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Mateuš Conrad Feb 2017
when i was born within the Chernobyl aftermath, and the nurse tried to **** me, in that she almost choked me, enlarging my heart, and when that didn't **** me, and they attempted to befriend me, and gave me a brain haemorrhage... and that didn't **** me... i started to think: what will? i can't say i'm in hell, i can only assert limbo: i'm not a monster, just yet... it's only later that i became *******, when they wrapped me in a blanket of denials, to ensure their society was a beacon of false hope and even more false love... that last bit is the cherry on the top... i once hated ridicule: now i started to loath playground like games of lies... i just started thinking: these people are a bit worthless... how could people i once respected become so... so... pointless? it's not a case of: oh poor me... i'm laughing... asking for the next quickened allotment of epitaph in marble... i prefer the pain rather than this kiddy game of denying something being true... that sort of **** just makes up for being thought about too much... it exhaust my mental capacity... limbo is quiet fine, i'm apprehensive where these people think they live... utopia isn't exactly a best-described vicinity... but when did people start to become so ugly? it's slow down here, the big bang just happened, or as i say: with the kettle boiling water... biology's darwinism timescale for a reaction, and physics's timescale of the big bang theory are not exactly fascinating for me, boiling my water to make a cup of tea... i am literally split-mind concerning these two "barometres"... it's just hard juggling these two (0, 0) coordinates... to stress a beginning... evidently juggling these two narratives leaves us living our lives on amphetamines... insect like... it's hard to even make time or emotional investment in: a death in a village... it's doubly hard to make adjustments for a tomorrow, giving our input in beginning: no one knows, billions and billions... years... and then back toward the befitting cranium... it really is man with an omni-characteristic, well... at least one of them... which clarifies itself in a way: given that we're no longer exploring this orb, globalisation ensured the tribe died... we can go in circles: round and round... there's never a clear vector in sight... no real unknown land to challenge... it's all been tamed... once the savannah, now the zoo... as one german noted: the melancholy of the completed house... all the work gone into constructing it, the thrills, all gone... it just stands as perfect, as it is already derelict... hard to keep track of a two-beginnings system... it's hard to find awe these days, i mean awe that might allow an Aristotle, rather than just looking stupid... i think that England really does require an invasion to shake it up a little bit, it looks so docile in its arguments... so certain: "poised" to conquer... i can get (0, 0) of the big bang, a big blank... my brain just became scrambled eggs... i store that **** in my head: i'll see forever-never-tomorrow... i store the monkey-suit in my head (the other (0, 0) beginning) - i'll begin to wonder: but the monkeys have it so easy! me panda! me and bamboo! darwinism has either killed of history that we made in the centuries a.d. / a few centuries b.c., or what they're prescribing us really can't fit into one head, or into a few, to make it into a crowd... because when a few ditto-heads ingest one wise monkey talking over another monkey... the atheistic crowd is the quickest to disperse... as with the constant banging on about the number of stars in the universe... i like to look at the number of carbon dioxide bubbles in a glass of Perrier water.

well, maybe because they aren't
my contemporaries... but i despise Chopin
like despise Liszt... the fact that the latter
smoked cigars is just asking
for me to abhor him... and that a poet
   succumbed to his virtuoso skills
with dire tears of
       a jealous thread (matt arnold)...
for me Liszt and Chopin battered the piano,
literally, battered the piano...
     could have slaughtered a cow also...
but then again there's a part of my that says:
well, if the god argument is infantile,
how about the nation argument, is that infantile also?
are we to be bleached entities,
or merely abstract pronoun users? you see,
   they stole Copernicus from the Poles,
and Mickiewicz, and evidently Chopin is no Pole...
but a prize nonetheless... so they keep him
as that rare thing: something born into an almost
inescapable state prone to disintegration...
   what with the monarchy being
     one of import, either a Swedish electer ruler,
or a Hungarian, or a Russian, or a German (e.g.
house of Sas) - a monarchical brothel,
   otherwise known as an aristocratic "democracy"...
    it's just a good thing i don't like him... i don't see how
a piano can be ***** as it has been by either Liszt or
Chopin, sure enough, nimple fingers,
joseph ii hapsburg, mozart, the film amadeus citation:
                                                               too many notes...
    a bit like me... for its worth, the piano is so delicate,
    so so delicate... how it becomes an instrument that
requires competitors, how you need more virtuosos
who can play the **** music than original from-scratch
composers... piano: it just asks for gliding hands,
it's not asking for these megalomanic
tunes that might leave you with a wish from an audience
memember: to break your fingers...
evidently nothing more than a death / ******* stare...
or why the true resting place
of Chopin is Japan... as odd as it might seem...
           plays the piano great... plays a woman
  like a bagpipe...
                  aren't the two related?
     and when i first heard *ola gjeilo
on the radio
i was a woman watching a romcom...
                              the whole northern lights album...
my: a feast!
         just one of the few contemporary composers
that i can invoke...
     so coming back to the piano:
   me more of a Debussy and Eric Satie palette...
they just glide... i can only imagine
       a flight of migrating swans,
   or ice-skating...
    Chopin and Liszt is a mathematical headache...
        solo piano and the gentleness of approach...
    and only today,
   a lesbian couple travelling to manchester...
one of them phoned the radio station
and asked for a request...
      i've been dying to note this song / composer
down for a year or so... always heard the song:
never the composer's name...
                   ludovico einaudi,
much to my taste: the piano still remains
   a wardrobe item of the orchestral architecture,
rather than a door of your fridge...
constantly yapping for: more, more, more.
you glide across it,
tease it, rather than taste it,
  or subject it to a rubric of quickened calculation,
it stuff the room,
the best you can do is make it sound airy,
    make diacritical echoes from it,
than actual letters...
           say: the acute above the o, rather than
the o and acute in ó....
such a delicate thing: the piano:
which is why i never understood Chopin,
or felt a need for a national argument
       needing him, propping him on a peddlestool...
having him as a national treasure...
                  i always remained true to
those who settled for gliding over the alphabet...
    rather than immersing themselves in it...
that kind of composition, that simply fakes lazy...
     they are the ones i admire...
     and yes, given that dialectics has been
completely forsaken,
   the best we can do is give an indulgence
in an opinion, and make comments of
diacritic...
   women, chocolates,
men: dialectics...
                    or at least that's how i find myself,
making diacritic comments...
   akin to piano (contra chess,
    white notes consonants,
black notes vowels,
or should i say: any letter with a diacritical
distinction is the black note,
vowels and consonants are uniform in white)...
Jude kyrie Sep 2015
Dancing With Chopin

By Jude Kyrie

Vienna 1896

Do you like Chopin she whispered.?
Yes Milady I love Chopin.
Then we shall dance sir.
The darkened ballroom was lit
only by the candelabra
of the moon and stars.

As they waltzed to his nocturne
The pianist delicately flowed
each beautiful note,  like raindrops
falling softly in the nighttime.
She was so lovely in her gown
So much what he wanted
But in a station far beyond his.

He had promised her.
Even if they could not be as one
In this lifetime he would wait
for her in the next and they
would spend eternity together.

Vienna 2014

Each night they
met in the famous old ballroom
they would dance to Chopin
only Chopin, forever.

As the soft darkness of night
melted into
the approaching light
of dawn they faded
leaving only silence.

The old caretaker
approached the ballroom.
And said to himself
I am sure I heard Chopin again
Jude kyrie Dec 2015
Dancing With Chopin

By Jude Kyrie

Vienna 1896

*Do you like Chopin she whispered.?
Yes Milady I love Chopin.
Then we shall dance sir.
The darkened ballroom was lit
only by the candelabra
of the moon and stars.

As they waltzed to his nocturne
The pianist delicately flowed
each beautiful note,  like raindrops
falling softly in the nighttime.
She was so lovely in her gown
So much what he wanted
But in a station far beyond his.

He had promised her.
Even if they could not be as one
In this lifetime he would wait
for her in the next and they
would spend eternity together.

Vienna 2015

Each night they
met in the famous old ballroom
they would dance to Chopin
only Chopin, forever.

As the soft darkness of night
melted into
the approaching light
of dawn they faded
leaving only silence.

The old caretaker
approached the ballroom.
And said to himself
I am sure I heard Chopin again
Mateuš Conrad Dec 2016
you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay

is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.
Such passion flows from fingers
that scale the controlled embellishments
of Chopin.
The melodies swirl in your brain
as you try to imagine caressing
the ivories with every female voice
that Chopin encountered.
Expressing profoundly the experience
of Chopin's work cannot be described
on paper.
It must be felt.
Only then will you find passion in its raw form.
Jude kyrie Aug 2015
Starlight With Chopin

*At my piano again
sleep unattainable
in this deluge of my memories.
Silence of the early hours
suiting my maudlin mood.
I am lost inside old thoughts of you..
Only of you.
Memories that cannot sleep call me
to share them one more time.

I play piano in the darkened room.
Only illuminated by
the candlelight of a bright moon.
What else can be my companion?
I find Chopin again his beautiful
Nocturne plays sweetly.

My fingertips softly caressing the keys
As they once did your skin.
I think he was in my state of heart
when he wrote this lovely reprise
it is so bittersweet.
How else could it touch my soul so?

As my eyes close
half in the bliss of sleep.
I see us together once again.
Not as the lifetime companions
But back across the faded years.
in the blooming May time of your life.

I feel you next to me
like a half forgotten tune
that is playing in my head.
Years pass that are as countless
as the blowing autumn leaves.

It is springtime.
You are wearing
your lovely blue gown.
So beautiful.
So much what I needed.

And I walk to you shyly.
Noticing your flicker of a smile.
The first words you shared with me.
Do you like Chopin sir?.
I replied
I love Chopin My lady.

Then we danced for a lifetime.
And I know again that somewhere
In a distant place beyond the clouds
far beyond my reach.
Where night and pain do not exist.
Your fingertips are pressed
against a faraway window pane.
And my music is playing
in your heart
https://www.youtube.com/watch?v=tV5U8kVYS88
Mateuš Conrad Sep 2016
an atypical journalistic interview sessions only lasts a few minutes: you know, you know, you knows... mostly arranged by eager liars and boxing-ring butchers of the chop & jabbed jobless... or as i like to call it to their faces when they recuperate at rock concerts with their slaughterhouse day-jobs: head-banging meat-heads; you know, one of the lads, yeah man, you know - can i start speaking sing-language from now on? i swear they're speaking sign-language already, i understand them in the boxing ring... outside of the boxing ring... huh?!

the same with modern music, it just loves
Bach or Chopin accents / diacritics / samples...
Salmonella Dub's song *problems
,
i don't know why it acquires the said critique,
moby's porcelain...
these are accents of once world know narratives,
the narratives are gone, but the
accents remain... once we had Chopin's piano,
now we have transition pieces
akin to Thomas Newman's 18 from the American
Beauty soundtrack... now the Emperors say:
too few notes... cos it's a real tear-jerking masterpiece...
finally people of all professional categorisation learned
punctuation and the assembling of data,
the point of shelving things... of
not keeping thought for the purpose of simplified
narration, but as a way to escape into idea identifying
post-narrative ensured dynamos...
what remains of classical music, is but
a sense of diacritical marks not applied to language,
what is left as a wasteland...
the modern version of classical music is but an accent
of what classical music used to be: the alphabet,
the narrative, the narrative arrangement...
we're left with accents... the piano is an accent...
something Mozart used to touch...
when Mozart wrote the a b c,
                   Thomas Newman just wrote the acute
                           above the c...
    because classical music is so scarce, so rare
that it requires an elephant and a poacher,
but hardly the egg...
                                       so when Mozart wrote
a b c... modern licks of the piano
                   wrote a jingle... licks...
              modern resurrection of the classical
narrative, when Mozart wrote his bit,
Charlie Harper wrote the acute sign above something
resembling a character named C to make him into
chimney, thus the scalpel ', yes, that's the linguistic
scalpel         '                      , which isn't a comma,
to dissect words...             play me a ******* Irish medley
you ****!                        
                           sophism says: all punctuation marks
              revolve around securing emphasis.
tell that to a twelve year old, and in telling them that:
how to create an ontology to differentiate them from
politicians and establishing them as
                                          eager hands that became
                 the roots of modern China, and the principle:
         family, root, family, root,
                             or your granny with far more to worried
about than you standing over her grave, meaning
she ******* herself in a care home and you were like:
     but my life!
                                  i moved my great-grandmother into
my grandmother's house... they sarcastically called me
a beneficiary at her funeral, you know how family is...
they're always ******* cannibal, they want you to have
three arms so they can chew one of them off
and instigate the lazy option: Satellite Plato TV in
their homes... to lazy to even have a decent thought:
forget thought leading to morality,
let's just keep it French enlightenment: thought
precipitating into existence... which is hardly any sort
of triangular or rhombus square definition of
behavioural patterns of macaques.
for ****'s sake: when Chopin wrote c, modern
music sampled the same piano as the acute sign above
c, i.e. ć, dissection: Moby's Porcelain is Chopin i.e. c,
the two together are ć... which is read
by dissecting the words itch cheese chi chee and
putting them back together like some sort of Frankenstein
in order to just get the acute sense of stressed c...
CTRL... C and P... then it's either just African drumming
as in excess rhythmic when it was once woodwind
sections... so Chopin without Moby's Porcelain would
just be c... with Porcelain we get ć... it's not a representation
of an itch, or a twitch... it's just ticklish, mind you,
the two are inseparable: and the rest i just like
to call ambience, or anything you could never claim to
make an onomatopoeia out of - if only it was
that simple: i'd call the practice of onomatopoeia the
craft of carpentry or stone-masonry -
knock on wood: get a whale's mating call in the deep blue...
******* magic in the desert of pampered journalism...
pampered journalism... i like that, i like it like
the idea of defending Saddam Hussein... pampered
journalism... here's a fake... oh, and another...
here's another fake... mascara drool here... and another
one here... **** me, a miniature golf course of ideas...
hard not to be pruning the delusional idea of
"this is Utopia" by western media's *******
into a handkerchief that's designed into fishnets of *****
than that of tearful sympathies with:
well the animal stories always sum things up, don't they?
queue
Mateuš Conrad  Sep 2018
David
Mateuš Conrad Sep 2018
.oh yeah... chris isaak's: wiucked game - plenty of "facts" went into taping as many covers as the song spontaneously made replica... so many objective "facts"... too many to count... when will certain subjective taboos be recognized and other, objective "truths" be denied?! how long must humanity be obliged to secure the argument by "confusion" be deemed liberation as necessarily-arguing the case of confiscatory material? what?! my grammar is bad? if my grammar is so ******* bad... ask someone from Rotherham!

.i tend to forget that people have this, collective amnesia regarding subjectivity, somehow they only associate it with news spew... they vaguely recognize an old widow walking from a surgery to a bust stop, stopping my a lavender bush, to pick a few flowers off of it... like some quasi Notre Dame hunchback... joyous that she bypassed all the ghost souls on the "waiting list" of an English doctor, joyous... clearly innocent... there can never be a place in this world for objective truths... objectivity is limited in the realm of aesthetics... whereby objectivity is a truth: whereby two uncorrelated people say the same thing... but  when it comes to a taste in music? what is objectivity that focuses on the differentiated between the sound of Wagner with / without an orchestra... and a traffic jam? objectively? both are sounds... extreme comparisons... but you can't call one black and the other #A, can you? subjectivity is not a 1-dimensional propaganda machine, it is also a truth... and when it comes to aesthetics... within the confines of personal taste(s)... i can say Wagner works better without an orchestra than with one... but... you can't tell the two apart... subjectivity is not a bias... it is a profound truth... in comparison objectivity's claim for truth is a tirade, compensated by the mere excavation deposit of journalism, which is becoming ever more fractured in compensation; it was always the case that life, expired prior to the, death... but now? it appears? death expires prior to a, life. Wagner isn't anemic without the orchestra... Wagner merely hijacks an orchestra to overdo the purpose of the piano... to enrapture a concert hall; nothing more, and i wouldn't expect nothing less.

i'm drunk...

  you're sober...

good luck
reconciling either,

even if either:

invokes:

         none....

   who gave the reigns
to the internet,
under a sober guise?

****! quick!
catch me a moth in a lampshade
and send me off to
a CIA acid camp!

IVANA BELIEVE!
and congregate
like a ******* beehive!

or a termite mount...
whichever...
            what?
i'm drunk... you're sober...
    
unless you have some
fetish for Swedish pop music
akin to Roxette...
  we, have, seriously,
nothing, to, talk, about...

  savvy? is that privy enough
for you?

tell me the difference between:
i have no rank, no lābrador
to mind suite for an orchestra
worth a Wagner...

**** it... i just watched
Apocalypse Now...
   3 and a half hours of what i could
make of the heart of darkness...
prior to the ride of the valkyries...

but to be honest...
i'm with david...
             take of pure piano...
of Wagner's
     the entry of the gods into Valhalla...
sole, piano... it's not anemic...
it's justified interpretation,
it''s... the justified counter
to Chopin...
  a refined honesty...
                 i never liked
Chopin...
   unlike most Polacks...
i never like Jean-Paul II either...
like most Polacks...

i'd envision a Jean-Paul II emeritus...
like all old Polacks lay claim:
it you have been nice to see
an otherwise different,
process of dethroning...

no... the orchestra undermines
Wagner... the piano will do,
for now, for as long as it takes...
the piece doesn't require orchestration...
if the mere piano makes the pieces
anemic...
then the orchestra makes is
gluttonous...
  
people shouldn't expect their children
to be intelligent by merely
listening to classical music...
what they should expect...
is listening to classical music...
elaborating into jazz...
and then coming back into classical music...

why do i hear such horrors...
that the only classical music made pop...
is classical music underscoring
moving image...
why is the only classical music
"worth" listening to...
the music composed for movies,
or at least, incorporated
into them?

            no... Wagner is not anemic
on the sole basis of piano...
     das rheingold: is not anemic...
Chopin might be...
with his intricacies...
a bountiful butterfly in the age
of Bonaparte...
              
               but? listening to the piano?
of Wagner's exclusion of
orchestra?

   Handel is the new Bach...
and Wagner is the new Chopin...

you don't make toddlers listen to classical music
because they might be better
at arithmetic like some prized
monkey who later struggles
with economic biases -
or tax returns...

                     you need a classical
music appreciation,
to hit against jazz...
and if it doesn't return to classical
music?
then the original investment was
worth... zilch!

       orchestra ruins what perfects,
or rather allows Wagner
to stand-out from a Baroque tradition
of Germanic exfoliation...
   and hurts, hurts...
hurts the gentile spirit of a Schubert
or a Schumann...
      
the just Libra interlude hanging
within a composition,
the dangling in the air...
or a dire, interlude, a dire... note...

                   Wagner minus
orchestra...
                      what a fine affair to...
anticipate:

                                              ­    en oeuvre.
Jude kyrie Oct 2015
At my piano again
sleep unattainable
in this deluge of my memories.
Silence of the early hours
suiting my maudlin mood.
I am lost inside old thoughts of you..
Only of you.
Memories that cannot sleep call me
to share them one more time.

I play piano in the darkened room.
Only illuminated by
the candlelight of a bright moon.
What else can be my companion?
I find Chopin again his beautiful
Nocturne plays sweetly.

My fingertips softly caressing the keys
As they once did your skin.
I think he was in my state of heart
when he wrote this lovely reprise
it is so bittersweet.
How else could it touch my soul so?

As my eyes close
half in the bliss of sleep.
I see us together once again.
Not as the lifetime companions
But back across the faded years.
in the blooming May time of your life.

I feel you next to me
like a half forgotten tune
that is playing in my head.
Years pass that are as countless
as the blowing autumn leaves.

It is springtime.
You are wearing
your lovely blue gown.
So beautiful.
So much what I needed.

And I walk to you shyly.
Noticing your flicker of a smile.
The first words you shared with me.
Do you like Chopin sir?.
I replied
I love Chopin My lady.

Then we danced for a lifetime.
And I know again that somewhere
In a distant place beyond the clouds
far beyond my reach.
Where night and pain do not exist.
Your fingertips are pressed
against a faraway window pane.
And my music is playing
in your heart
Frankie Gestone Mar 2013
He woke up in a rapid sweat, darkness surrounding him, his soaked pillow was pressing up on his neck as he could feel the uncomfortable stabbing cold run right threw his whole body. His mouth was dry and his body was in great pain. He lay there practically naked, but not just physically, also emotionally. It was like a catatonic state where the person’s body is paused in reality, but the actual person is far away and isolated even from himself. He wondered why he was so comfortable being uncomfortable and remaining frozen in time.  He saw nothing but the subtle moonlight that peaked through the blinds of his window. A point of existence, he feels nothing because all he has ever felt has drowned him. His numbness was being accepted and he embraced that if he remained this way, he would never have to feel hurt or heartbreak again. It’s better this way, he confirmed.

Eventually he got up out of his bed, walked outside to a nearby empty field. He looked up at the infinite night sky and contemplated the moon, the stars, and the endless space that sustained all of its existence. A tear fell down his cheek as he remembered the beautiful wonder of life and the universe; his realization that he is just a small spec of dust compared to all that is and all that is wonderful. Whatever happened to that universal happiness he used to feel? The feelings of the unseen, the cosmos, the mysteries that remain unsolved were all love. He then felt ancient and brand new at the same time-always being around all that is, but recently born into the unknown. The silence of the night swarmed him, and he suddenly embraced all the things he could not accept. The lullaby of the wind put him to sleep.

When he awoke, it was twilight. The sky was a lighter, deep blue and the sun in the far distance was rising in a fiery halo of mixed red, orange, and yellow colors, and the early morning clouds were clear and transparent. He heard the sound of a train horn in the far distance. He followed the sound with his ears as the sound became slightly louder and louder. Then, suddenly he could see the light of the early morning train.

The train had stopped as he approached it, and he hopped on with no hesitation or looking back. This runaway train was going to take him to where he needs to be, and he blindly and faithfully accepted that his fate was out of his hands now. No more heartbreak, no more reminders of the past, and most importantly no more drowning in his tears. As the train proceeded to move forward, he could feel fresh air gently touch his face, and all that he saw and ever knew were now flashing lights disappearing into eternity.

It was hours into the late morning when the train made its first stop. He listened to the train conductor speak out over the intercom, almost incoherently, say, “This is Brightstone Park. Next stop will be Riverhead.” A nostalgic feeling suddenly came over him as he could remember that his very first kiss was in Brightstone Park with Jessica Garzi. That was not his first true love, but his very first heartbreak. Riverhead was a forbidden memory, as he knew a classmate who had committed suicide off the Riverhead Bridge. He had not returned there in five years because of his haunting memories that would always come back to remind him just how cold and frightening the world really is.

While lost in thought, he felt a rough, sand paper-like wet feeling on his forearm. He looked down and it was a black cat, but not all black. The paws were all white like socks, and the chest and stomach were snow white. The loud prominent purr was a very peculiar reminder of a cat he once owned. Her name was Midnight. She was not the friendliest cat to strangers, but she loved him, especially when he massaged her paws. This cat was practically identical to Midnight. Midnight was put down three years ago though. As he began petting the cat’s back, it ran away and jumped off the moving train. He looked out in a hurry, but it was gone. It was just like everything else he loved. There for one moment, then gone the next. The strange thought that has one wondering if anything had actually existed that is now no more. A person, or a thing, could mean everything to you, but once they slip away, they become like the wind: occasionally brushing up against you, but never revealing its form.

On the train he began to wonder how he got where he was, and in general how the smallest decisions he made lead to bigger events and all in all, everything was all connected. There are no isolated events, or isolated people- it is all proven fact and science. Everything depends on each other to survive. The trees depend on the sun to keep themselves alive; we give off carbon dioxide to the trees and in return, we receive the oxygen we need from the leaves of the trees. He thought about the potential of a seed-for example, a tomato seed. Within that tiny seed is unlimited potential of life: The seed may produce one plant of several tomatoes, and within all those tomatoes are countless other seeds. This is all from one seed. Then, one may take a couple of seeds from a picked tomato and plant them throughout the yard creating a garden. That original seed came from another tomato seed inside a tomato on a plant, and that seed came from another seed. When did this cycle of reproduction begin and when does it end? Is it just another form of the infinite? When a person eats a tomato from that original seed, he receives certain essential vitamins his body needs for surviving and sustaining good health. This good health will effect his offspring and so on and so on. When he defecates, that will all return to the earth for potential fertilizer used for other tomato seeds. This is the same when he returns to the earth again. His dust will fertilize the same world that he came from, for all things come from it just to inevitably return to it.

He continued to think about how matter is never created nor destroyed and the same for energy. Nothing ever truly dies; the form changes into something new, like how water becomes a cloud and the cloud becomes water. Though this comforted him, he noticed that a few feet away from him was a former coworker and friend, Natasha Karev. She always infatuated him and they became close friends, but he always wished it had continued and gone even further than it did. One night, only a couple of years ago, they were at a friend’s party. Both were drinking, but not so heavily. That night they bonded and got so close, that she admitted she loved him. He was never quite sure how real that “I love you” was, but it was burned inside his heart ever since. That night there were moments she would tell him how much she wanted to make love to another guy at the party, Kevin, but was afraid to approach him. She told him she desperately wanted to lose her virginity that night to somebody because she was eighteen and only getting older. This was like a sharp knife slowly penetrating into his heart. He remained speechless for quite a few minutes. Finally he decided to go up in a bedroom alone. To his surprise, she followed him up and kissed him. He felt her clothed body up and down, and she touched areas not many have touched before. She told him she wanted to have *** and that she wanted him to rob her of her virginity. He was speechless, but extremely excited. Then, abruptly, she told him she could not because everything was happening way too soon. Why couldn’t she just make up her mind? He sat frustrated in the darkness, again, all alone. After that night, they spoke and remained close, yet that night was never mentioned again. It was as if it had never happened. After about two years of an on and off friendship, they just went their own ways. There were no fights or disagreements. Life just separated them.

“You’re just a figment inside somebody’s dream. So far from reality, you are a dream within a dream within a dream.” Startled by this soft voice, he quickly turned around to see Natasha smiling at him. “Ha-ha! I knew I could scare you. Were you abused as a kid, or something?” No words could come out at that moment, but he hugged her tightly. She explained to him that she is getting off at the next stop to meet a friend. He was sure he wanted to follow her and see where life would take him. She reminisced and told him how she had been away inside her own cave for several months, but is now very happy to meet up with everyone she had lost contact with.

The next stop arrived, but he did not catch the name of the stop he was getting off. As he got off with several others, both he and Natasha met up with her friend, Valeria, who he found quite cute. She resembled Natasha a bit in that they both had ***** blonde hair and blue eyes. They walked right into a giant street fair with a crowd of people looking at the foods and desserts, the trendy clothes, cheap jewelry, and children play rides.

As he looked around, he began seeing many familiar faces. He saw Kevin, a childhood and grammar school mate there with another co-worker of his, Jenny. Jenny was a Colombian beauty in his eyes and who was a flirt and tease to him, but never actually gave him any time alone. Incidentally, he knew both of them at different times in his life and had no idea they knew of each other. Kevin stopped contacting him during high school without any arguments or disloyalties that would tear a friendship apart. Keeping his head down, he walked a few feet to discover another childhood best friend, Jack, who was with a mutual childhood friend, Melanie. Melanie was a best friend of his and also a first childhood crush who also had a crush on him. He thought it was odd because even though Melanie and Jack were also best friends, Melanie never liked Jack in a special boy/girl way. He felt a moment of heartbreak, but quickly turned away and kept walking. A little further up the road, he saw two more childhood friends, Chris and Jimmy, who as children did not get along that well and only hung out with each other in the company of him. How peculiar it was suddenly seeing them together after ten years, and as seemingly best of friends.

That was not all. Things were getting stranger and stranger. It was like all the people who had made an imprint on his life were now coming together around him. He saw his two therapists, one he had gone to as a teenager and the other as a young adult, stand next to each other selling prescription drug samples. Both stared at him with a blank face, but with a prominent smile. He could barely nod at them. Natasha directed them to a local bar. Inside the bar was huge and also had a second floor. He noticed the music playing in the background was, Nocturne In E Flat Major, Op.9 No.2, by Polish born Romantic composer, Frederic Chopin. He became fixated on the elegant eighth note, left hand arpeggios, and the sweet and peaceful fast moving seven, eleven, twenty, and twenty-two notes from the right hand. If he thought about the most beautiful song ever written and all that is wonderful in one, this was the song.

They all took a seat and began looking at people and laughing at their behavior. Everyone was wearing masks. Social masks. They observed how different people act when they are in social gatherings, and how if you carefully study their body language, it will become clear that what they are saying and trying to put out is not what is actually being expressed through the body. One young man was frantically shaking his right leg as he tried to flirt confidently with a young woman he had just recently met. His face began to turn noticeably red, in an embarrassed flush, and he was making sudden hand gestures and quick eye blinking. She, on the other hand, pretended to be interested in what he was saying; yet her eyes would often look around the room and her body was a good distance from him with her arms folded.

Then as they were all laughing, he abruptly stopped and looked ahead to see two drunken women making out two tables away from them. As his eyes focused in on them, he realized they were two of his former crushes, Claire and Veronica, who he had no idea knew of each other because in fact, they were from different time periods of his life. He began seeing former teachers and professors from each stage of his school career, laughing hysterically with one another. Some of his most inspiring teachers and professors were gathered with other teachers and professors he despised. A young, tattooed hipster woman entered the scenery with a little Cairn Terrier that had an uncanny resemblance to his recently passed dog, Petey, who was put to sleep when he was away on a vacation, unexpectedly. His sorrow began to overwhelm him for not being able to say good-bye and see him for a proper last time. Everything about the dog’s high energy, playfulness, and watchdog attitude was exactly like Petey. A tear ran and fell off his cheek from his left eye right into the hand of Natasha. He looked up at her and she said, “Your tears are my tears. For what pain you withhold, I take and share with you.” She then wiped her right eye with the hand that held his tear. Natasha’s friend began to speak slowly into his left ear in Russian. Though he could not understand a word she was saying, it sounded just like a poem based on the pattern and rhythm’s consistency. It made him feel free of melancholy, but then thought of Angela Antonaci entered his mind.

He thought that the last painful experience ended with the break up of his closest best friend ever to play a part in his life. She was his girlfriend for the last three and a half years. They had known each other for ten years before they broke up their entire relationship. She was thirteen and he was fifteen when they first met in a park. She was always all over him like a little schoolgirl and he would often get frustrated with her obsession over him, for he believed he was no big deal. She was the first person to ever make him feel special and important, and even though he would resent her likeness towards him, he could never keep his eyes off of her or stop himself from always coming to her when he felt lonely. After about seven years, he realized he was in love with her. He had always been in love with her from the first time they met eyes. His long road had always lead back to her home in life. Every time he tried forgetting her and moving on, they would meet again. That person people search their entire lives for, he had found.

He rose out of his seat and briefly said goodbye to Natasha and her friend and went upstairs. He wanted time to be alone and walk around until he suddenly saw Jessica walking towards him. He stopped and waited for her to say hello, but she walked right by him, as if he had never existed. He felt a little insulted, yet relieved as any awkwardness that would arise was avoided. Looking ahead, he saw Angela’s two best friends, Kate and Julie, with her high school crush, John. John was playing an acoustic guitar on a lounge chair, singing to the two friends, almost enticing them with his eyes and voice. His jealousy overcame him, as Angela had been infatuated with him on and off even though he had played with her feelings throughout high school and college. John would tell her he loved her and make her believe he was a romantic, then when she fell into his words, he would leave her and keep a distance for long periods of time, leaving her in despair.

The conclusion occurred to him that maybe she was nearby. He searched throughout the entire bar not finding any other clues that she was around. When he went downstairs, he saw Natasha and her friend asleep, as well as most of the bar, except for the bartender. It was like everyone just passed out from the alcohol or possibly inhaled some type of knockout drug. The bartender was watching the news forecast of a tornado watch and dangerous thunderstorms. The bartender looked at him and said, “It’s better if you stay in here. It’s dangerous out there. I recommend you don’t go out!” He just listened, but decided to leave to the outside anyway.

He walked three blocks through the heavy rain and strong winds. He took a moment to stop and look at the black and gray clouds above him. As he looked across the street, he saw her. She was with her mother, sister, and mutual friends of theirs, Chrystal and Mike. He also saw behind them, his own mother and sister. He ran across the street to her and she shockingly with excitement screamed, “Hey!!! Oh my God!! Please stay with us. I missed you so much. You have no idea. We have to get to a shelter away from this storm. Hold my hand…” Smiling, he kept walking with them. They walked for twenty minutes and entered a giant field. After ten minutes of walking restlessly through the field, they all stopped to catch their breath. Angela’s mom ordered everyone to hold one another’s hand. An enormous gust of wind pushed them all to the grassy ground. He began to shake violently as he felt the touch of death nearby. He wondered if this would be the end, as he felt unaccomplished and left with so much left unsaid to her. Thoughts raced through his mind like a speeding highway about how to get to safety. Unable to control and remain focused on one rational thought at a time, he blacked out for a minute.

Then there he was right in the middle of a storm. In so many ways, he realized where he was ending was where he originally began. All the imprints from all he ever knew came back all at once to watch him finally leave all he ever knew from this life. And in the last moments, he found himself with her. He held her hand, while she held his, and the hands of their family and friends. The world was so dark and cold. The wind became much more rapid and an enormous bright light from it came within just miles of them. He kept looking up at the dark black and gray clouds over them, never as frightened as he was now. His focus was on the great strength of the wind. Whatever melancholic thoughts he had of his life, he would not give up hope. Maybe he was just hopelessly hopeful, but holding each other tightly might, in some miraculous way, save them. Then suddenly a deep peace began to sustain his very being. He remembered whose hand he was holding- the only woman to ever understand every level of his being. He looked down at her big, precious eyes pouring out tears. Their eyes locked, as she had been watching him the entire time. No words needed to be said from one another. They knew exactly what they felt and meant. For the first time in his life, everything was all okay. All was beautiful. The whole situation was beautiful, not tragic. In that moment, he understood this was where he was meant to be. This was where he wanted to be, for only in such a life altering moment does one comprehend the very nature of love and life. To just glance into her eyes and see the same person staring back in suspense, while all he ever knew was being born, growing, and dying simultaneously in complete acceptance. They began to fade and disappeared into the light.
Mateuš Conrad Jan 2020
.remember this youtube channel: harakiri diat...

i think this genre of music has a name: brutalism...
last night i watched 50 book recommendations
by the cosmicsceptic...
beside his oxford specific titles relating
to his philosophy and theology degree...
came the fictional books...
i presumed that i didn't read anything going
into this video...

i can be forgiven for not reading a christopher
hitchens when i've read some knausgård...
perhaps i presume to have not read anything...
because... i do quiet enjoy the act of reading...
so much so that... only scraps remain for me that
are: useful...

i can't imagine finding any use from a book
if it's not already in it...
apparently i'm not so under-read as i led myself
to believe...
but this is not about literature...
i was looking for a genre to encompass...
say... vomito *****...
the klinik...
the soft moon...
but i couldn't come to anything of worth...
not until i foraged for the more obscure...
the raw pulp...
primitive knot - ******* of brutalism...
again... the channel harakiri diat
has the music covered...
zeit und geist... i am the fire...
let's keep it clean...
i would go as far as to include
bohren & der club of gore: midnight radio
into this whole mix...

as much as i'd love to push for die krupps...
no can do... their stuff is polished goods...
vomito ***** is polished goods...
but there's still something raw about them...
once upon a time there was this "thing"
about doom metal... electric wizard... etc.,
but i can say... this new brutalism is...
by far... better than a gavin mcinnes diet
of punk... i never liked punk...
i never liked punk as i never liked rap...
hip hop yes and all that jazzmatazz fussion...
some solid grit...

after all... Romford, Essex...
probably the last bastion of the music shop...
a his-master's-voice with a vinyl section...
my idea of a tennis-court,
a cafe, a swimming-pool, a park,
a church even... because you can never really
own too many records...

and between me and you:
what's the difference between me and my neighbor?
he plays his music, mostly rap...
on the speakers... and sings along to the songs...
he finishes the day with some r'n'b and stops
singing... i take over...

headphones in, 6ft2 posture hunched in a chair
scribbling with chicken-pecking precision
some long lost "hierogylphic"...
and of course: in between some, literature...
but it was only about the music...
youtubers ruined youtube as much as
the "legacy media"... or the next will smith...
"vlogger"...

once upon a time youtube was a haven for people
like me: who only used it to find new music...
somehow the glitches started and the music video
recommendations died: youtube thesaurus algorithm
became corrupt or something...

would i ever sing-along to a song?
not if it's as raw as a stake-tartar and the dish
needs to be served with merely thinking to compliment it...
i'll repeat what i've already said:
gentlemen! the jukebox is ******!
- and i was the type to listen and then buy
a physical copy... even though i didn't have to...
i could go back and listen to the same stuff again...
out of principle...

no car = no car insurance no road tax...
no mobile phone = no... bill...
in terms of primitive knot, though?
would you rather go blind or deaf?
that's a tough one...

listening to primitive knot or watching
a latex lucy b.d.s.m. short *****-flick...
i know: it's the obvious synonym overlap...
but at the same time it isn't...
gimp suits or all those other unicorns of the bedroom...
but no... the most forbidden act i ever managed
to fathom in a brothel was a kiss...
one time i pulled out a ***** from a drawer
when she went with the money to the madame
of the parlour and coming back asked me:

do you want to use it?
*** to me is like rye bread...
it's not a ******* croissant...
toasting alone will do the trick...
language is already complicated by necessity...
of crosswords and the boredom
that most mono-lingual people feed not having
learned a crossword of bilingualism...
why would i inhibit this fact of voyeurism?
apparently there's something immoral watching
someone get pleasured...
perhaps i should find some rare footage of
a peter anthony allen hanging...
or Leroy Hall, Jr. at the Riverbend (Nashville, Tennessee)?
perhaps i should start jerking off on
a whim, from time to time...
over execution footage?

perhaps it's that sort of conundrum...
you see someone eating ice-cream and enjoying it...
you therefore? buy yourself a cone?
god almighty... but the added responsibility
of also owning the fridge and freezer
when that spontaneous whim passes...
after all... there's always that diet of...
the girls jerking off into the camera...
which is probably the least guilt-riddled form
of ******* on the planet...

hey! if she's doing it... and you sat down
on the throne of thrones to do the no. 1 and the no. 2...
let's call it no. 3 and taking a baptism later (no. 4)...
esp. if you haven't been circumcised...
at this point: i feel sorry for the circumcised men...
that do not live within the rigours of a hasidic orthodoxy:
the circumcised man: the subservient woman...
the circumcised man: the woman in a niqab...
i guess that's how it works, no?
imagine the problems...
if the man were circumcised... but the woman...
was not supposed to pay any sort
of "penalty"...

then again: one would expect to find the best
***** under the crucifix...
stigmata pin-head and all those dittos...
and heads... but i am a connoisseur... 1970s...
1980s... but it must be Italian...
no... not German... and certainly not English...
chances are: yes, French... but more or less
Italian... and it's always on a whim...
connoisseur... well there are videos where
you can find a pregnant woman parading her bump...
and squeezing her *******...
and that's about it...

i want to imagine what those 9 months
of pregnancy must feel like...
for better or for worse... the oral demands...
perhaps i haven't written about this sort of stuff
for a long enough period...

now an interlude where i smoke a cigarette
is bound to be... exquisite...

it sure as hell is the safest way to arrive
at some sort of *** that's purely plesurable:
a gradation of *** without consequences...
but is this a celebration?
a woman ******* on camera with
her toys is a celebration...
me my ******* and the phantom hand...
there's no theatre in it...
the utility of taking a ****, taking a ****...
doing "it"... then having a shower...
and then "repressing" it...
not having "repressed" it to begin with...

i did a month once...
i came to the conclusion... that i'm more impulse
prone, i was planning my next brothel
visit... after a month i was still planning it...
then i relieved myself and...
would you believe it? the impetus dissolved!
i don't know what these right-wing
europa-identitarians are coming up with...
so much attention on:
i enjoy reading as much as i enjoy taking
a ****... notably the constipated kind
but esp. more of the diarrhoea nature...
hello mr. **** hello mrs. geiser!

perhaps that's why i wouldn't ever be a fan
of ******... i enjoy taking a **** too much...
or perhaps i'm just too old fashioned...
but this began as something orientating oneself
around a music genre...
how did it come down to pornogrpahy?

jean genet: the thief's journal...
i was really hoping for something marquis de sade
-esque... there was still too much:

solo girl does her bit...
so well in fact... that... buying a *** doll
must only remain a h'american thing...
*** is already shamed when marriage comes
along in anglo-saxon societies...
notably the inflateable sheep or doll
on those normie stag parties...
*** and children and the joke is:
you can only have good ***...
if you're ******* for procreative reasons...
bypassing the ****** for the sake
of the children...

otherwise... well no ******* doesn't help...
if... there's no wife in a niqab in public...
or some kosher wifey either...

i still have mine and i will keep that...
as... almost... a security policy...
a prenup...

pauk-mumije (1982 bosnian post punk)...
perhaps brutalism is just post-punk?

i remember it quiet clearly...
i still can't fall asleep without listening to music...
as i couldn't back then...

otchim - james dean...
the bass and no guitar riffs until the chorus
comes... and... ha ha... it's in fwench!
just like i could **** her without listening
to really... atmospheric music...
by 2007 standards that was equal to:
the dandy warhols...
but that was 2007...

these days... hardly candles and
black sun dreamer - post-traumatic stress disorder...
back then it was candles
and type o negative...
the candles and... catching a mouse...
no trap... a labyrinth of obstacles
and she sitting on the bed giggling while
i played being a maine ****...
and i did catch the mouse...
held it by the tail... let it lose on the stairwell...
and then watch its traumatised body try to
find a hole... scuttle and then fall...
to a depth of a greater serenity of
a... vermin's suicide: with no monkey sing-along
of... this mouse has done the cheese...

and it was sad when i was naive and
i accidently killed my hamster in a similar
fashion... but some ***** Abel...
but at least the mouse allowed me to
circumstance a Pontius Pilate relief...
and she asked me: what did you do with the mouse?

oh... it committed suicide.

chicago research compilation... tape CRO15...
perhaps listening to the cure
or depeche mode was once a "thing"...
no... burtalism is not post-punk...
pisse - kohlrubenwinter...
red zebra - i can't live in a livingroom...

my one personal joke...
in england i started calling the livingroom...
the civilroom...
pokój cywilny - if it must stress the St. Cyril...
so it must: комната гражданский..
brutalism is not post-punk...

stiff little fingers... are punk's creamy pie...
oto - bats...
bodychoke - cruelty
       "            - red dog
       "            - the red sea
legendary divorce - age with us...

somehow more of my ****** valnetine...
and less sonic youth...

i do remember pretending to date...
at high school...
the first question was always a nervous
build-up to the question:
'what music are you into?'

weird party - acne puncture...

well would you believe it...
some of us are still after something that
finds no sort of aleviation
in the alternative that's an aydin paladin
video...

POPEiUM - papacidal coronation...
Münn - II. in defeat...
a john peel: a no john peel...
the sort of piano that makes
a debussy or a satie blush...
AMORT - die hexes...

the current standard of... the stoogers...
or stooges... and... air no concern...
the limbo artifact of ***...
formerly known as the... limbo pickling...
of the undead...
and all those that come with an eczema and
the scabs of leprosy...
and vampires: those syphilitic zombies...

susumu yokota, and all those stupid,
solipsictically assured cats, grinning...
menace of the grin!
full cheese impromptu with a display
of teeth!
a night promenade into the forest
listening to: demdike stare's tryptych...

i haven't tried... but from 1pm through to 5pm...
i could phone classic.fm and ask
for... a song to be played in my name...
perhaps i'll phone in...
if i catch the right "once upon a time"...
and find it... as i found...
christopher young's: something to think
about...

**** and music... many interludes...
perhaps some little borat-britain references...
and then: none...
per 1K there's a cult...
per 10K there's a counter-culture...
come the 918 apostles... of jonestown...
there's no leftover for no...
alternative...

the restless mind starts its exercise
in petty squabbling....
why weren't i the respected,
vatican proof for a plumber!
why wasn't i to become,
the undertaker!

i too feel: the claustrophobia
of the ensue of the paragraph...
what is primitive knot contra U2...
mainstream? sod it: knot it a blood
and a sundail!
blood dries... the mercurial mythology
dries a solidity of
something becoming more an echo...
and less a sodden-print of the foot...
which the tide will,
nonetheless relate itself as...
worthy of being erased...

the violin concerto...
the piano nocturnes...
and the symphonies...
and the operas...
later the ballet...
beside... a chopin would write a nocturne...
a debussy would write one also...
but...
debussy writes a nocturne...
satie writes a nocture...
but a schumann?! a schubert?!
they write a concerto!
none of their work could have been written
in solide with a solipsistic monologue
escapade...

perhaps i can only appreciate chopin via
his nocturnes...
otherwise i am not convinced...
the greats wrote.... symphonies...
operas... never accompany pieces
to make their instrument an oak...
a tree... and not something resdual
to later make a mahoganny piano / table
of...

pianists! you only hear of their prowess!
Liszt! Chopin! Debussy! Satie...
exclaim as if to: suprise the "audience"
with either knowledge or...
adoration?
can a violinist make the same sort
of statements?
a pianist will play... with an accompaniment...
he will never become the maestro
predisposition
of the polyphony...

a chopin only heard the piano...
a debussy only heard a piano: solo...
a beethoven or a mozart...
what violin solo? what of a violin concerto?!
is that a trick question?
old father bach...
no instrument: well...
shubert loved allowing a piano ****
a bunch of harem violins in a harem crescendo
of a concerto...

but a nocturne? the polyphony of...
the "polyphony" of...
two pianos playing side-by-side...

- the joint"laura's"1967 kk proto prog freak phych -
no, that's not it...
- and no... it's not omega - gyöngyhajú lány...
- well **** on me...
locomotiv moscow is not a band...
but an f.c.... beg your pardon...

as i do hope that i am wrong about
a minor "technicality"...
somehow classical, essential...
and nothing worth or being able to: hum...
or sing-along-to...
always serious and finding outlets
of a necessity in being: thought of...
perhaps there's this grand:

technicality of not finding oneself sighing
or crying for that matter...
vaughan williams is more required...
for the expanse of a cowboy movie
horizon...
or that technical term...
the: deconstruction of the dutch angle
in the perspective shot...

but we don't talk about *** as much
as we don't engage in it...
and we certainly don't talk about music...
the absolute brutal needs to be found...
a butterfly a lotus a kiss in a brothel...
all else is... the slaughterhouse....

this has been a...
no Friday night in Soho can match-up...
i've spent better nights in
Amsterdam...
and no... the red light district was
never going to be a cannabis cafe for me...
or some Vermont-esque quest for a better
pint of ale...
*** was on sale...
there was not real point of making
any money from it in the medium of fiction...
it was always going to be
ugly, frictive... below par of expectation...
but it was always going to
be fathomable... fathomable in a sense
of it being respected...
as a hierarchical undermining...

oh what since was, truly was concrete...
but the verbiage came along
and fiddled with the fog and the end-result
deems itself abstract...
there's the concrete of drought...
and the abstract of locust.
there's the concrete of a mountain...
and the abstract of a pyramid;
there's the concrete of death...
and the abstract of a mosileum;
after all... a grave is a coping mechanism
of someone who...
never began the inquiry... of mortality...
joking as a child might...
pretending to handshake his own shadow.

as i have found the antithesis of narcissus...
the man who fell in love with his shadow.

— The End —