it and it's in the sky,
I don't want forever and I don't want why,
I just want to hold stardust in my hand,
To recall, remember, rewind.
As  I will never understand.

In front of our eyes, they speak the final words
linked together by their unity.
One does not surpass the other,
and in their eyes we find serenity.

Who cares what you are
Under a star
Who cares how you feel
Because nothing is real
There's always more than you or me,
the world is bigger than what we see.
It's not just our stretch above,
there's more to accept and more to love,
And two hands on either side,
lead me to open my heart. Open it wide.
To swallow the stars and swallow the sky,
Swallow this terrible tragic lie
Whole.

Looking into portals to Heaven or looking into
the realms of the mind,
Whether someones is listening,
up there- I solemnly believe to find-
That someone is "vested in your success".

SO OUR LOVE ALWAYS
The description of our (myself and fellow Hello Poetry poet Aisling O'Leary) night. It consisted of theatre and star gazing.
It's 3 am and you're restless again. Your thoughts wander briskly through the fields of memories of him and you find yourself picking each one and holding it delicately in your palm. The lights from the streetlamps outside your window peek through the blinds and illuminate synthetic stars onto your ceiling which you count like each kiss he ever placed on your cheek. Your legs are wrapped up in your sheets like the way they used to tangle around his ankles every evening. You roll onto your side and attempt to close your eyes once more, calling out to a peaceful slumber that has been evading you for weeks when suddenly, you hear a whistle in the distance. You open your eyes again to see the stars growing into spotlights that threaten to swallow you like black holes, but without the mystery. You immediately grab your wrists out of fear that you unconsciously took a blade to them but you are greeted by scars that have been forming for approximately three years (and eleven months). Your heart threatens to pound its fist through your chest as you slowly turn to see what the source of the light is. Just as your shoulders align with your mattress, a man steps from what appears to be a train engine and greets you with a nod of his head.
"Good evening, sleeping beauty," he begins sweetly, "I have come to extend an invitation to the night train."
You bring your hands to your eyes and attempt to wipe the hallucination away from your vision but when you open them again, you see the man gazing intently.
"It is my understanding that this is your first meeting with the night train," he states as he waits for you to supply an answer.
You nod your head.
"Well, my dear, the night train is here to offer a sweet elixir to cure this sleepless evening. You see, the night train's purpose is to supply the recipient ("that's you," he says behind his hand) exactly twenty minutes of time spent anywhere of their choosing. And then, once the time is up, the recipient must board the train once more, and will be met with approximately eight hours of uninterrupted slumber." He pauses as an assurance that you are following along, so you nod your head slightly. "However, the catch, you see, is that if the recipient does not board the train at the end of the twenty minutes, they will find themselves trapped in a restless oblivion with the promise of never again finding the comfort of sleep." A slight smile tugs at his lips as he tilts his head out of sympathy. "This may not seem to be much of a threat considering you are currently wrapped up tightly in your bed, but I assure you it will be tempting to remain within the place of your choosing, despite the whistle of the night train."
Unsure of what else to do, you nod your head once more.
"Alas, now we must be on our way, because the countdown begins in exactly three minutes! So I urge you to think quickly of where you would like to be taken!"
As though the train has suddenly run into your chest, the meaning of the opportunity that has been placed in front of you knocks the wind out of you. Before the conductor even finished his sentence, you knew exactly where you wanted to go, so you swing your legs to the side of the bed and push yourself upright.
"I would like to be taken to July 13th at precisely 2:32 in the morning," you say quickly as you flatten your restless hair to your head and straighten the t-shirt you are wearing.
"Very well, very well. Now board the train, my dear. And we'll be off to the morning of July 13th, but I urge you not to forget your time limit of twenty minutes!" He places his hand on your back and ushers you into the train, guiding you to a red velvet seat lined with golden stitching. Once you are comfortable, he disappears into the cabin and blows the whistle before pulling out of the station that is your bedroom.
With no warning at all, you feel a tightening in the pit of your stomach and before you even have time to clench, you are sitting on a rooftop overlooking a vibrant city.
"I just don't know anymore. It's like- It's like everything I once knew has been flipped upside-down and I'm just expected to be okay with it. But I'm not."
You blink a few times in an effort to adjust to the sudden deja-vu that causes your head to swim in the memory of an evening you have constantly waded in.
He is sitting with one leg tucked beneath him and the other dangling over the edge, as though even his limbs can't decide whether they want to take the fatal plunge or not. His hair was always absent of color, the kind of black that made you question the material of the universe because even the night sky couldn't compare to the degree of darkness; but it seemed to be doing just that as it laid haphazardly across his pale forehead. His bony fingers are clutching a nearly empty bottle of gin which he brings to his lips between sentences. He continues speaking as though you didn't just appear out of thin air beside him.
"My mum doesn't even pretend to understand anymore. I've heard her mention boarding school at least three times this week, despite my constant refusal to even speak of it. She knows the walls in the apartment are paper thin, so I know she brings it up because she knows I can hear it. But I don't want to hear it."
You notice the vacant look in his eyes as he stares into the horizon, like a hotel room that has been emptied of every belonging, including the light bulbs. He uses his free hand to adjust the collar of his leather jacket before taking another swig of the gin.
"I just can't stay there anymore, and she knows that. Deep down, she knows I can't stay there now that he's gone. I just can't."
His voice is as hollow as his chest as he uses his tongue to wet his lips before turning his head slightly to look at you.
"I wish you could come with me, I really do. It would be quite the adventure, the kind that we used to dream of having. But I can only afford one ticket out of town."
He places the bottle on the ledge, dangerously close to the edge, before resting his sweaty palm on your exposed thigh. His eyes travel from your legs to your forehead, and he leans forward to place a kiss on it, but he misses and falls into your lips. Just like before, your hands land on either side of his face, catching him before he falls completely, and you suddenly find yourself exploring the warm cavern of his vulnerability. His tongue swirls around your own and you taste the bite of the alcohol on his breath but this is the moment you have always craved so you soak up every bit of it. He pulls away just as your heart starts to tremble, and he wipes his mouth with his sleeve before picking the bottle up again and stealing a drink.
"I wish you could come with me," he says again, his eyes now focused on the street below. "But I fear I can only afford one ticket out of town."
Just then, you hear a whistle, but the timing isn't right. This is the moment you would have died to change, and now you've been given a second opportunity, but you can feel it slipping away.
You lean towards him, softly placing your hand on his arm.
"Come with me. We can go anywhere in the world that you please, and I promise it'll be better than here or there if we're together. Because I can't go where you're going, because I can't pay that price, but I want to go away with you, I do."
You search his empty expression, hoping to grab some string of familiarity that you can use to pull him back to reality, but his eyes are locked on the parallel lines beneath.
The whistle grows louder, this time stinging your eardrums, and you know that your time is running short, but you can't let him go.
"You don't have to go back to your apartment, you don't have to go back to your mum. We can runaway tonight, together. You and me, just the way it was always meant to be."
Your voice is shaking and desperate, getting louder with each word that you speak as the whistle blows from behind you, threatening to leave.
Just then, a hand falls upon your shoulder, and for a second you allow yourself to glance over, and it is in that second that the body before you tips over the rooftop's edge. Your heart falls like a weight in your stomach, just like on the evening this event first occurred, anchoring you to the cement and preventing you from going after him. The conductor who now stands behind you grabs your torso and pulls you backwards as you scream his name into the night sky. You kick against his hold as he drags you back onto the train and into the velvet seat again.
This time, you were unable to hear his body land on the pavement.
This time, you weren't able to look down and see his hands lying ten feet away from the rest of his body.
This time, you didn't get to perch on the edge and contemplate for hours joining him.
This time, you couldn't blame yourself for being speechless, for letting him be the star of his shining moment, because you attempted to be his Juliet.
You didn't realize you were still screaming until the conductor grabbed your shoulders with his hands and shook you quickly.
"Quiet my dear, I fear it is time to go. And I was unwilling to allow you to remain any longer, but I fear you will only be receiving six hours of peaceful slumber."
You look at him sternly, unsure how he can continue to speak of this ****** night train and its guidelines after you just watched the love of your life commit suicide for the second time.
You take a deep breath before speaking, "I don't understand the point of this, why bring me here if I couldn't change anything? Why allow me to relive this if it didn't make a difference?"
He smiles sympathetically before beginning, "oh but it did. You see, for three and a half years you have been tossing and turning, wondering what you would have done differently and if you would have been able to change it. But you see, the past isn't something that can be changed. It can only be relived again and again within the minds of those who continue to contain it, and the pain of the past and the memories that come along with it will feel just as real as the day they happened if you continue to dwell on them. Eventually you will see that tonight made a significant difference, because you were finally able to recreate the scenario that you always dreamed."
Your mind is running at a faster speed than the train as it makes its way back to your bedroom, and you can't seem to comprehend what the conductor is saying.
"So you're telling me that the whole reason behind this was to show me that he was going to die whether or not I tried to convince him otherwise?"
He places a gentle hand on your shaking shoulder and replies, "the reason behind this was to allow you to finally put the past behind you and grant yourself the pleasure of peaceful slumber. Because you see, my dear, there is no such thing as the night train. It is merely a figment of your imagination. Deep inside you, you realize that nothing you said could have changed that night, but you needed to dream another possibility in order to believe it. Now believe it."
"But I-" you begin to speak but in the blink of an eye, you're suddenly sitting on the side of your bed, your shoulders no longer shaking. You blink again, trying to make sense of everything. You bring your hands to your face and feel your cheeks, reassuring yourself that you still exist. You look around once more, noticing the stars upon your ceiling twinkling as though they are winking at you like the conductor of a mysterious night train. But you realize that you are in your bedroom, in your t-shirt, as though you never moved beyond that point. And you find that you're unsure whether it was all a dream, or whether you really did go for a ride on a night train, but you decide to lie back down and attempt to sleep anyways.
And six hours later, you find yourself awaking from a very peaceful slumber.
 Jun 2013 alan spivey
dr Jade
If only I knew how it would end
If only I was certain of how you felt
If only you believed what I said
And if only when I tried to fix things, they became better

If I knew how to show my feelings
If I knew how to make you believe
If I knew how to make you happy
And if I knew how to make you feel loved

If letting you know how I felt didn't cause me to be numb
If making you believe didn't make me a liar
If making you happy didn't leave me sad
And if making you feel loved didn't make me alone

Things would have never reached this point
No one would ever blame you for not caring
No one would blame me for not thinking
Maybe you and I would be better than this
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