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 10h LL
Zywa
He sings about me,

about my desperation --


Everyone hears it.
Song "Killing me softly with his song" (1972, Lori Lieberman and Norman Gimbel, music Charles Fox), sung in 1973 by Roberta Flack (album "Killing me softly with his song")

Collection "Finethreads"
Now at the end of all things
As we're breathing sulfur and
Lead's pouring over our heads
I'm glad you're the one I'm
Sharing the trenches with
This is the first thing I'm able to write in almost a month. A little piece about my mental health struggles and how grateful I am to the ones that have my back right now.
 10h LL
Vianne Lior
Mornings licked amber—
wet, bright—
papaya pulp split in the grass,
rain still steaming off rooftops.

they came—
sway-backed, jewel-eyed—
weaving cobalt ribbons through the cricket fields,
feathers slick as oil spills.

I waited—
barefoot, rice pinched in small fingers—
not offering—inviting.

they took—
beaks sharp,
eyes glinting like they carried whole summers behind them—
but they never left.

even when the rains came—
hard and urgent—
they stayed, hips swaying under silver sheets,
tails dragging through warm mud.

I thought they danced for me—
as if the whole monsoon belonged only to the girl watching— silent, secret-spined—
hair curling at the nape—
too small to touch,
too quiet to call them by name—
but they saw me.

I know they did.

they crowned me in silence—
Princess of Puddles,
Keeper of Small Hungers.

somewhere between the serpent hunts,
the rain-slick pirouettes—
I learned how beauty moves—
how it takes without asking,
how it lives without needing to be seen.

they were never mine—
but I belonged to them—
to the fevered mornings,
to the blue-green shimmer folded beneath heavy air,
to the secret language only wild things speak—

something wordless—
something that never leaves you.
Every morning, on my way to school, I passed by those peacocks—swaying through the fields, feathers damp with night rain—the first beautiful thing that ever made me feel chosen. Feeding them in my backyard became the quiet ritual of my childhood, and still remains one of my fondest memories.
 4d LL
Marc Morais
We built
a tower
with hands
that did not know
how to touch.

It rose,
stone by stone.
Each word, a brick.
Each silence,
the mortar.
Promises—
vanishing into air.

We stood
at the bottom,
blaming the height
for our aches—
but the tower
was never
what broke us.
You do not taste like cherries
Cherries taste like you
she showed me how to make a cherry knot with her tongue, then she showed me where else her tongue could be used
 7d LL
Marc Morais
It doesn’t stay neat—
nothing does.
Not the room.
Not the mind.
Not the feelings
I have for you.

I spill everything out—
ink, blood, tears—
whatever I hold
too tight.

Even the rain
trips over itself,
but you call it
beautiful—
you always do.
 Feb 22 LL
David J
Another glass poured
He knows my favorite drink
Tepidly . . . I take it
“It’s on the house…”
 Feb 21 LL
badwords
They will tell you there is a right way.
They will hand you a torch and call it the sun.
They will roll their words in raw linen and whisper:
"This is what poetry is meant to be."

And you will nod.
Because they have made it so that not nodding feels like blasphemy.

But listen—
the ink does not check your credentials.
The meter does not ask if your suffering is organic.
A line does not collapse because it was crafted instead of bled.

They will tell you a poem must be naked, barefoot, aching—
as if there is no beauty in a well-cut suit.
They will decry the temple and build a pulpit in its ruins,
preaching freedom in a voice that allows no dissent.

Good poets are cult leaders,
and the first rule of the cult
is that they are not one.

So write the sonnet, carve the sestina,
sculpt the page in iambic steel.
Or break it, shatter it, scatter its bones—
but let no one call your wreckage untrue.

And if they do,
smile.
Because poetry does not kneel to priests.
A counter-point mirrored in style to:

https://hellopoetry.com/poem/4983752/good-words-are-clickbait/

The morale of the story is:

try not to dictate creation and by extension freedoms.
 Feb 21 LL
Kelly McManus
The older you get
the shorter the days become
so live while you're young
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