Bellowing trumpets call the palace to order and servants,
Dressed from head to toe in exquisite lace,
Promptly wave their lush palmetto leaves while the Pharaoh
Ambles domineeringly down the marble corridor.

Though the floor rattles at the cries of enemy soldiers
Penetrating the once impregnable palace walls,
The mighty Cleopatra, exuberant in both beauty and intelligence,
Maintains a powerful, dignified forbearance.

Immune to cowardly apprehension petrifying those surrounding her,
The Pharaoh relies on only her brooding heart to guide her.
Though her once opulent eyes scorch in melancholy,
They look onward toward the cynosure of her existence.

Clad in dense armor, Mark Antony clasps his sword resiliently,
Pacing nervously back and forth throughout his room
At the thought of the danger soon to overtake him.
His breath hangs heavy on the seaside air.

Antony’s complexion brightens at the sight of alluring lover,
And he releases his guard, opening his arms as she approaches.
Shouting erupts from the neighboring corridor
Though neither he nor Cleopatra discern the enveloping chaos.

As Roman soldiers zealously round the corner and overtake the lovers,
Waving their weapons high in hopes of slaughter,
The couple’s lips merge together as one,
Producing an everlasting bond that no sword could sever.

Sometimes I am as eloquent
as a tomb in a merry park.
Revelers fall silent in my presence.
And when they walk away,
their footsteps on the gravel path,
dumb with forebodings!

At other times I am a wild lily
that had escaped the gardener’s notice,
waltzing with the roses and dahlias,
to the pitch and fall of the breeze.

It disconcerts...
to be thus
conspicuous.

No man is an island,
Entire of itself.
Each is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manner of thine own
Or of thine friend’s were.
Each man’s death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

Time stops when you're running away from me.
We are rising with the sun,
singing the moon to sleep.
Your voice is an aubade to the meadow.
We don lopsided crowns
to go out and **** kings.
The seasons turns before I wonder
if the wind ever won your war.
You tip your head back and smile,
easy and teeth bared,
watch the way I let go of my handlebars.
We have never looked so young.
You say my name like a hymn.
We leave peaches on the windowsill
and mint leaves on the porch.
Our own kind of magic.
Not even the earth has enough hands
to hold us hostage.
We lay down in the flowers
just to say something terrible.
It might be the first time I've spoken in years,
the way the words scrape my throat.
You dont need a reason to be free.

Time remains negligent to desire and necessity, tumbling away, thieving choice.
Absence and plea linger in the vastness formerly home to love and anticipation.
Torment lurks, prowling, creeping, and waiting. Its talons prodding.  
Sickness twists and churns at the mess that has become my core.
Anguished reflections of life or revelation in this infertile void
Fraught inaudible cries like howling winds unable to spin out.
Amassed coveted control.  Now Impotent.  Wasted.
Futility absorbed by unventilated internal infernos.
Pleading for relief that is not to be.
I remain. Barren.

.