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"pigalle" poems
my paris begins with those early days as a conscious flaneur i recall the couple seated opposite me on the metro when i was still innocent of its labyrinthine complexity slim pretty white girl clad head to toe in denim smiling wistfully while her muscular black beau stared through me with fathomless orbs and one of them spoke almost in a whisper qu'est-ce-que t'en pense and it dawned on me yes the young parisienne with the distant desirous eyes was no less male than me dismal movies in the forum des halles being screamed at in pigalle and then howled at again by some kind of madman or vagrant who told me to go to the bois de boulogne to meet what he saw as my destiny menaced by a sinister skinhead for trying on tessa's wide-brimmed hat getting ****** in les halles with sara who'd just seen dillon as rusty james and was walking in a daze sara again with jade at the caveau de la huchette jazz cellar cash squandered on a gold tootbrush two tone shoes from close by to the place d'italie portrait sketched at the place du tertre paperback books by symbolist poets but second hand volumes by trakl and deleve and a leather jacket from the marche aux puces porte de clignancourt losing gary's address scrawled on a page of musset's confession walking the length and breadth of the rue st denis, what an artist's paradise (as juliette once wrote me).
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Jul 3, 2015
Jul 3, 2015 at 7:23 AM UTC
From the Labyrinthine Metro
Early days as a flaneur; I recall the couple On the Metro When I was still innocent Of its labyrinthine complexities; Slim pretty white girl, Clad head to toe In new blue denim, Wistfully smiling While her muscular black beau Stared straight through me With fathomless, fulgorous orbs; And one of them spoke (Almost in a whisper): "Qu'est-ce que t'en pense?" Then it dawned on me... The slender young Parisienne With the distant desirous eyes Was no less male than I. Being screamed at in Pigalle, And then howled at again By some kind of wild-eyed Drifter who told me to go To the Bois de Boulogne to seek What he clearly saw as my destiny; Getting ****** in Les Halles With Sara Who'd just seen Dillon as Rusty James, And was walking around in a daze; Sara again with Jade At the Caveau de la Huchette. Cash squandered On a cheap gold-plated toothbrush, Portrait sketched at the Place du Tertre, Paperback books By Symbolist poets, Second hand volumes By Trakl and Deleve, And a leather jacket from The flea market At the Porte de Clignancourt. Metro taken to Montparnasse, Where I slowly sipped A demi blonde In one of those brasseries (Perhaps) Immortalised by Brassai; Bewhiskered old man In a naval officer's cap, His table bestrewn With empty wine bottles And cigarette butts, Repeatedly screeched the name "Phillippe!" until a bartender With patent leather hair, Filled his wineglass to the brim, With a mock-obsequious: "Voila, mon Captaine!" I cut into the Rue du Bac, Traversed the Pont Royal, Briefly beheld Saint-Germain-l'Auxerrois, With its gothic tower, Constructed only latterly, In order that The 6th Century church Might complement The style of the remainder Of the 1er Arrondissement, Before steering for the Place du Chatelet, And onwards...Les Halles!
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Jul 26, 2015
Jul 26, 2015 at 6:18 AM UTC
Tales of a Paris Flaneur
Early days as a flaneur; I recall the couple On the Metro When I was still innocent Of its labyrinthine complexities; Slim pretty white girl, Clad head to toe In new blue denim, Wistfully smiling While her muscular black beau Stared straight through me With fathomless, fulgorous orbs; And one of them spoke (Almost in a whisper): "Qu'est-ce que t'en pense?" Then it dawned on me... The slender young Parisienne With the distant desirous eyes Was no less male than I. Being screamed at in Pigalle, And then howled at again By some kind of wild-eyed Drifter who told me to go To the Bois de Boulogne to seek What he clearly saw as my destiny; Getting ****** in Les Halles With Sara Who'd just seen Dillon as Rusty James, And was walking around in a daze; Sara again with Jade At the Caveau de la Huchette. Cash squandered On a cheap gold-plated toothbrush, Portrait sketched at the Place du Tertre, Paperback books By Symbolist poets, Second hand volumes By Trakl and Deleve, And a leather jacket from The flea market At the Porte de Clignancourt. Metro taken to Montparnasse, Where I slowly sipped A demi blonde In one of those brasseries (Perhaps) Immortalised by Brassai; Bewhiskered old man In a naval officer's cap, His table bestrewn With empty wine bottles And cigarette butts, Repeatedly screeched the name "Phillippe!" until a bartender With patent leather hair, Filled his wineglass to the brim, With a mock-obsequious: "Voila, mon Captaine!" I cut into the Rue du Bac, Traversed the Pont Royal, Briefly beheld Saint-Germain-l'Auxerrois, With its gothic tower, Constructed only latterly, In order that The 6th Century church Might complement The style of the remainder Of the 1er Arrondissement, Before steering for the Place du Chatelet, And onwards...Les Halles!
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76
Let soles touch floors on hills, in bars, between cafe terrace doors; beside scarred walls that bleed paint of the young, naive, those who cannot wait; only to be scrubbed down by the thick bristled brush of the Gendarme in white. I’m 22 in the 18th, with a one bed roomed house high above the wake. Next door is a wafer thin, paper thin, not-that-thick-let’s-the-sound-in wall; the portal through to another war, of words exchanged by a relationship estranged by lies, cheats, drug filled leaps, missed-another-call in Tuesday’s heat. Here we take tea without milk, waste time on the Pigalle, free of guilt. We let warm metro, subway air melt our faces, as we stagger back a few several paces not to be knocked down by taxis, brimmed with cases of those visiting and leaving, staying around until the end of the races. When will you calm down Paris? When will your children lose their keys to their cars and cannot drive quite as far? When will the tourists leave, so to uncover the real autumn leafed workers, stretched inside suits and dresses, only to be late to that members meeting starting at 8?
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Nov 19, 2012
Nov 19, 2012 at 8:24 AM UTC
TITLE TRACK FOR PARIS.
Paid one hundred francs Sweet luscious, bargain kisses Ill-gotten rapture.
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Mar 14, 2017
Mar 14, 2017 at 7:33 AM UTC
"Quartier Pigalle Haiku, 1972"
There must be the difference b/w imagining & seeing -- the things we... feel & touch, by its all means. Watching pretty young ladies, but not so pearl kind of gurls, Wearing blue jeans with holes in soft knees. Without carin' of their age, re-considering 'em 296-BABES of Boulevard Valenciennes. Some standing by the pole... Some walkin' down La Pigalle streets, perhaps, there must be the difference b/w reality & elm of dreams -- the things we feel & touch or kiss & love, in betweens.
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Jun 17, 2017
Jun 17, 2017 at 3:53 AM UTC
The Difference
I've seen devices I never knew existed & I wonder how those things work, these things look like double headed chickens, some are even long, thick & bumpy, a few solar-powered. I think I'm going to buy me a drum & beat a fancy tune, turn things up a notch, work myself into a frenzy perhaps visit a cabaret & play a mime, 'cause I'm speechless.
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Jul 29, 2014
Jul 29, 2014 at 9:46 AM UTC
Speechless In Pigalle