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Emily Jones Sep 2012
His fist scarred, beat-red fistful of intention
Rugged, crass unchiseled wonder wrapped in a gentle smile
A bear of a man, broad shouldered hulking bent
Stuffed-fluff heart tattooed with the echo of love
The times he grappled in sweaty- slick tangle of arms and drew blood blooming bright-crisp-apple-red upon white mat.

Beat, Beat, Beat, down
Tap, Tap, Tap, out
White knuckle-grasp uppercut
Full mount, disengage
Joint locked, feet hooked, Triangle hold
Submission.

The times he brought grown men to their knees, and humbled himself on his own
The times he never gave up and the times he gave in
To the fight
To the system
To the sweet draw of relief
The times he fought not for the thrill but to make it by
Rage hot-red facing the injustice of poverty
His steel spine riddled with the rust of life, the rust of reality
The corrosive sludge of hate, and words left unspoken.

Busted well-worn hands held soft smooth skin
Grooved fingers and velvet mouth
The scratch of bearded stubble, red-lined skin prickled with goose flesh, slick coated in sweat
A new fight, wrapped knuckles cushioned with the promise of forgiveness
Of acceptance a force to be reckoned with in her own right.

Broken hand, dreams stunted, depressed-mind-numbing
Lost in his own thought, out of the fight
Desperate to be back in the game mind and body
Envy-red, drawn to the fight of others
Soft smooth hands, short-small-painted nails calm bristled hair
Growling bear, baring teeth in silent-wounded pride
The time she bandaged pride, and encouraged humility
The times she scalded his senses the raw-red liquid fire of love
His shade in the heat of a red-blistered sun
Cooling, and igniting inspiration
The time she became a fight worth winning.
Francie Lynch Mar 2016
The story teller writes
For a naked character
On a bare stage.
The one character,
One line play.
Profound, all encompassing;
A brief run,
But a blockbuster
With opening nights
In all the capital cities.

The visualist
Could use one brush stroke,
One lump of unmolded clay,
An unchiseled stone,
Weathered driftwood
Or a piece of glass
To display in the great museums
For our interpretation
Of the exposed truth.

One note could orchestrate
On string, wind or skin,
And the composition would be complete.
The maestro could bow and walk;
No encore could repeat.

I want one line of verse
To embelish my yearnings;
To explain the cosmos,
The meaning and crux
Of this place,
Including us.
Ghazal May 2014
Saw her after years,
Clinking her glass as
Everyone roared "cheers"
To somebody's happiness
They cared two dimes about.
Marvelling over how her
Hair seemed to finally
Stay in place,
How she did eventually learn
To suffer high heels with grace,
And trying hard to not be
Intimidated by the hint of rouge
Adorning her face, I managed
A "What are you doing here!"
Expecting her to reply in some
Accent or language as fancy
As she'd become,
But oh! Musically she spoke
In a manner as matter of fact,
As nonchalant, as uncautious
As before,
"You know, just pretending to be pretentious!"

Oh you wicked little rebel, I thought,
Gently tugging at her hair,
Loosening one curl,
Try as you might to pretend to pretend!
You're way too REAL for this world.
Abhinay Renny Aug 2016
I found the God in stone
Uncarved. Unchiseled

Enormous mountain
Filled in green
Air caressing the trace
Swishing the leaves to lean

Exuded with the petrichor
I get wished by the rain.

Every atom around the mountain
spreading peace with its presence

There I found the God, in stone.
There I found the God, in stone.

— The End —