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Aleister Crowley  Oct 2010
Adela
Jupiter Mars P Moon
VENEZIA, "May" 19"th", 1910.


Jupiter's foursquare blaze of gold and blue
Rides on the moon, a lilac conch of pearl,
As if the dread god, charioted anew
Came conquering, his amazing disk awhirl
To war down all the stars. I see him through
The hair of this mine own Italian girl,
Adela
That bends her face on mine in the gondola!


There is scarce a breath of wind on the lagoon.
Life is absorbed in its beatitude,
A meditative mage beneath the moon
Ah! should we come, a delicate interlude,
To Campo Santo that, this night of June,
Heals for awhile the immitigable feud?
Adela!
Your breath ruffles my soul in the gondola!

Through maze on maze of silent waterways,
Guarded by lightless sentinel palaces,
We glide; the soft plash of the oar, that sways
Our life, like love does, laps --- no softer seas
Swoon in the ***** of Pacific bays!
We are in tune with the infinite ecstasies,
Adela!
Sway with me, sway with me in the gondola!

They hold us in, these tangled sepulchres
That guard such ghostly life. They tower above
Our passage like the cliffs of death. There stirs
No angel from the pinnacles thereof.
All broods, all breeds. But immanent as Hers
That reigns is this most silent crown of love
Adela
That broods on me, and is I, in the gondola.

They twist, they twine, these white and black canals,
Now stark with lamplight, now a reach of Styx.
Even as out love - raging wild animals
Suddenly hoisted on the crucifix
To radiate seraphic coronals,
Flowers, flowers - O let our light and darkness mix,
Adela,
Goddess and beast with me in the gondola!

Come! though your hair be a cascade of fire,
Your lips twin snakes, your tongue the lightning flash,
Your teeth God's grip on life, your face His lyre,
Your eyes His stars - come, let our Venus lash
Our bodies with the whips of Her desire.
Your bed's the world, your body the world-ash,
Adela!
Shall I give the word to the man of the gondola?
CK Baker Jan 2017
cedar planks line the dim lit hall
morning snow begins to fall
sepia print in a chipped wood frame
embers spark from the franklin flame

rustling sounds from bunks below
records play in a tight alcove
bacon grills on an iron sheet
gloves are warmed by baseboard heat

bean bags tossed on colored ****
papka placed as a punching bag
red brick wall with mounted poles
windows filled with glacier bowls

whiskey jack on the southern rail
a frozen patch of wine and ale
pine cones fall in gathering white
brothers bathed in firelight

sleighs are on the table top
canyon road is at a stop
northern winds that bite the face
lines are up the gondola base

cornice clipped by gully goats
the rubber man appears to float
alpine depths are on the rise
peaking sun through parting skies

triple ropes and nordic luge
honored guests from baton rouge
gelande jumps on rainbow drive
nostalgia’s light and warm reply
Kamaruzzaman Apr 2010
If you ever die
If you ever die from me
Looking at my longing eyes
In guise of a mystic veil
Dead drop at the twilight hours
White longish fangs
Of the piercing moments
Will unfurl its wings of fire
Setting sail in an invisible gondola
At long last to carry you home
To the isle of your birth

Even if you ever die at all from me
I will stand upon the deck of noontide
All alone in my aloneness, all alone
Staring vaguely at the rushing gondola
Surfing invisibly away from me
Tearing apart the veil of grazing mist
At the twilight hours casting spell on me
To diminish myself into you
And with you I too diminish away
From you, all away from you
In a shroud of love and longing
As if you never died away from me
In my longing eyes for you, only for you

And like The Prophet beloved
Prophesying on the blue mountain
From his never ending well
Of wisdom depthless and deathless
I will remember you as silently
As the sound of scorching darkness
And I will remember your heart
As saying for ever to me, only to me:

“A little while,
A moment of rest upon the wind,
And another woman will bear me."

(The italic quotation is from Kahlil Gibran's The Prophet)
Amy Lowell  Nov 2010
1777
I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
'Yankee Doodle,' my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings 'Yankee Doodle' at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II


The City of Falling Leaves

Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.

'That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, 'caro Abate mio'?
You will be proud of me at the 'Ridotto', hey?
Proud of being 'Cavalier Servente' to such a lady?'
'Can you doubt it, 'Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . .'
'You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace.'
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
'How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing.'

A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.

Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.
cecelia  Nov 2014
snowflake
cecelia Nov 2014
the miniscule, crystallized phenomena
floating down on their zephyr gondola
to the little children's enchantment.
the wintriness nipping at their stamina
produced petite gloved hands pulling tightly at their jacket.
to rollick the day away was their only commandment.
fast forward a few years, and they'll be learning algebra,
their minds drifting away during lectures on parabolas
to the forgotten days of freedom; they lament
the loss of their fragile frostwork taffeta.
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
Donall Dempsey Jul 2016
GONDOLA AT GLENDALOUGH

wounded
with bird song
the moment oozes time

the sunlight playing
cat-&-mouse
with the shadows

the bird nails its song
unto the sky
passing clouds pause to listen

("Oh!")says the water
where the stone has gone
(("Oh!")) ((("Oh!"))) & ( ( ( ("Oh!") ) ) )

the dead standing
outside time
looking in on the living

the hedge grows
a crop of sparrows
afternoon lessens

Ireland is almost over
for another day at least
the planet turns in its sleep

a gondola
glides through memory
cutting through time
judy smith Sep 2015
It’s been a summer of love for many pairs in the Aspen area who chose to tie the knot near home or with a destination wedding such as these six couples below.

Natasha Lucero and Mike Conklin of Carbondale pinpointed Puerto Aventuras, Mexico, for their May 2 wedding at Hacienda del Mar Resort. Surrounded by nearly 100 friends and family members, they celebrated in the sun with a beach wedding. Though they lead an active lifestyle filled with lots of CrossFit workouts and semi-strict diets, they decided upon a decadent wedding cake (opting for one made of donut holes in lieu of something more traditional). For their honeymoon, the happy couple stayed in Mexico at an all-inclusive resort just down the road from the wedding.

Kelly Ann McColm and Daniel Conal McCarthy of Aspen chose a mountain wedding for their June 6 event. The ceremony was on the wedding deck at the top of Aspen Mountain with a reception in the beautifully decorated Sundeck. Kelly Ann’s favorite part about the wedding was the weather. “All four seasons in an hour! We started up the gondola with rain, got to the top of Ajax with snow and as I came out to walk down the aisle, the clouds parted and the sun came out for a beautiful summer sunset. The McCarthys are beach-bound for their honeymoon with a trip to Bora Bora.

Lori Augustine and Bill Small of Aspen tied the knot on June 14 on Aspen Mountain. They and their guests enjoyed beautiful summer weather for the ceremony at 11,212 feet. They’ve just set off for a honeymoon through Europe, spending the month of September in Venice, Milan, Lake Como, Capri, Positano, Rome, Tuscany, Monaco and St. Tropez.


Molly Elizabeth Eckrich and Charles Barclay Dodge of Aspen exchanged vows amidst friends and family on June 26. The Snowmass Chapel performed the ceremony in the John Denver Sanctuary in Old Snowmass. The bride noted, “We were the first wedding out there and I hope more people will use it because it was the most perfect setting.” Their reception took place at Tempranillo in Basalt. And their long awaited honeymoon will be spent in St. Bart’s and Cuba in November.

Katie Kowalski and Mickey Krentz of Aspen were married on a beautiful summer afternoon at Aspen Center for Environmental Studies at Rock Bottom Ranch near Emma on Aug. 8. “We supported a farm to table dinner there last year and both knew instantly, that is where we wanted to get married,” the bride noted. “It represented out love of the outdoors and love for good, local food, in a relaxed and beautiful setting. The atmosphere the day of our wedding couldn’t have been more perfect with the roosters crowing, ducks waddling, pigs lounging, the warm glow of the sun.” Next spring, they’ll honeymoon in Italy and France.

Maggi Whitmer and Ryan Thompson of Aspen tied the knot on Aug. 15 at Elk Camp in Snowmass under clear blue skies. “We loved being one of the first weddings in this location,” explained the bride. “Ryan and I both grew up in the valley and are passionate about skiing so having it on the mountain with chairlifts in the backdrop was special.” Sparklers, a food truck and the gondola were all little details that made it especially unique. For their honeymoon, they’re heading to Croatia and Italy in October.

read more:www.marieaustralia.com/formal-dresses-perth

www.marieaustralia.com/vintage-formal-dresses
The moth’s kiss, first!
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide open I burst.

The bee’s kiss, now!
Kiss me as if you enter’d gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is rendered up,
And passively its shattered cup
Over your head to sleep I bow.
Donall Dempsey Jul 2015
wounded
with bird song
the moment oozes time

the sunlight playing
cat-&-mouse
with the shadows

the bird nails its song
unto the sky
passing clouds pause to listen

("Oh!")says the water
where the stone has gone
(("Oh!"))  ((("Oh!"))) & ( ( (  ("Oh!") ) ) )

the dead standing
outside time
looking in on the living

the hedge grows
a crop of sparrows
afternoon lessens

Ireland is almost over
for another day at least
the planet turns in its sleep

a gondola
glides through memory
cutting through time
pragya santani Dec 2013
It was in the end of September,
The kashmir trip i still remember,
The thought of going to the heaven on earth made me feel so excited,
I was happy and delighted,
Our eyes filled with enthusiasm and hope,
And to kashmir we wanted to lope,
Just the twelve of us,
There wouldn't be any ruckus or fuss,
We were accompanied by ma'am Handa and Mr. Pandey,
We enjoyed everything from gondola rides to our house boat stay,
We went to places like Sonamarg and Pahalgam,
We'd get tired reach the hotel and apply Jhandu balm,
We enjoyed all our horse rides,
We were accompanied by well-versed guides,
We always managed to take out time for shopping,
From shop to shop we went hopping,
Kashmiri kawah and authentic Kashmiri food for almost every meal,
Would make the tiredness for long distance walking heal,
A Kashmiri wedding is also what we attended,
For back and forth rides on shikara we depended,
Oh! But to sum up I have to say,
In kashmir we loved it each and everyday.
Ps- this was written in October.
Donall Dempsey Jul 2017
GONDOLA AT GLENDALOUGH

wounded
with bird song
the moment oozes time

the sunlight playing
cat-&-mouse
with the shadows

the bird nails its song
unto the sky
passing clouds pause to listen

("Oh!")says the water
where the stone has gone
(("Oh!"))  ((("Oh!"))) & ( ( (  ("Oh!") ) ) )

the dead standing
outside time
looking in on the living

the hedge grows
a crop of sparrows
afternoon lessens

Ireland is almost over
for another day at least
the planet turns in its sleep

a gondola
glides through memory
cutting through time

— The End —