Submit your work, meet writers and drop the ads. Become a member
 
heather leather Nov 2016
I have given fragments of myself to people
who have only broken them into smaller pieces;
at this point my skeleton is made more of paper
thin apologies and not actual bones so when
I become an avalanche of emotions I've convinced
myself I don't feel and anxiety, when even the
shadows that still manage to scare me have managed
to fall asleep but I still haven't, there is nothing left
to turn to but this poem. and I don't know what this is.
I could call it an ode to all the people that have decided
I am just a damaged garden and there is nothing poetic
about planting flowers where the sun does not exist but
even then that would insist there were people willing to
plant weeds in abandoned graveyards
in the first place.
maybe I am selfish.
maybe it is wrong to want people to stay;
how could I have ever expected you
to love me when I never loved myself?
all I have are memories.
people I can only write stanzas about.
letters I can only read over and over again trying to
convince myself that I must've mattered.
I have given fragments of myself to people who have only
broken them into smaller pieces. this poem is probably
just an ode to my imagination for actually believing my
relationships with them were ever anything more
than just that, fragments

(h.l.)
  Aug 2016 heather leather
Stephan

I hope this hole in my heart
is big enough to hold my coffin,
because I no longer have the energy
to dig my own grave
  Aug 2016 heather leather
chris

*out of control like a surge of lightning
  Aug 2016 heather leather
unwritten
you are leaving again.
i find myself saddened without tangible reason.
and i know that with my sadness should come some joy,
and if not joy, 
then relief,
because when you are half the world away,
it becomes just a bit easier
to forget the times when you were so painfully closer.
i can look up at the moon — a pale phantom sliver —
and know that you do not gaze upon it at that same time.
in that moment,
the moon is mine.
i do not mind that the sun rises for you
so long as i cannot see it.
so i should breathe easy;
your absence gives me a little more room to love myself.

and yet —
there is always an “and yet” with you — 
when the easier breathing begs for entrance to my lungs,
i turn it away.
to forget you would mean to forgo grieving,
and god knows i live for a good ache.

so i think of you,
faultless in the dim yellow glow.
images i shouldn't call upon.
small, soft moments when you seemed to see me.
i remember the time when you crowned me with a halo, deemed me an angel.
i imagine that you are the only one who could ever make me believe that i fit the part.

glowing.
i don't know if you were but i was.
glowing.
if we have to share the moon, then so be it.

i find myself saddened without tangible reason.
this is the part where you come in.

but you are leaving again.
i could ask myself if you were ever truly "here,"
but it always hurts the most to ask the questions i already know the answers to.
so i think, instead,
of you,
faultless in the dim yellow glow.
the pain is a little bit more bearable.
i imagine that maybe you were glowing, too.

(a.m.)
written 8.5.16 & 8.6.16. sorry for my brief absence. i hope you enjoy. xoxo.
heather leather Aug 2016
jan from the corner store doesn't understand me,
I told her I wasn't mixed; my parents are just different
shades of the same color but she doesn't believe me,
and the man behind the counter silently agrees.

the old white lady that always takes the 5 train
stares at me curiously, her eyes say they don't trust me
and I don't understand why. I never thought I had to
explain myself to strangers or that my race was the most
interesting thing about me but that's always the
first question everybody asks.

my aunt told me the other day that I was jabao,
in other words, nobody knows what to do with me.
I am unidentifiable. my skin screams the sun and
stars too small to recognize; it says I am the product
of a collision between the blackest sea and the whitest sand.
some parts of my body sing a ballad so dark only certain
people would ever want to listen to. maybe these are the
parts that the old white lady on the five train is scared to
listen to. maybe the curls I tried so hard to straighten are
what terrifies her, maybe the black in my kneecaps keeps
her up at night, maybe the sound of boisterous music in a
language she could never understand makes her skin jump,
sends shivers down her spine makes her think twice
about who I am.

jan from the corner store doesn't understand me,
I told her I was jabao, a mix of summer glow and
muted winter skin. but she doesn't believe me; says
she has never met a Dominican like me, that in some ways
I must be a mixed breed. and the man behind the counter
silently agrees.

(h.l.)
Next page