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I'm an assassin
a man of ******
I will **** your memories
and place them
in the dustbin of time

Sweetness comes with sleep
memory is illusion
****** a thing of gripping hands
and gasping breath
the only thing real
is my hand
holding this pen
a dog's tongue
on my face

Summer has settled sweetly here
we enjoy the hours
take pleasure
in the taverns
and circuses of this life

Our merriment obscures
the steady progress of time
the creeping insecurity
of old age

But I say
let merriment prevail!

In the face of all these
bogus truths
I choose only
truth
a steely resolve
and what might yet prove
to be a vain hope
in eternity

Time tells its tale
and time will tell
I have no idea where this came from. I was talking to my daughter and the first stanza came out of our discussion. Who is this assassin?  No idea. My daughter is very tolerant of her dad.
Muted warning
red-line horizon
submarine morning
a full moon wanes
by nature, earthbound
yet of the heavens
meant to transform

those seeking sky
forget the ocean
how stars appear
upon reflection
celestially untethered
navigating the wild
uncharted reach
 Jul 2017 SK O'Sullivan
Lora Lee
applying his
              lingual buds
   to the smooth
lush of her
thighs she rippled
         as a lava lake,
          no stone skipped            
                          just
melting milk, lapped up
in hungry pulses
cream of silk
   pounding thunder
        in consonants of
             taut skin drum
                nuances in vowels
         uttered in
animal dissonance
his bristled breath
all over her
              fingers
salivary intentions
over rim of lip
feeding the emptiness,
a holy vessel
more ancient than
        before time
              now ready
              to be filled by the
           essence of feminine
pineapple juice drizzling
firebud glistening
in fuchsia exposure
open gateway
      to divine outpour
a sacrificial altar
of unmasked psyche
completely stripped of
                     any pellicle
his palms firmly
planted in hot muscle
thumbs parting
            glory's hole
deer at the saltlick
lost in the velvet
just pour it in
thick molasses
not stifling,
only honeyed bark
multi-hued like
      eucalyptus deglupta
in buttery tips
dripping love,
all over her lips
and just like that, in
slick-painted dabs
of their own
acrylic-drip art
just like that
in the wild
            and thick
explodes the ache
of her
ripped
         apart
   heart
https://www.youtube.com/watch?v=zuuObGsB0No
 Jul 2017 SK O'Sullivan
L B
Could the sun be
    just
    a hole up there—
    that if I could leap
    would enter that breach of light

Someone!
   Throw me a line!
   Give me a reason
   There’s never enough
   in this life of breathing!

Someone!
   Explain why dreams roll a soul
   toward the cliffs of day
   Wakes to ache
   then stuffs its mouth
   with necessary same
  
Inhale—
   button shirt—brush hair
Exhale—
   necessary glance in the mirror
   (yes, still there)    

A lifetime!
   in a shallow instant’s stiff clear water
   (Yeah— still there)  
   in endless caverns of tired eyes
   above mouth still trying
   to say SOMETHING!  
   from ever smaller eternities
   in the glass-flat empty....

Please! Someone explain!
   this draw of breath
   one forcing itself upon another's
   life
   of beating —
   Violence in my chest!

Why hearts don’t sleep—

and I wind up watching
again and again—till
I am the ******...

...Morning lies
   in the mists of a humid *****
   who moans and sweats
   and boils her hips—
   and I wind up watching!?

“Will someone please…!"

   ...and I wind up watching
   bedspread, bed sore, death bed
   till you’re breathing easy
   when she sits and picks
   her collapsed bouffant
   damning the makeup
   that got crushed in the sheets

…Morning
Lies--

   with no expectancy
   both tired of knowing...

   ...The Devil lost his balance
   in my presence one night


...tired of knowing—

THE WILL!  
THAT WILL!

  ...walk away
   or continue to play

   I could open this screen!
   watch the world STEP BACK!
                                 SLAP FLAT!
   as trees and dwellings flush like quail
   to prop their tottering panic
   against the blue—

You—assume composure...
   compose assumptions
   Await my next—

Move like a spy
1990
Why I don’t play chess or any other game
for that matter.    
    
“...and when you're really out there
the windows all have opened onto nothing...
Death having long since-- left the scene.
When you get really out there
it's all--
and nothing…”
They bring with them the baggage of men
the lost children attempting pathetically
to recreate the aura of time long gone.

If you discount the roughness of skin
travel past the thick hedge of beard
penetrate the silt on the eroded eyes
you can delayer the hardened coats
and get to see  faces barely recognizable.

Some were once too close to be missed
their names and all
but most you could hardly recall
and it agonizes your thought
were they in the same class or not.

You smile till your jaws ache
fetching stories from the blue
dazzlingly colored and half true
for they are all in the mood
to joyfully succumb to falsehood.

You could tell from the body language
who's  in the backburner
and who on the front page.

Forty years break and make men
but they feign happiness
to be united again.
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