Aural auspice austerity audible , augur aorist actuator , accidence ambience acoustics .
Counterfactual categorical imperative hubris .
Chagrin ; fecund cogent apposite germane , inane inert inertia innate , propinquity habitation     perimeter parameter peripherals .
Manumission gambit alluvium aloof , putschist kitsch , pandemicly phatic futurity fatidic extraversion embezzling euthanasia extortion .

Financially responsible fiscal policy , plenary plenipotentiary fiduciary principle .
Incarnate encephala enunciate , synthetically conjugational conjecture juxtapositional adjunctly .
Zenithal azimuth entity zeal , transpicuous opacity , in extremis extremity cantilever capacity .
Ephemeral metaphor semantics flaunts , ***** affectation exserted protuberance .
Sepulcher stratagem objectified manifest , protractive analysis dimensional delineation .
Spanned collapsible feasible , vicinity victual vigilante villain execration eventuation evocative vindictiveness vendetta .

Impetus intrigue intuitional intrepid , impertinence important , inadvertency inapplicable , initiate innate interpreters intervene intricacy.
Investiture annuity equity indemnity capital appreciation .
Preeminently preemptive retrospectively retroactive , aegis vagary incite.
Quixotically enrapturing mesmerist.
Sycophant swagger lothario lout , asymptotic hyperbolic estranged ensemble orchestration .
Histophysiology mendacity somatology morphology metamorphosis , blasphemous farcical fugue preterit renditions .  
Terrestrial equestrian tellurian terrene.  

Apex axis crux , fulcrum fulgurous , fulham presumptive , actuarial acuity incursive .
Semantic dialectics eclectic synectic’s , wanton wayward warranty evitable .
Catalyst , relative rationality / rational relativity , circumstance contingency .
Incessant barratry omnipresence presage , decadent arrogant , irksome ire Zen  .
Spatiotemporal telemetry tactician , guidon guile genocidaly xenophobic , grotto grouch gumption .
Bailiff rakeness rails , prerogative presumptive judicature.  

Flirtatious flamboyance , laboriously beleaguering hypercritically meticulous tedium .  
Carousel ceaselessly ceremony chaos character charisma , clambering clamorous clangor .  
Catatonic phonics , concoct catenary concatenation , conjugationally conjunctive clairaudience clairvoyance .  
Hysterical delirium brusque macabre abrupt , diabolically maniacal dementia .
Ambrosia elixir libation inebriation , mirador bartizan panoramic tableau .
Citadel pinnacle pique piquant , altruism endemic intrinsic indigenous innate , existential allegorical .
Prosthesis pseudopodium prognostication , crude lewd , social stigmatism blind , gruesome ghastly grotesque meld .
Bizarre bazaar demonically deviant denizen , grimacing gremlin greaves gauntlets gamut catalyst abstracts.
Hideously horrible awfully terrible , imagination immaturity impromptu innuendo juncture , nuance ***** ,   incarnate encephalic enunciate .
Trajectory sordid transposition interlude rubato hi-jinks , nimbus nimiety nihilism .

Explicate zoomorphic zoolatry , exogamy of homogeny ontological ontogeny .
Astral projection prophylaxis protocol , telepathy teleportation .
Extraneous extemporaneous , embark embargo extradition , transcendental accession ascension , ecstatically euphoric meld .  
Deontological probity interstitial endemics , agnate aggregate amalgamated anathema android .
Translational interpretation , epistemology audacious pugnacity impunity .
Executant emulation simulation , evocative malfeasance mens rea  , geomancy effete .
Maieutic fallow feral .  apropos ipso facto ergo , carousing marauder syllogism .

Morpheus has never been kind to me
His somniferous ways leave me wanting
Grasping at the cusp of a reality
As evanescent as the morning mist
That greets this reluctant gaze.

He exists to these sheathed
Bourbon eyes
Within the veiled carapace
Of the only form I've ever wanted more
Than necessity and air.
His torment lies
In false reunions, in joining and parting lips
In forest eyes that linger behind in my thoughts
Like the echo of a cannon
Long after it's wrought its own havoc.

Yes, that twisted Lothario
That Grecian sandman
Exists to overcharge the soul with
Hope so poisonous
Bodies and minds are wracked with it
Inspired by it
Haunted on into the waking world
Where he waits on the periphery
Eyes narrowed in the light
Of the waking world that renders him useless.

I've got a Chopper,
You can have ****** ******* with it if you like
It's got a trug, a Jew's harp that rattles the windows
And creatures to make it mosey around crack
I'd stretch jeans cheesecake abutting you if I could, but I used plastic toast

You're the kind of ***** that thrusts into *** my bodiliness
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I've got a disguise it's a torso of a Irish bull
There's a slit high up the skirt Miss World's bra-burner and gross
I've grappled page—3 girl for bouts
If you think Miss Universe could spasm creamy then I guess Mr Universe should

You're the kind of ***** that slides in with my wads
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I **** a chimpanzee and he hasn't got a stage—door Johnny
I don't copulate why I ****—a—doodle—doo him Gerald
He's inseminating à la carte geriatric but he's a voluptuous chimpanzee

You're the kind of ***** that stuffs *** my gallons
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I've got a Welshwoman of pornographic Casanovas
Here a Don Juan, there a Lothario, prognosticators of obscene persons of opposite *** sharing living quarters
Beg a bonk if you be on heat, they're on the back of the *****

You're the kind of ***** that spasms indoors using my lump
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I **** custom—built dead men of doo-*** passages
Incognito Muses, faceless ching, most of them are Barbie
Let's **** into the odd kitchenette and **** landlady creature

My Dear,
I’ve been called by many names
My favourite by far is
Lothario
You see me as perfection
Elegant, Sophisticated, Charming
How wrong you were
You saw me in a makeshift light
Created by you in your desperation
I’ll  consider the thoughts you have chosen to speak out loud
I've chosen not to listen, letting the words fall upon apathetic ears
But your pleas of anguish do not go unheard
You once told me you do not believe in the truth of words but actions
Yet the misery that follows me is apparent
How naive you were

My Dear, you have made a grave mistake
You had the misfortune of meeting me
You believed in my honeyed lies
You became drunk on my intoxicating kisses
You blindly followed every command
Simply because you yearned for
Approval, Love and Affection
You're submission, willingly laying yourself bare before me
How foolish you were

My Dear,
You were once bathed in light,
Now you are tainted by dark shadows
You should have listened to the warnings
You won't fall in love again believe me
there's nothing left that you can love with
Oh how innocent you were

The funny thing about you is
when you flirt
you don't really want me
all you want is a relationship
and my body
and ***, that's not me
let me help you to see

Put yourself is this scenario
it's you and me and I tell you I have to go
but you can't except that I don't want you as my beau
because you've always been a lothario

.the crows' persistent croak undermines all attempts at man's adventure into universal fame, or one that might distinguish man's composition, from earth, as intended for adam, to air, as intended for odin, to water as intended for poseidon, to fire as intended for the tetragrammaton.

it fails, most of the time,
poetry is scarce,
too much fondness of the abstract,
hence residues of
distracted verse, whimsical,
overburdened pronoun usage -
such likes - complex punctuation
to replace diacritical marks in
france or germany or norway,
poetry doesn't have the impetus,
just doesn't have the impetus to
package fudge, package fudge paragraphs
of fiction, poetry isn't anything
unless it's anti-fiction,
there's no point idealising
how you would fit into a glass stiletto
when it doesn't allow a fitting: cindarella was first
two jealous sisters got their heel
and big toe cut off, you want to encode
that as .pdf or .jpeg?
technophobes ***-standing:
is that enough for a start-up religious cult?!
i'm just wishy washy wondering,
all bets on it taking off - congregation of
en masse suicide seems a fanciful expression,
mind you, i have no excuse.
where there's a middle there ain't no finger,
no message evaluation and furthered to
an execution, the middle has an eroteme:
not exactly erotically thematic, just
a hunch off huh...
so... poetry... it's scarce, tumble **** practice
of a lost joke...
poetry exhibits itself sometimes in tight-tangle prose
of a knausgård - fancy wording a mile apart
would make traffic accidents aplenty,
and it happens... ramble ramble ramble (worded),
then some poetic ecstasy like an unguided tour
of a gallery making you kneel in anti-catholic
gesticulation of a painting by francis bacon...
shouldn't happen, but it did...
so while prose writers are like things infused
with packaged designation of the right
digestion and right diet content of carbohydrates,
poets are like: what sustenance from air?
we ramble sometimes, **** naked i presume,
but we do, and when we do, we draft novels
for other people, we're not into nation building
or writing novels... we're the anorexia of prose...
and that's grand... because it means
that our readers have to be self-involved,
not ready to grasp the rooting of prose diction...
more fused to the open airs
of writings' scarcity...
we need strong readers not numbers...
we need people who are self-involved,
who would spit and kick a copper statue of
the poet represented in a public square with
people of the spoken tongue the real tourists
wondering: who's that?

that aside...
          i went to sleep thinking about chess...
into bed at around 1am
woke up at around 9am...
past two nights? interludes of
perhaps 2 / 3 hours...
    cutting on the alcohol is one thing...
keeping a tally?
proof: co-op sells 1liter labelled bottles
of scotch,
but as it turns out, according to my braille tally?
it's: ⠷⠷ (500ml) + ⠷⠷ (500ml) + ⠷ (250ml)...
they label it as a liter...
but it's actually 1.25liters...
three days later: you get the full picture:
-esque akin to 'and on the third day he rose
again, according to the scriptures...'

good luck to the men and their vanity
projects...
   i will never become as famous as
the man who "invented" stumbled upon
fermentation to produce beer / wine...
distillation to produce whiskey / *****...
dom perignon and albert hofmann
are known now... give it a few centuries later...
****! gone!
       but to overshadow the universal
stability of a woodland pigeon cooing,
a crow croaking, a fox laughing?
   my words are here: yet these examples
retain the future unchanged...
by void, crook, vogue or folly...

so i went to sleep thinking about chess...
there's the king: the point
of the game...
              to topple the king...
get ol' charlie firsty on the chopper...
distract charlie zee 'eck'und
with pseudo-harems and handel...
and fireworks on the thames...
little learning tool offshoot of louis XIV...
the king is just an elevated pawn...
it seems the king only controls the pawns
given his own movement rules...
the queen though?
   she's the bishop and the rook combined,
as she's also the king and pawn, combined...
the knight is the only odd piece
on the whole board...
   why? didn't queens feast their eyes
upon knights of old, at tournaments...
chivalry: the dropped oopsie handerchief moment
when the king wasn't looking?
the knight piece is the only outsider piece
on the board... hence it's ontological
grasshopper routine of jumping
outside the line of pawns and then
jumping back into line...
the king is a king in name only:
it would appear...
  while the most powerful piece on the board
is the queen: since if the king merely
control the pawns:
   at a battlefield a king command pawns
(soldiers)...
  in the background...
the queen will command...
   the bishops, the knights,
   the rooks (houses, castles) -
she's not on the battlefield with with pawns...
and soon knights become judges
and lawyers - merge with the bishops...
i never like playing chess -
but i liked thinking about chess...
  from the perspective of: the queen is
the most powerful piece on the board...

you could even rewrite chess by expanding
the board... so it would look like so:

1. denotes pawn         9. denotes king

2. denotes bishop        6. denotes queen
3. denotes knight        4. denotes rook.


1 1 1 1 1 1 1 1
         9 3               (battlefield formation)
      2 4 4 2             (behind the scenes formation)
        3 6    

but the board would have to be expanded from
64 to say... 100 squares... per board...
it's still chess... but with a twist...
it's what real life would look like...
one knight would be faithful to the king
and stand behind his army on the battlefield...
the other knight would be *******
the queen in secret surrounded
by castles and the clergy / the judicial system...
well: so many people have become so good
at the game of chess...
   kasparov vs. deep blue...
         so smart: and yet no imagination.

besides... i had more important things to do
today than remember what i fell asleep with...

1. making the perfect sausage rolls...
the most pristine invention of the english
and how the french fumed when their puff
pastry was "degraded"...
never use meat from sausages...
always minced pork...
and instead of adding carrots...
celery... and who would have thought
that fennel seeds are the secret ingredient...

2. watching india get their *******'
whipped and their ***** put into
a meat grinder by the new zealand side
at the cricket world cup...
**** me the last 5 overs!

3. lamenting the state of cinema...
the pursuit of "being" via distraction
with the end goal of fulfilling "happiness"...
so much for "being" and so much for "happiness"...
take two prime examples...
it only took 8 years to spare all the details
that seperate them...
1958's the inn of the sixth happiness
starring ingrid bergman...
those movies! mmm hmm!
i would gladly take away all the current
heavy editing and metallurgy scaled
CGI for a classical western panoramic view...
no dialogue... just an expansive camera
distance where the characters are dwarfed
by the grander scheme of things:
even if it's just a valley or a field...
cinema dropped the paranoramic
   interlude, resorting for the clausto-****
of heavy editing with multiple cameras
switching backwards and forwards
like watching a game of tennis...
    actually: both genres degraded themselves
dropping the panoramic view at times...
less in sport, more in cinema...
but this is 1958... the 1950s! the glory days of cinema...
fast-forward to 1966... and the film:
ALFIE...
       what's the difference between a lothario
and a ****? a self-employed ******...
or some other weird combition of 'not-a-joke'...
wait a minute... why are the women
so ******* dumb come the mid-1960s in cinema...
while back in 1958: they were so admirable?!
ingrid bergman learned mandarin,
she was ambitious, she was stubborn...
she was bossy...
  come the 1960s we're talking about
    beings without either soul or will
simply orientated at being dumpster *** toys...
i don't even know where the men
did that to them...
           the women in 1950s cinema
gained respected... they were commanding...
or at least decisive in giving
the least expected virtue: generosity
and on top - a sense of fairness -
                             a merit pyramid...
1960s cinema women, "women" are nothing
more than sloppy teenagers...
these women are not women...
1960s cinema doesn't depict women...
it's starting to depict one direction:
  pissy-pants teen girls...
               ******* at the sight of harvey styles
sighing and ****...
        plus... back in the day:
cinema used to be... engaging...
ben-hur? how long? 5 hours?
  gone with the wind? how long? 7 hours?!
cinema like opera: 15 minute interludes,
toilet breaks before the next part went on...
now? a quckie 1.5 hours long CGI ***** fest
of minimal dialogue and the heavy editing
juxtapositions of "angles"...
       people don't watch modern cinema
because it's engaging...
they watch it... because it's... distracting...
pretty bright lights! ooh! aah!
i love the fact that i'm being snarky
           and sarcastic... what else can you be?!
   i don't even think is missed that much
when it comes to the sub-culture of drugs...
psychadellic or otherwise...
i ****** well missed on a decent amount
of cinema...
   and when that happens...
       look at me...
                            what's that phrase...
a bitter old man... aged 33...
bitter doesn't even cut it...
              it's not even a bitterness...
it's an elevated sense of nostalgia...
   for me nostalgia is something i was present
at when it started going to ****...
late 1990s... cartoon network, early internet...
etc.,
              1990s date night movie quality
requiring adults to employ babysitters...
i was there...
1950s cinema? yeah: i wish i was nostalgic
about that... but i wasn't there...
hence the technical observations...
and how, objectively: movies were...
oh god so much better.

As he studied the grey stubble in the mirror
he began to wonder if rather than considering
each new conquest a success
he should think of it as the consequence
of another failure

Aural auspice austerity audible , augur aorist actuator , accidence ambience acoustics .
Counterfactual categorical imperative hubris .
Chagrin ; fecund cogent apposite germane , inane inert inertia innate , propinquity habitation     perimeter parameter peripherals .
Manumission gambit alluvium aloof , putschist kitsch , pandemicly phatic futurity fatidic extraversion embezzling euthanasia extortion .

Financially responsible fiscal policy , plenary plenipotentiary fiduciary principle .
Incarnate encephala enunciate , synthetically conjugational conjecture juxtapositional adjunctly .
Zenithal azimuth entity zeal , transpicuous opacity , in extremis extremity cantilever capacity .
Ephemeral metaphor semantics flaunts , ***** affectation exserted protuberance .
Sepulcher stratagem objectified manifest , protractive analysis dimensional delineation .
Spanned collapsible feasible , vicinity victual vigilante villain execration eventuation evocative vindictiveness vendetta .

Impetus intrigue intuitional intrepid , impertinence important , inadvertency inapplicable , initiate innate interpreters intervene intricacy.
Investiture annuity equity indemnity capital appreciation .
Preeminently preemptive retrospectively retroactive , aegis vagary incite.
Quixotically enrapturing mesmerist .
Sycophant swagger lothario lout , asymptotic hyperbolic estranged ensemble orchestration .
Histophysiology mendacity somatology morphology metamorphosis , blasphemous farcical fugue preterit renditions .  
Terrestrial equestrian tellurian terrene.  

Apex axis crux , fulcrum fulgurous , fulham presumptive , actuarial acuity incursive .
Semantic dialectics eclectic synectic’s , wanton wayward warranty evitable .
Catalyst , relative rationality / rational relativity , circumstance contingency .
Incessant barratry omnipresence presage , decadent arrogant , irksome ire Zen  .
Spatiotemporal telemetry tactician , guidon guile genocidaly xenophobic , grotto grouch gumption .
Bailiff rakeness rails , prerogative presumptive judicature.  

Flirtatious flamboyance , laboriously beleaguering hypercritically meticulous tedium .  
Carousel ceaselessly ceremony chaos character charisma , clambering clamorous clangor .  
Catatonic phonics , concoct catenary concatenation , conjugationally conjunctive clairaudience clairvoyance .  
Hysterical delirium brusque macabre abrupt , diabolically maniacal dementia .
Ambrosia elixir libation inebriation , mirador bartizan panoramic tableau .
Citadel pinnacle pique piquant , altruism endemic intrinsic indigenous innate , existential allegorical .
Prosthesis pseudopodium prognostication , crude lewd , social stigmatism blind , gruesome ghastly grotesque meld .
Bizarre bazaar demonically deviant denizen , grimacing gremlin greaves gauntlets gamut catalyst abstracts .
Hideously horrible awfully terrible , imagination immaturity impromptu innuendo juncture , nuance ***** ,   incarnate encephalic enunciate .
Trajectory sordid transposition interlude rubato hi-jinks , nimbus nimiety nihilism .

Explicate zoomorphic zoolatry , exogamy of homogeny ontological ontogeny .
Astral projection prophylaxis protocol , telepathy teleportation .
Extraneous extemporaneous , embark embargo extradition , transcendental accession ascension , ecstatically euphoric meld .  
Deontological probity interstitial endemics , agnate aggregate amalgamated anathema android .
Translational interpretation , epistemology audacious pugnacity impunity .
Executant emulation simulation , evocative malfeasance mens rea  , geomancy effete .
Maieutic fallow feral .  apropos ipso facto ergo , carousing marauder syllogism .

Falling for toxic boys
when will we realise
Mr. Wrong wreaks havoc
whereever he goes
leaving behind a litany of woes

What’s the attraction of the bad lad?
known universally as a cad
pure catnip for some women
in their pool I won’t be swimming

Maybe their addicted to drama
flying in the face of karma
is ungentlemanly behaviour mistaken for passion
or wearing a lothario the new fashion

Their well versed in the art of seduction
continuously rehearsing their next production
maybe romance with a ladies man is a headrush
back in the day I had many a bad lad crush