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Mateuš Conrad Apr 2017
big bang? i just call it the: reassertion of φνς; big bang? the bing bang? scientists are creative and artists are prone to rigour? what an "unexpectedly" unoriginal definition to draft the genesis... bangs in vacuum?! that tree falling in the forest trick that only women seem to answer? i'm literally having a limp-**** moment with someone telling me: it began with a big bang! wow (łał)! amazing! you predicted a sound, excavating it from a vacuum, where, apparently, you can't hear one!

most of the time it's like dry laugh, perpetuated by a: ha ha... but then someone becomes drunk and gives the scales to further the impromptu, managing a: ha ha ha ha... ah ha ha ha ha... equivalent to: chasing a fly out of a room... catch the ****** by their *****! catch the ****** by the *****! unlike chasing a mouse... which is fun... more fun than a stampede in mecca for sure... you get to build a labyrinth... you get to catch the little ******... dangle him by its tail for a selfie... then you walk into the corridor of the apartment building you're living in... and what does the mouse do? so traumatißed by the lack of mouse-traps... what does he do? commits himself to suicide... jumps off the stairs into the abyss of paved concrete, and i'm like: i built this theme-park for you, and the best thing you can do is jump to your immediate death? is there another universe handy? i'm not quiet ready to deal with this one seriously.

that's for the intro, but try to incorporate the concept
of *polyphony
in writing,
they'll think you're mad... rightly so, most people
love the concept of the paragraph,
just like they love donning eyeglasses -
and they love the linear concept, that "reveals"
a story...
                    they love that ****, give them rotten
cabbage and tomatoes and send them to
the shakespeare globe... to get a proper critique
if the theatre performance turns sour...
         grows fungii and what not.

oh i had a suitcase of verbiage with me...
      but the writing bit is really working on me
to necessitate a fathomable break from... "composition".

etymological pointers nonetheless:
    slav               and e?
   not really, not when you speak the language...
am i ethno-centric? i probably am,
you sort of have to be... comes with the package...
or the: shindig?
                               oh look... i know slang.
anyway...
                            around here i'm the only one laughing,
it's not an idiotic laugh that stresses: nothing or
nowhere...
                   it's the times supplement article:
the new narcissism (harriet walker reports)...
and i can't stop laughing...
   because it includes: taking selfies by the mona lisa
and by the gates of auschwitz...
                and then the n.p.d. complex (narcissistic
personality disoder)...
            and i can't stop laughing...
and i'm thinking: what's wrong with these people?
oh, right... the per se... (giggle)...
                           they're like su dokus you
abandon because you can't relax when solving them...
stray dogs and ****...
                      you whaa'?                  dunno.
i'm actually afraid of people that advertise missing
cats... how horrible do you have to be to
make a cat                       stray?
                             the ****'s wrong with you?
cats are counter-intuitively clingy... there's no leash
on them, and there's no walkies... but how abusive
or just dumb-boring (do you have to be)
                     to make a cat become stray / missing?

... (pending, ding-along-ah-****)...

"artists" made the mistake like philosophers...
                     they think poetry ought to be visual...
they already have the polyphony spectrum there,
the ******* rainbow... and then they think poetry
is all about imitating geometry: cohesion, rigidness...
bunch of ***** in all honesty...
                   Bach invented polyphony, we're going to
talk about it like we might talk about digression...
layering... it's also a geological term for: oh... looky looky
at this piece of sediment!
                     i don't think poets should mingle with
painters, to be honest: i wish they were an
apartheid apart...
                     poetry isn't a visual art-form... based on
the concept of the φνς (that's hebrew for:
hiding your vowels, like the romans imitated
adding stresses to letters)                           ooh! fancy!
is writing 50 years behind painting? (w. burroughs quote)...
don't know... is writing a century behind
                                     musical composition?
that's more likely than writing competing with
painters... why did poets cling to painters in the first place?
φoνoς... you're not painting a picture...
                   oh ******* o'hara, and you tenure
as regent of an art gallery: get hit and die by a beachball.

variants:
in the west the etymology of slav = +e
      well... unless you speak the tongue you can say:
                 zdrowie na budowie - buda! psie / pśιe!
there really is an etymological variant to the anglophone
understanding of stating the noun, indicative...
                but i need to bring the greek iota into the picture...
i.e. it's naked, it has no diacritical marks attached to it...
i.e. ι                      so... now...
lesson no. 1:          slav, in mother tongue   słowianiń -
iota variant?                            słowiańιn   (lazily, just słowianin)
   etymologically speaking, i.e. derived from what?
word... the slavs call it:          słowo.
   literally.
                      germanic peoples of north america can
be so obnoxious that it really does suit them...
    but who the **** would want to marry their women?
probably muslims... and breed a bunch of inbreds,
household peasant people,
                        orangutan down syndrome people;
gonna **** your granny pete?

oh right...

    lesson no. 2:
   i can't stop laughing at this grammatical transgression...
you really have to transcribe the transgender concept...
      ...
           as might have been expected: laughter can really
exhaust you... what i didn't know was:
           to the point where you are lullabied to sleep -
fully dressed - to only find yourself getting up in
the morning: pouring yourself the remains of the ***,
sticking your head out the window and seeing
spring in full swing: two sparrows getting it on...
                                       but gender neutral pronouns?
what, like it?
                                oh hey, here comes cousin it -
huh? i swear the point of pronouns, or at least
the categorical basis for a word to be a pronoun is
to stress a gender of the speaker -
                                        the argument for gender
neutral pronouns: let me put it in analogue form -
you see on the news, daesh destroying ancient
roman temples in syria...
                            world heritage sites protected
by international law... what this transgender movement
is doing to the english language? looks pretty
similar to me (in non relative terms) -
                     but it's sure as **** in being some form
of desecration... it can't be anything else...
the problem would be staggering if appropriated in
poland... where gender feeds into verbs...
                                   if this movement is an isolated
indicdent, that is,isolated in that it's an anglophone
phenomenon (thailand? well... they got into the groove
and didn't perform a real ****** on their sprechen) -
just an example of how gender is incorporated in
the western slavic language...

i.e.
         podniósł (masculine - [he] picked it up...
    the thing being picked up is not specified)

   podniosła    (feminine - [she picked it up...
      ""      "      "           "       "    "    "          ")

could have just written ditto, anyway:
                   but also notice the beautiful orthographic
transition - it's almost a ******* representation
with the acute o (ó = u, well: orthography is not
exactly grammar, but like grammar: it's an aesthetic) -
      pod-nio(h)-sla(h)            - i'm lazy, american
linguistic studies use this form of notation -
                    evidently i'm expecting some puritan who
actually studies phonetic encoding to come up to
me and tell me: no no... it's like so:
                the point is, a transgender movement could
never pick up in the western slavic language:
     well, because a gender specified pronoun
permeates to other words that aren't in the pronoun
category... i.e. as the above - verb category -
                        obviously the above two example are
what they are in terms of gender, but they're
also a past participle attached to them... past tense -
but we are talking about pronouns, aren't we?
   so that has to be incorporated into the example -
evidently a *****-nilly pure verb of the above two is
gender neutral, but it has nothing to do with pronouns.
- like i already said once before:
                compared with german? english is shrapnel.
Anais Vionet Nov 2021
It’s Friday evening, (11-12-21) and Lisa’s Birthday. To celebrate, we’re going to see “A Night With Bill Maher” at the New York Comedy Festival (we’ll be socially distanced, in an opera box). He goes on at 8:30PM and my last class on Fridays ends at 05:25 (in New Haven CT). We had to hurry.

We have our bags and we’re hustling out the dorm gate loaded down like a couple of tourists. “We want to be on the island (NYC) by 7:30 for our dinner reservation.” Lisa said. I gave her a quizzical look, checking my watch, “It’s 6:18,” I said doubtfully, “we’ll NEVER..”  “Yeah, we will,” Lisa interrupts, “we’re taking a helicopter ride!” “Whaa.. REALLY??” I gasp. “Yeah,” Lisa grinned, “my dad arranged it, his treat.” “Thanks DAD,” I say, as we climb into our Uber.

An Uber off-loads us by a helicopter 15 minutes later (at Tweed Airport). I knew the blue and white grasshopper-looking whirligig didn’t have a mind - that it wasn’t capable of feelings or eagerness, but the blades were spinning and it seemed eager to escape earth - like a bug afraid of birds.

After we boarded, a guy in a yellow vest and helmet said - above the noise - “Buckle up!” and pointed to our seat belts. The “seat belt” was a harness that made an “X” across our bodies. Once the doors were closed it became surprisingly quiet. The cabin could hold four but we were alone, facing forward, Lisa seated next to me.

The earnest-looking pilot turned to us and said, “37 air minutes to the 34th street heliport,” but before he could close the little plexiglass door to our compartment, Lisa said, “Afghan takeoff please!” He nodded and closed the window, it got quieter still.

The pilot throttled up, the jet engines whined, the rotors became frantic and we lifted up into the air - just a few feet. I held tightly to my seat sitting perfectly still, as though the helicopter were a frightened animal I didn’t want to startle. “Relax,” Lisa said, with a BIG grin, “You’re going to LOVE this.” The helo rotated 180 degrees, “Woah,” I said.

“Wait for it,” she giggled. The back of the chopper suddenly rose, my body pressed forward, hard, against the harness. I went bug-eyed - about the time I thought the whole shaky contraption would roll forward end-over-end and we’d die in a fireball, we sprang into the air like a rollercoaster ride. When we lurched skyward, I had to fight the urge to hurl but Lisa roared with laughter.

After a moment we leveled out. “That wasn’t funny.” I said, still trembling and deadly serious. I opened a bottle of water, took a big swig and I felt myself relax a bit. “I almost threw up!” I wiped my hair away from my face. “I’m sorry,” Lisa said in a pouty, baby appeasing way. I glowered.

“Seriously,” she said, in a more reasonable voice, “I HAD to do it - I COULDN’T resist.” Unbuckling her harness she scooted over by me and took my hand. “It was a little mean, I know. I SWEAR, I’ll never, ever, EVER, trick you again.” She said, adding a girl scout salute that morphed into a pinky promise and we were suddenly whole again.

“I mean, it only works ONCE - and your FACE! - GOD!, I should have videoed that,” she laughed again - I just rolled my eyes and turned to look out into the darkness.

Maybe it was that take-off, but at first, all I could think of was falling to a watery death. I never get nervous on commercial flights, they feel like solid, white noise filled living rooms but this chopper was small and trembling, like an economy car or a hayride.

There was a TV screen that showed our altitude (9,000 feet and climbing) and airspeed indicator (140 knots) - I had to remind myself that trustworthy physics was at work somewhere behind this clippity-cloppity contraption our lives depended on.

The view of Long Island Sound, just after dusk, WAS amazing and soon I began to enjoy it. I counted 30 ships and barges lit up like birthday cakes against the watery darkness - and the approaching lights of New York City looked like a glittering tiara being worn by the horizon.

Ok, I thought, I have to write about this.
a scary first ride for me
Anaa Alvarez Jun 2010
Sometimess lifee workss in wonderfull wayss..
Or sometimees itt can makee everythinqq be what you fear.
takee riskss and livee Lifee
livee everydayy like itss your lastt..
Do thinqss you miqht not do everdayy.
Iqnoree Your Consiencee
Do whaa your heart tells you..♥
Mateuš Conrad Aug 2017
weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee!

i'm starting to get them...
         no, wait: i've lost the plot...
it's almost like...
alcoholics anonymous...
booo! booo!
  yep, *gatlin
knows
about as much,
            and bolt was
the voodoo doll
   of the jamaican sprint
team...
     whatever they make
him out to be: voodoo doll,
genuine, to me.
but i listen to these
youtube reformists,
they "alcoholics" anonymous
and i'm starting to
pledge myself into pitying
them...
   they really didn't make
much of their own company
when drinking? did they?
me?
    of course i cry!
    you play me the most emotionally
charged piece of classical
music and i'm a wendy spencer
(whoever the **** that is)
   using up about ten tissues
to mind the niagara falls of
sentiment...
                what's with so much
confessing, and the complete
lack of enjoying the trip?
   am i going to repent for me
drinking?
               **** no!
         if you can't keep up,
then there's no point in
keeping you motivated...
  if you can't bask in a sunset
of a litre of *** with me,
        what sort of pirate r'ye?
go on, ******, frown,
frown *******, frown!
beat me with you ugly stick...
hope you get the ian dury polio
counter-effect...
      while walking down
cuntish town you thought you'd
call to safe ground via kentish...
kent's impromptu:
   essex can have the veg 'n' blush
  fruits,
we're 'eeping the flou-wares.;
hmm... a(n) english garden,
after all.
       whaa whaa... tongue tied
in the grapheme shared between two
words, hence the bracket "optional" (n);
aye! yo!
           big up kingston-upon-thames!
charcoal those jamaican
   colours, and make sure
i get i ****-churn at notting hil
filling station of jerking inflatables
of juggling hips and pelvises
            of the caribbean woo, woo-manz;
suddenly my **** turns
into a crisp dipper with a salsa
of fat *** and chocolate drip
               of ***** mush...
   nice thought, i suggest you try
it sometime;
boy, you ain't 'ave ah 12" dipper?
   don't bother...
   look for the girls with the boney a,
i mean via m... take them to the mass
with the altar being:
    and rodeo it was...
   i never knew i had bones inside
the bush of my *****...
                    evidently? i have!
gold goes to vanilla manila,
silver? goes to strawberry blush...
bronze? ah...
    you ever wonder why oiled or
wet chockies look so fascinating
bouncing off moonlight?
   me too...
          kenyan brown is beyond
what the western niger showcases.
if they just dropped the madonna *******,
       i'd still **** them drunk...
when she's naked
     and you're naked,
                          and you're drunk:
              it's no time to be a *****-loner;
tea-cups and napkins,
  invoking a respectable "repertoire"
can belong to the white girls,
   along with the ***** collection of
abbreviated lies...
             i got bored,
started to loosen up a bit,
    i have no motto,
        i have absolutely no ethical concern...
what comes along is better than
paying for enforcing an encounter via
the liberty of paying for it...
   trouble is... when you pay,
and she *******...
           that's a real ******* problem for her...
she wasn't supposed to enjoy it,
she was supposed to get paid...
              ha! transcending the "ethics"
of prostitution is not an easy feat;l
more painful for her, than for me,
    with that octopus-like squeeze of imitating
a circumcised ***** having pulled
the ******* back...
    **** me... i never thought i'd own
an aubergine... thank **** that also
means: minus the c-ring: two birds, one stone.

— The End —