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When I were recruit in the Army
And standing there on parade,
Sergeant, he thought I was barmy,
For on collar I'd marmalade.

This happened on morning inspection,
That we'd had before work, which was drill.
And I'd just got back from my breakfast
Where of marmalade I'd had my fill.

Now sergeant seeing marmalade,
Stood back and rubbed at his eyes.
'How did that get on your collar', he said,
And his voice reflected surprise.

'It happened at breakfast this morning' I said.
'Twere my turn to fetch in the brew.
And cookhouse were crowded as usual,
At table were usual crew.

We'd finished our eggs and our bacon,
A fine, sumptuous meal had we made.
And I'd thought to mop up grease from my plate
With some bread spread with marmalade'.

Now sergeant at this point turned purple.
His eyes disappeared out of sight.
My squad it started to giggle.
Which I didn't think was right.

I went to go on with story,
Explain about marmalade.
How it might have got onto my collar
And upset the sergeant's parade.

But to listen he suddenly seemed of no mind.
There were specks of his spit in the air.
The foam round his mouth made him seem most unkind
And he swore, which I thought were unfair.

Then, 'Cheshire', he said (that were my name),
'I think you have had your fun'.
He whispered 'now go to the guard room'.
Then screamed 'at the double go, run'.

So, I doubled away from sergeant's parade
knowing not, even now, what I'd done.
But I'm sure that he who flicked marmalade
On my collar did so in fun.
On 15 January, 1959 I enlisted into the British Army as a boy soldier. The weather was bitterly cold and I do not think that I have ever felt so lonely. To my knowledge, Cheshire never existed but he is real; a summation of memories from that time.
Lynette I Love You

Let not cruel age
Your love distort,
Nor heed impetuous time.
Ever hold my heart to yours
Then tell me that you love me.
Tell me that you love me,
Ever tell me.

In that moment when our lips caress,

Love divine, its own embrace.
Of kisses sweet, divinely bless those
Vital, pulsing, thoughts which bind
Each moment’s thrusting joyfulness.
Your love; my love. These fifty years so sure
Of breathing, eating, feeling. We confess it’s
Us, as we have felt and feel both then and now,
and evermore.
My Muse, she’s flown I know not where
I sit here tearing out my hair,
And why this need to write a word?
It isn’t mad it’s just absurd.

And yet, and yet, despite it all
I think my thoughts might still enthral.
If only I could set them down
Instead of coddling with my frown.

But Muse why did you go away
To leave my life in disarray?
What happened that upset you so?
What did I do to make you go?
Caesar’s Ghost

Last night I spoke with Caesar's ghost.
We both had had our fill of wine.
But then the ******* made a boast:
How his blokes would have beaten mine.

Now, a General I have never been.
Whilst saying that reluctantly,
I could not argue what he had seen.
Thus, had to think most carefully.

Therefore, I spoke of contact drills,
Of duty weeks and other thrills.
And of the things that I had seen
Tales of what I once had been.

But carefully, not beating breast,
For after all He was the best.
Recounting only what I saw,
Not saying much about my war.

But talk, why not where I have been?
Am I ashamed of what I have seen?
Or, I am asking, is it wrong
To beat one's chest, to sing one's song?

That man of Caesar's who jumped ship
With Eagle held in calloused grip.
Inspiring witnesses to roar,
Then wade with him to Britain's shore.

Is he so different? Or might I say
To Caesar, “come round here and have a look
At all these men so brave today.
Would you have put them in your book?”

No. Really what I meant to say
To Caesar was that on the day
He launched his men through thick and thin
It was because he meant those men to win.

Whereas in our bold day and age
No matter who might shout and rage
We do not do that anymore.
We will fight, but not to win the war.

Which is why I left the swine,
Came back to Earth, peered at my wine.
He knew, thus his boasting leers.
I knew he knew, thus my shame and these my tears.
On Rosemead Road, my morning’s walk,
A hill that’s far too steep for talk
Or mumbling, grumbling, so I climb
In silence; and to make my time
I shorten step, I pump my arms,
Now’s not the time for social charms.
Nor acting as if on the stage.
This time’s for beating off old age.
When your muscles are starting to let you down,
When your hearing what’s not being said,
When the staircase at home turns your smile to a frown
When the shopping fills you with dread;

When kids use words that you don’t understand,
When on trains and buses you’re offered a seat,
When you feel that your life’s getting quite out of hand
When you fear the dark in the street;

When people ignore the advice that you give,
When the young deign not to notice you,
When every thought sours the way that you live,
When you can’t see the point of the things that you do;

When it’s all too hard to comprehend,
When there seems no point to even try,
When all you want is to grasp that end
When its finally time for you to die.
Michael Shave Jul 21
My mum used to pause her reading now and then.
Rustle the paper. Give a sigh.
Then, looking over her glasses to us kids at play,
“I don’t know what this World is coming to”
She’d say.

Of course, we never used to listen.
What child ever did or does?
Which probably explains the reason why mums still say
I don’t know what the World is coming to
Today.

I mean, Black Lives Matter, of course they do.
And Social Distancing, it ain’t much fun.
But gracious me, with all that stuff on social media, eh?
I don’t know what the World is coming to
Today.
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