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Malcolm 4m
The Riptides of Desire
The sea
violent, endless
rips through us,
tearing our skin open,
salt & sweat,
bone,
breath
I am her storm,
she, my fire.
Waves crash
no,
we crash
our bodies,
splitting apart,
pulled apart by hunger,
fury,
desire—
my hands,
no longer mine
they are the tide,
carving through her flesh,
carving
pulling,
twisting,
dragging her under,
deeper
her skin
no, it’s not skin anymore,
it’s ocean,
waves crashing against us
against me
against her
our bodies locked,
twisted in the churn,
wet,
raw
Can you feel it?
She breathes me in,
she loves it,
the chaos,
the salt,
the burn
and the boat,
it’s nothing now,
a splinter in our wake,
floating, forgotten,
we are the ocean now,
together,
each ******,
each movement,
a wave crashing,
drowning in each other,
rising again,
faster, deeper,
until there's no air,
no thought,
only this
only us,
lost,
in the fury
the boat?
No,
it has forgotten,
it is the ocean,
and we are its fury.
Roar
like claws tearing bone,
skin is the world,
and I rip it open,
tasting heat,
tasting salt,
a vow,
my mouth like fire
every inch,
a storm pulling her,
dragging her body
into wreckage.
Her breath,
a wet snap,
gasping
skin splitting,
she loves it,
tearing apart,
not enough,
never enough.
We drown
together
in the swell
every motion,
a rip of sound,
bodies scream,
louder than the waves
the boat’s gone,
forgotten,
we are the ocean.
Copyright Malcolm Gladwin
March 2025
Riptide of Desire
Malcolm 9m
Sometimes Irony and Murphy’s Law
lend to each other.

The blind man leads the deaf man,
they debate honest politics
one can’t see, the other can’t hear,
while they are nicely seated
at the corners of the round table,
which has no corners but still divides.
The preacher damns the sinners
between paid confessions and rented beds,
his sermon reeks of whiskey and perfume.
He calls it redemption; she calls it a Tuesday.

The poet bleeds words,
the painter stains canvas,
the ***** does both, but she’s still a *****.
If she starved, she’d be a muse.
If she overdosed, she’d be a legend.
But she lived,
just another body in the gallery of wasted virtue.

The doctor dies in the waiting room.
The fire truck burns before reaching the fire.
The cop gets robbed at gunpoint.
The beggar wins the lottery,
gets hit by a bus cashing the check.
A man buys a gun for protection,
the burglar uses it against him.
The city floods after a decade-long drought,
the farmer's crops drown before the harvest.

We wage war in search of peace.
We bomb cities to set them free.
The soldier fights for his country,
dies nameless in foreign soil.
The treaty is signed,
and the killing begins again.

You save your whole life to retire,
then die before the check clears.
You pray for strength,
but your bones grow brittle.
You wait for love,
but when it comes, your hands forget how to hold.
You ask for honesty,
and they call you cruel,
when the only truth you find
is in between all the stale, day-old lies.

And when the show ends,
they’ll bury you in a suit you never chose,
in a box you paid for but never wanted,
under dirt you’ll never see
and they’ll say you’re at peace.

Isn’t that ironic?
Copyright Malcolm Gladwin
March 2025
IRONIC isn't it
Malcolm 9m
What does the body do with a wound it cannot close?
A memory that just won't fade , a dream that replays a thousand times that you can't run from!
Thoughts that drown and swallow you from the inside out.

The wind shreds its own breath, bleeding rust between its teeth. Oh the taste of Iron ! All too familiar, all too real.
A mouth unhinges. Not to scream, not to pray—just to split, broken thoughts, empty.
Something shatters under the skin—bone, voice, meaning— lost , no where to hide.
a hymn reduced to marrow, an altar eaten from the inside out.
A stone convulses. A rib cracks sideways. A name chews through its own vowels.
The night is nothing but a muscle torn at the root, a cycle of endlessness wishing to wake,
Someone calls it silence. Someone else calls it a door, Someone else calls it just another day.

The sky folds its hands around your throat—gentle, terrible but real.
A shadow smears itself across the butcher’s glass, lipless, waiting.
It does not tremble. It does not bow. It does not ask for absolution.
There is no language left but sharpness
a blade taught to speak, a wound taught to listen.
The body clenches. The temple locks its ribs from the inside.
No light. No threshold. No key.

Bite down. The feast was never hunger—only teeth.
Only the **** where something holy used to be.
Only a body unraveling at the seams, ribs pried apart,
an opening that does not beg for entry, only release.
How much must be swallowed before the wind stops choking?
How much must be unfastened before a name becomes silence?

Something is laughing in the dark, carving its grin into the walls.
It does not starve. It does not sleep. It only breaks its own reflection.
The table is vertebrae stacked until they no longer stand.
Knives press their edges together, breathing their final, wicked breath.
The world shrinks. The marrow runs dry. The tongue dissolves into salt.
A prayer curls in on itself and turns to bone.
Something drags the night forward by its hair,
tearing the sky into something less than sky.

A door is opening, but not for you.
A mountain swallows a name and does not return it.
The wind waits, throat hollow, unrepentant.
What does a body do with a wound it cannot close?
What does a mouth do with a blade it cannot swallow?

How many doors must be devoured before the wolf walks through? Ready to chew upon the broken bones of the weak and innocent.
Copyright Malcolm Gladwin
March 2025
Mouthful of knives

— The End —