how rho uncouples -** and attaches itself to the remnants of alpha, given the suffix -lpha is done away with it, to create: ρα (fragrance of the woo ha ha lingering in the air) - ρα- ρα- ρασπυτιν! lover of the russian king... imagine rasputin in the hands of placebo - counter the original ghost story of: daddy cool... imagine! it's all Disney!
some say i reminded people of the φ:
some compare φ to outer beauty,
φ being the golden ratio: all bets are off:
whenever there is beauty, there's a number;
Proclus.
2,500 years ago: it's not that Greek civilisation
declined, it's only that so many bright skylarks
came in at one: akin to the Renaissance -
there was no decline, there was just a massive
******* of talent, it seems that Zeus
did the ******* with a swan and and an eagle,
and... bob's your uncle...
there was decline, but there was no decline
because there was the sudden onslaught of instigation -
a decline would mean: first came Copernicus,
then Galileo, then Newton, then Einstein,
steadying revision
centuries apart... comparative association?
a gold rush... looking for nuggets and maulers
of rough cold - it was a collective light-bulb
moment... akin to the cold theory of
Jungian psychology that's the collective unconscious...
although the collective light-bulb moment
is particular in terms of history, in terms of
science, as is the Italian renaissance concerning art -
Martin Luther is the Socrates as the end of debauchery...
debauchery in a good sense: let the geniuses
seize, and the common man absorb their findings:
whether right, or wrong - we need common
threads of their offshoots, rebellious,
we need a common denominator.
back to φ (external beauty, and plastic surgery,
the perfect symmetry of the face,
from Phidias: the sculptor and mathematician -
can anyone tell me why *David's head is
over-sized? well, no φ went into that piece...
head's bigger than a watermelon,
body is proportioned well according to
limb-for-limb, but the head is a
balloon, why is it a classic? oi! send Isis
in to smash that **** to pieces!) -
so φ is all about external beauty,
we all know ψ (psi) stands for internal beauty,
psychological dynamics -
plastic surgery,
in fractions: 1/2 (half), 1/3 (third), 1/4 (quarter),
1/5 (fifth) -
apologies to Proclus: wherever there's a linguistic
symbol that symbolises both encoding of sound
and a mathematical transition: there's double the beauty:
1/φ, 2/φ, 3/φ 4/φ -
how when was the golden ratio made into a suiting
equilibrium?
one leg shorter than the other?
some say a lazy eye is as if an monocle -
for all the constants it's the fractions that
are decisive - the width of nose and the extent of
it's length is based on a 1:1 ratio
ah crap! now i know my confusion!
i was thinking of a silver fraction!
never mind -
think gambling: 7 to 1...
7/1 maybe that's why i forgot ratio
uses colon, or, comparative emphasis -
the width of the mouth has no length,
it's simply 1, or none -
but from the edge of the face
to the first eye is measured as 1:φ
i.e. eye eye
[ ( ) ( ) ]
< 1 >
< φ >
edge of face
top countries for face and head cosmetics:
brazil: 10.8% of global Σ, 430,375 procedures, 1st place,
america: 10.4% " " ", 413,140 " , 2nd " ,
south korea: 7.8% " " ", 311,571 " , 3rd " ;
still, i'm more interested in how,
you take rho and alpha and craft out Ra -
ρ α Ρα -
and where does -** and -lpha go to?
no wonder the Russians are the scientists
kindred heart of greece, and the inheritors of Latin
sing so much, fame themselves on music -
that's about right: the Slavs think well enough,
but, **** me... they can't sing for ****!
jeeze! Disco Polo? that's one experience you
have to go through to understand -
what with Mendelyev
щ - e.g. szczypce (pliers) - shch - YZWZ - alter. -
i.e. щypce -
ш - e.g. szaszłyk (skewer) - шaшłyk
me? i'm standing at the time when god said:
oh, that ****** tower of Dubai? looks like we need
to spot the architect watching minding the glue...
э - well, that's currently know as the euro (currency) -
so why ч (che / cha v. cze / cza)
allowances, could be in addition also chu and cho and χ
but... then it comes to
ю (yu) we have no yo, yi, ye, but instead
я (ya). peacock? me?
just bemußed - and they're talking about an
identity crisis, never felt one, up to 2004,
when the floodgates opened and i wasn't the only
Pole in school - i hid all this time in English society,
and i was kinda accepted as a freak accident,
but then... after 2004... nothing special -
so like i once said: a psychological mongrel:
yes, in English ß is: s-z-interchange -
sometimes smoothed, sometimes sharpened.
