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I took Billy Collins to lunch with me today.
He kept me company, Horoscopes of the Dead
and new versions of Dante’s hellish sandwich.
My pasta was dry, but I ate it
between stanzas and between pages.
You walked in, backpack and all, at the top
of the stairs. I choked on some graded cheese,
because of the way you looked in your khakis.
I hate the taste of cucumbers but I would have

kissed you anyway. Even though,
I sometimes laugh a little too loud in the mornings
you still make sanctuaries out of my sheets,
covering us in a layer of polka dots,
craving each other’s skin, listening
the lullaby the ruffles of the duvet make.

And even though I sometimes know
that wanting you has its clumsy consequences,
I still lose my breath when you walk up
to the lunch line, or when you grab my face
with both hands, or when you say my name
backwards between sighs. Maybe Billy understands,

and maybe I can just stay a poet. Maybe,
you would look good on me. I’d love
to try you on. But I lost my breath
when you walked in this afternoon.
On a cafeteria table,
in the middle of February,
the kind where it gets dark at 5pm,
sat eight minature figurines made of shells—
brown, speckled, like a calico cat
with googly eyes on the middle of their heads,
one business man with a black derby,
one with a pretty pink bow,
or even one with blue suspenders,
and all their chubby bellies
rounding out over their pants. The woman

with her iridescent nails, bony fingers,
the skin pressed thin against her knuckles,
lines them up in a perfect row, tilting
their heads into one another as if
they are having a tiny conversation
admist the numbers being called—
B14! She stamps in red. B14!
A man pushes a cart around the tables,
like one mows grass around graves,
with fifty cent candy bars and potato chips
on flimsy paper plates. He asks the woman
if she wants ice in her Pepsi, but she just blows
a long sigh of smoke and flicks the sparks
behind her back. He doesn’t ask her to pay.

G56! She touches the head of the figurine
with the mustache. G56! I’ve lost count
of how many numbers I’ve missed,
but then there’s you, your hand on my thigh,
creeping, your fingers pushing
my cotton skirt up, up, and up—
O74!
We play with acrylic chips instead of stampers.
We’d like to win the lottery tickets,
maybe cash them in at the gas station
after we drink a couple iced teas and snack
on Mentos cause we ran out of money
two bottles ago.

The figurine with the fishing pole has one pupil
that lies at the bottom of the eye,
lop-sided, and staring at me while I pretend
that I have G47! or pretend that this isn’t
the first time you’ve brought me here, G47!
instead of a real date. Or pretend
that I can’t hear the woman cough, and cough,
and cough as she switches stampers between every ten calls
or touch this figurine or move that one, just slightly,
this way or that or

N44! She doesn’t have it. N44!
I don’t have it.
Don’t worry, child, you’ll have it all someday,
she whispers, sideways from her mouth,
with your thumb making circles around my hipbones,
and the man pushing the cart, the squeak of the wheels
B7! But I don’t have it. B7! I don’t have it.
I don’t have it.
The actors that did not shirk
their lines before death
were the ones most deserving
of life.
I've been analyzing and reanalyzing Yeats' "Lapis Lazuli" for my Modern & Contemporary Poetry class, and I put this an essay I'm writing on the poem. I'm so hung up on it.
Sometimes I picture myself in a red prom dress,
with converse under the tulle, and glitter
covering my eyes as I nervously glance
away from your face, inches from mine,
trying not to stare at your crooked bow-tie.
Sometimes we’re jumping over the tide’s
foam, under the moonlight, licking the salt from our lips—
my saddle shoes on the dunes, your jeans rolled
above the ankle, but my curls falling loose around my face.
Sometimes we’re moving black and white photographs,
1920’s with fringe and silver canes,
and sometimes

we’re like this. Naked on your mattress,
with the ceiling fan at a standstill, sipping
stale beer from old bottles you left lonely
on the windowsill. And sometimes I know better,
but tonight I answered your call and I came over
to your lazy bones on the sunken couch,
watching the lava lamp’s goo stick to the bottom,
yet still lighting
the entire room with a neon glow.
By now, you think I would know

that I can never count on you unless it’s cheap,
and convenient, and broken, and me. It’s only
ever me, but I can’t just haphazardly
stay in the spaces of your life that need filling.
I picture us, hugely, with a white house,
blue shutters, little kids building towers on the porch
just to knock them down.
The whole bit, picture it! But all
you ever see me as is figure
that you can reach if you squint hard enough—
a mirage that you like to believe
only you will ever hold.
impending series? perhaps.
I’m ******* freezing.
I’ve been sitting here across from a parking lot
in a little patch of green, and the sprinklers
keep going on and off, but I sit here—
watch the droplets slide down my black leather boots,
shifting my legs in my soaked denim shorts,
picking at the soggy bread of my dollar menu sandwich.
I didn’t win the peel off sticker contest on the wrapping,
and I also missed the trashcan when I threw it out,
like you threw me out

and it’s not like I saw it coming. Considering our cat
is still at the vet and we just found a new couch,
but I guess my bag of clothes and one pair of clean underwear
are my only companions now as I wait
for some sort of direction or weird, metaphor
to slink down from the Maybelline billboard,
crawl up my skin and into my mind so I’m not just
sitting here, freezing.

But I guess it’s not as cold as that one time
you slid half a Klondike bar down my back
as I sat circling help-wanted ads in the paper.
I screamed, but you covered my mouth and kissed
the space behind my ears a million little time.
I licked your hand and you wiped it on my shoulder,
turning

back to the stove to stir the Campbell’s soup we found
behind the expired olives in the cupboard. Yet, I always thought
that I was your sliver of a masterpiece.

It’s not everyday that someone calls a girl beautiful
when she’s got bags the size of small countries
under her eyes or a flannel with five missing buttons.
But the way you held my collarbone in your hands,
or carried my sculptures to the shows, or bent
your life a little differently just to fit my mold.

I guess our love just grew old
to you, but I never thought that a parking lot,
after hours of drizzle and haze
rising from the blacktop, would look better
than the canopy we made from old t-shirts
that hung above our bed with a mobile
of everything I ever made up in my head
that you could be.
And what if the story about Romeo & Juliet
never really wanted to teach us about the romantic kind of love
What if the whole story only wanted to put into words
that love never waits for anyone..

(l.p)
Doth the Sun not shine upon our life through its many cycles around our home, this ground, we now stand knowingly upon? For ye, there must be many nights withstanding your weakened days. Yet, I see no darkening of the mind to spite these wicked themes of the universe casting clouds across thine only sky. Perhaps a better man, call the rainbow among your kin. I see not a beauty born from damp darkness surrounding. Nay. Thy beauty sprung not from storms ripping through thy soul. Beauty flows from far-reaching caverns over filled with life and truer passion than mine own heart may fathom. Lo, I drown within those seas upon thy face. Drag me to their depths and anchor mine heart among the shells and bones.
May thine favor ever be towards me and shall thee be blessed and loved as thou hast never known
I have in front of me
And array of striped mountains,
Slopes of undulating lines
That fill in my horizon.
There's music in the background
But all that I can hear
Is the whispers that she tells the night
In secret.
Her eyes so still,
Her gaze fixed under her eye lids,
Her lips so bare
It makes my skin long for them,
Her breaths so deep
I want to live in the space they fill.
I lay my heavy arms
And they spread along the mountains,
They have found a home.
A valley, at last,
In which to rest my burdens.
I smoked a pack while we unraveled white and black.
Wrapped in your bare sheets I slept best.
Dewey skin in the morning light,
candy tongue
tulip two lips.
Alarm goes off you ignore it.
I loved messing your hair up.
You look better that way.

I danced around naked on the pedestal you plopped me on
as I let you sketch me.
You scolded to stand still and slapped my *** when I didn't listen,
but you looked so cool holding your paintbrush in your teeth,
studying my figure,
peeking around the easel with your big eyes and crooked smile.

I always left with stains on my hands and your jacket
on my shoulders with a new Camel in the pocket.
Your hand slid down my jeans and I bit your lip.
I could have finished you.

You were so mean to me constantly,
and I curiously indulged in your temptations.
Your ecstasy whispers in my ear.
But there's something special about being loved
by someone who hates everyone.

You thought I was interesting.
Thought I was pure in my mini skirt, but tough
because I never cried when you were yelling.
I just yelled back.
Thought I was brave and wildly adventurous,
standing on edges and throwing things your way.
Even I thought it would be different this time.

But I should've probably listened
to you when you used to tell me not to get my hopes up.
That way I wouldn't be here,
praying, which I never do
that you didn't mean it and you didn't want me to ever have
to know
why you didn't come home.

You would rather
it be expected than me be disappointed
when it's the morning after and you're lying there restless
while you're passed out in the back of a van,
shoes off,
shirt hanging off your back,
with cuts from cans on your hands.

*** doesn't make a sound.
It's the loudest way to shut someone up.
It's the silence that cures.
It's the cork stop in a bottle,
but it will glimmer when you spin it upside down.
I'd love to smash it.

I came in that afternoon and burned the edges of your drawings with my lighter,
smeared the charcoal on all your new pages,
and stamped my boot until all your brushes were in half.
I picked up your jacket that I sewn a special patch in
with my initials,
and I hit snooze when your alarm went off.
You didn't move.

I watched the dewy skin of your back rise
and fall as you were breathing,
sheets ruffled,
pillows on the floor,
empty side next to yours,
all alone.

I decided you look better that way.
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