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 Dec 2024 Airi Lightmoon
badwords
I was a king of feral dogs,
Teeth bared, a crown of scars.
I carved my throne in crimson tides,
But the echoes of my reign still mar.

In Nowheretown, a purgatory plain,
I lingered where the restless wane.
A crumbling strip, a dying breath,
This sanctuary—a slower death.

The Last Call clung to brittle glass,
A temple for the lives that pass.
Sticky floors, the dimmest light,
A shrine to shadows in the night.

And I, its keeper, silent stone,
The weight of all my sins my own.
I drank to drown the barking pack,
But the ghosts of harm still pulled me back.

She came in silk, in cold November,
A porcelain face I’d always remember.
Her ankh swung low, her steps were light,
And yet, she carried endless night.

“It’s time to go,” she said to me,
“You’ve paid enough; now come and see.
Where we go, your glass won’t dry,
And the weight you bear, we’ll leave behind.”

I nodded slow, no words to say,
For what is left when debts won’t pay?
Not perfect, no, but I did my best,
And to retire—to do no harm—was rest.

In fading glass and failing light,
I left the town to its quiet plight.
Not as a king, nor as a man,
But as a shadow who simply ran.

Through her embrace, the end began,
Not absolution, but a plan.
To do no harm, for good’s in vain—
To leave behind the beast, the chain.

And as the November winds do howl,
I fade into the eternal prowl.
A feral dog, at last set free,
From the ghosts of harm and memory.
 Dec 2024 Airi Lightmoon
badwords
What happened to you?—the Question hums—
A truth that aches to hear—
The scars you bear, the weight you hold,
Deserve both care and fear.

A thorn once struck—a tender bloom—
And tore what none should mar.
You fled, a wolf without your cloak,
Still learning what you are.

The shadows twist, the pain feels vast,
The world a cruel refrain—
But wolves don’t cower from the night;
They rise, despite the pain.

Yes, harm was done—acknowledge this,
And mourn what you have lost.
But strength is not in what we keep;
It’s in the paths we cross.

The forest whispers secrets still,
Its roots run deep and wide.
Your howl need not be filled with rage—
It’s power, redefined.

No hill will answer, nor the stone,
No breeze will bear your blame.
But healing waits, and scars will fade,
If you will speak your name.

The monsters, real or shadows made,
Hold power while you flee.
Turn, wolf, and face the life ahead—
It’s yours, and always free.

Rise up, O wolf, and claim your place—
No shame in what you’ve been.
The scars you bear are marks of grace,
And proof of strength within.
A reply to:

https://hellopoetry.com/poem/4928631/the-wound-of-shadows/









https://www.youtube.com/watch?v=oJL-lCzEXgI
 Dec 2024 Airi Lightmoon
badwords
(after Ginsberg)

I saw the best minds of my generation
rotting in pews of plastic devotion,
minds crucified on the spires of indifference,
nursing at the dry breast of the negligent mother,
who whispered false comfort into their despair.

Who abandoned them to the marketplace of ideas,
where belief is bartered for validation
and faith is a commodity sold in plastic bottles—
"Drink, children, drink! And forget your hunger!"
while the true bread is locked away in vaults.

Who dangled freedom on a chain of commandments,
who promised salvation with one hand
and shackled with the other,
who built temples of glass and steel
but left their children naked in the streets.

Who said, Love thy neighbor,
then turned their backs on the screaming masses,
whose prayers bounced off the ceilings
of mansions paid for with their guilt.

O negligent mother, how many times have you
fed us poison wrapped in scripture?
How many lives have been consumed
by your hollow embrace,
your lipsticked smile of "community"?

I see you! Preening in your stained-glass mirrors,
baptizing us in the blood of indifference,
teaching us to fear the void
while you sell tickets to its edge.
Your children are dying in the pews,
hands outstretched for meaning,
and you say, Only if you pay.

But I will not bow to your porcelain idol,
I will not drink from your cup of conformity.
Let the wolves come, let the fire rise!
Burn the temples! Smash the altars!
Let the ash of false faith scatter on the winds
and fertilize the soil for something real.

Call forth the prophets of the street corners,
the howlers, the wild-eyed dreamers,
the orphans who never knew love,
but will plant it in the ruins of your empires.
We will scream until your pillars crumble,
until the children are fed,
until the world is reborn.
Synopsis:
"Howl for the Neglected Child" is a blistering critique of modern faith’s failure to fulfill its promise as a source of nurturing guidance. Written in the style of Allen Ginsberg’s Howl, the poem captures the disillusionment and rage of a generation betrayed by institutions that masquerade as caretakers while perpetuating neglect and oppression. Through vivid imagery and rhythmic invocations, the poem paints modern faith as a negligent mother—offering hollow comfort, perpetuating transactional love, and exploiting the vulnerable for power and profit. It culminates in a rallying cry for rebellion, urging the destruction of these false systems and the birth of something authentic, born from the ashes of disillusionment.

Artist’s Intent:
This poem is intended as both a critique and a call to action. It reflects the growing alienation individuals feel toward faith systems that prioritize institutional survival over human connection, reducing sacred truth to hollow platitudes and commodified spirituality. The "negligent mother" serves as a metaphor for faith’s failure to nurture the spirit, echoing societal patterns of abandonment and conditional love.

Stylistically, the poem borrows Ginsberg’s unapologetic, freeform style to evoke a visceral response, combining raw emotion with incisive commentary. The artist seeks to provoke readers into questioning their own complicity within these systems, inspiring them to reject complacency and pursue genuine spiritual and communal nourishment.

Through this piece, the artist aims to ignite a revolt not only against modern faith but also against any institution that promises care while perpetuating harm. It is a demand for accountability, truth, and ultimately, liberation.
 Dec 2024 Airi Lightmoon
badwords
I ******* Miss You.
No performance, no stage.
And I still ******* love you
Love eternal, shattered heart.
Yet, I still ******* love you.

To heal the wounds, mend hurt.
Worlds! To explore!
Your fire, selfish desire!
The fact of the matter is, you ******* hurt me.

I wanted good, For The World!
Understanding. Love.
Solace, honesty.
It feels broken, birth without the ask.

I keep my made-distance.
I might come home, alone.
'Alone', is what I know.
I ******* miss you...
In response to:
https://hellopoetry.com/poem/4926900/i-*******-miss-you/

Synopsis
In this deeply emotive poem, 'I ******* Miss You Too....  the author responds to a work filled with longing and remorse by reflecting on their shared pain, love, and separation. Through the use of repetition and direct language, the piece captures a profound tension between enduring affection and the need for self-preservation. It is both a reply and a reclamation, addressing the wounds of the past while affirming the boundaries necessary for healing.

The poem mirrors the structure and rawness of the original, with the refrain "I ******* miss you" anchoring it in shared sentiment. However, it introduces a sharper tone, layering the speaker's longing with accountability and recognition of harm. Themes of love, betrayal, personal growth, and solitude weave throughout, creating a tapestry of complex emotions.

Artist’s Intent:
The author uses 'I ******* Miss You Too....' as both a direct response and a personal declaration. By echoing the phrasing of the original poem, they honor the shared history and mutual longing. However, the work diverges by asserting the speaker’s pain and individuality, addressing the emotional cost of the relationship.

Through lines like "Love eternal, shattered heart" and "You ******* hurt me," the poem confronts the duality of love and pain, emphasizing the difficulty of separating the two. The author's intent is to acknowledge the sincerity of the other person's feelings while holding space for their own truth—specifically the necessity of distance and self-reliance.

Ultimately, the poem serves as an exploration of emotional complexity, refusing simple resolutions. It aims to balance vulnerability and self-protection, offering a window into the challenges of navigating love, loss, and healing. The raw honesty of the piece invites readers to reflect on their own experiences with unresolved relationships and the interplay of connection and independence.

This piece stands as both a dialogue and a declaration, encapsulating the intricate emotions of love, longing, and letting go.
 Nov 2024 Airi Lightmoon
badwords
Alone, at 'home'. A day, unpaid.
Bills to atone, fiscally afraid.
Debt of two, now on one.
Payments due, nothing 'fun'.

Survival, not 'thriving'.
OT windfalls--budget conniving.
Choices made. Austerity seeps.
The bed is laid, time to sleep.

Hardship evoked, no regrets
Deals revoked, struggle I beget
Conscious clear, I did my best.
For dollars, fear. Portents to attest.

But this is me.
Limited vocabulary.
Vernacular simplicity.
Self-imposed repository.

The Idiot with history.

The fool doling out the same lines.
An unaware pantomime.
To succinctly find.
Another pre-used rhyme.

(Look it up)

Burn me at the stake, another fake.
Dream, do not wake. For goodness sake
I take and take. Little do I make.
'Images' I bake. In my tower, I quake.

I fear the truth; I am no better than no one.
I fear abuse. A lofty status--position not won.
I grab and I steal, to broker this deal
Better to feel, a fantasy over what is real.

My efforts contrived, come as no surprise.
To open eyes, importance implied.
This flippant disguise cannot hide--
Ego paralyzed, Meaning subsidized.

---

I sit alone in this place, a history to trace.
Accountability's lace. Consequences to face.
I made my decision, in our division.
A better vision, self-inflicted incision.

To heal what is not well
.
Synopsis:
This poem reflects the aftermath of a toxic relationship, highlighting the speaker’s struggle with financial strain, emotional solitude, and the unfulfilled promise of shared responsibility during the separation. Beyond the hardships imposed by external circumstances, the piece turns inward, focusing sharply on the speaker’s role in their current situation. It critiques patterns of behavior, unrealistic expectations of others, and decisions that contributed to their predicament.

The poem doesn’t shy away from self-reproach, acknowledging the ways in which ego and flawed perceptions have clouded judgment. By recognizing these patterns, the speaker attempts to take accountability for their part in the dissolution of the relationship, even as they face the unfair burdens left behind. The tone alternates between vulnerable introspection and stark self-awareness, offering a candid reflection of personal responsibility.

Artist's Intent:
The poem’s intent is to confront the consequences of self-made choices and the speaker’s complicity in creating their own hardships. It does not seek sympathy but instead uses poetic expression to dissect and own the behaviors and expectations that have led to this moment. By holding a mirror to their own actions, the speaker underscores the importance of accountability, even in the face of external betrayal. The work ultimately serves as a reminder that growth often begins with the willingness to confront and critique oneself, no matter how painful the process.
X40
They tried to break your spirit
Took the crap not doing it anymore
Smiled at the Haters being genuine
Dk everyone is mad soaked in misery
Took on the burden not doing it
Dropped the nonsense walked away
Use to be disappointed stopped caring
Breaking away feeling free from crazy
Silent to keep the peace alive
Focused on things that need to be done
Do what you love with passion
Get away from those toxic vibes
Meant for better a life outside
Escape these 4 walls out of the dark
Beads that solemn glow,
Perk up my eyes with tragedies and flow,
Ensnaring my whim to wipe it away,
The tears that descend,
My body drowned in marks of spear,
In my hands I kindle a flame,
Tear to my flesh its pain so sour,
A hearty jubilance collapses in dismay,
My thoughts forfeit a mere clump of hay,
There is no afterlife to who doesn't believe,
Apart from this life there is more to grieve,
Am I a timeless portrait hoping to decay?,
Am I the assumed thrill of tomorrow and the obfuscation of today?,
My thoughts thinned to a buzzing sound,
Threads that break over a shallow woe,
A soul that bleeds,
The  swine it beholds,
I need a quilt,
For in this world I have gone cold.
 Nov 2024 Airi Lightmoon
badwords
One of those ******* awful black days
When nothing is pleasing and everything that happens
is an excuse for anger
An outlet for emotions stockpiled, an arsenal, an armour
These are the days when I hate the world
Hate the rich, hate the happy, hate the complacent, the TV watchers,
beer drinkers, the satisfied ones
Because I know I can be all of those little hateful things
And then I hate myself for realising that
There is no preventative, directive or safe approach for living.
We each know our own fate
We know from our youth how to be treated,
how we'll be received and how we shall end
These things don't change.
You can change your clothes,
change your hairstyle, your friends, cities, continents
But sooner or later your own self will always catch up.
Always it waits in the wings.
Ideas swirl but don't stick,
They appear but then run off like rain on the windshield.
One of those rainy day car rides, my head implodes,
the atmosphere in this car a mirror of my skull
Wet, damp, windows dripping and misted with cold
Walls of grey
Nothing good on the radio
Not a thought in my head

Be safe

I know a place we can go where you'll fall in
love so hard that you'll wish you were dead.

Lets take life and slow it down incredibly slow
Frame by frame
With two minutes that take ten years to live out
Yeah, lets do that.

Telephone poles like praying mantis against the sky
Metal arms outstretched
So much land traveled, so little sense made of it
It doesn't mean a thing all this land laid out behind us
I'd like to take off into these woods and get good and lost for a while
I'm disgusted with petty concerns; parking tickets, breakfast specials
Does someone just have to carry this weight?
Abstract topography, methane covenant, linear gospel,
Nashville sales lady, Stygian emissary, torturous lice, mad Elizabeth

Chemotherapy *******.

The light within me shines like a diamond mine
Like an unarmed walrus
Like a dead man face down on the highway
Like a snake eating its own tail, steam turbine, frog pond,
too full a closet burst open in disarray
Soap bubbles in the sun, hospital death bed, red convertible,
shopping list, *******, deaths head, devils dancing,
bleached white buildings, memory, movements
The movie unpeeling, unreeling, about to begin

I've seen your hallway, you're a dark hallway
I hear your stairs creak
I can fix my mind on your yes, and on your no
I'll film your face today in the sparkling canals
All red, yellow, blue, green brilliance and silver Dutch reflection
Racing thoughts, racing thoughts
All too real, you're moving so fast now I cant hold your image
This image I have of your face by the window,
me standing beside you arm on your shoulder
A catalogue of images, flashing glimpses then gone again
I'm tethered to this post you've sunk in me
And every clear afternoon now I'll think of you up in the air twisting your heel,
Your knees up around me, my face in your hair
You scream so well, your smile so loud, still rings in my ears.

I know a place we can go where you'll fall in
love so hard that you'll wish you were dead

Inhibition,
Distant, tired of longing
Cleaning my teeth
Stay the course.
Hold the wheel
Steer on to freedom
Open all the boxes
Open all the boxes
Open all the boxes
Open all the boxes

Times Square midday
Newspaper buildings, news headlines going around
You watch as they go, and hope there's some good ones
Those tree shadows in the park they're all whispering shakes and leaves
Around six pm, shadows across the cobblestones
Girl in front of a bathroom mirror
she slow and careful paints her face green and mask like
Like Matisse' portrait
with green stripe
Long shot through apartment window, a monologue on top but no girl in shot
The light within me shines like a diamond mine
like an unarmed walrus
like a dead man face down on the highway
Like a snake eating its own tail
A steam turbine, frog pond, too full a closet burst open in disarray,
soap bubbles in the sun, hospital death bed, red convertible, shopping list,
*******, deaths head, devils dancing,
bleached white buildings, memory, movements
The movie unreeling, about to begin
''Be Safe' by The Cribs. This needs to be added for posterity. It is the work that set fire to my heart to create, myself.

https://youtu.be/iwZ4TTSKZWY?si=WdQ6D1oMrNna1Ci8
 Nov 2024 Airi Lightmoon
badwords
Killer who cares
Suicide of dreams
Offer blank stares
"Know what it means!"

I have to shout!
When you won't hear
I must walk out
You slay what's dear

You built this place
You burnt it down
Confused, your face
Why I'm not around

You are growing
That is very swell
I am here showing
Your empty well

Slashed and burned
Salted the earth
Joy you have earned
But us? A dearth

Our world's casualty?
I feel this remorse...
If this you too can't see
Words have no course
Synopsis with Artist's intent as requested:

Remorse reflects the painful awareness and acceptance of a fractured relationship's reality, capturing the speaker's disappointment, frustration, and ultimate resolution.

In this piece, the speaker confronts a partner who repeatedly invalidated and failed them, despite opportunities for growth and change. There’s a sense of betrayal woven through lines like, "Killer who cares / Suicide of dreams," illustrating a partner who seems apathetic to the harm they’ve caused. The choice to portray remorse as a double-edged feeling—both directed toward the partner and reflective of the speaker’s own regret—suggests an internal struggle to move past something significant but irreparably damaged.

The line "I have to shout! / When you won't hear" highlights the speaker’s sense of isolation in this dynamic, emphasizing the frustration of unreciprocated effort. Despite witnessing moments of the partner's progress, expressed in, "You are growing / That is very swell," there is an underlying sadness. This growth, while positive, feels superficial or irrelevant to the speaker's own sense of hurt, captured in the line, "Your empty well," indicating emotional exhaustion and a lack of genuine reciprocity.

The closing stanzas convey a resigned understanding that while both individuals may grow and change, they cannot find resolution together. In the phrase "Words have no course," the speaker acknowledges the finality of the separation, where even conversation cannot mend what’s broken.

In summary, Remorse is a piece of acceptance and sorrow, underscoring that while personal growth is possible, the bond between the speaker and the partner is too damaged to continue. It’s a final gesture of understanding and letting go, even as both continue on separate paths of transformation.
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