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Paid one hundred francs
Sweet luscious, bargain kisses
Ill-gotten rapture.
Carl Halling Jul 2015
my paris begins with
those early days
as a conscious flaneur
i recall the couple
seated opposite me
on the metro
when i was still innocent
of its labyrinthine complexity
slim pretty white girl
clad head to toe in denim
smiling wistfully
while her muscular black beau
stared through me
with fathomless orbs
and one of them spoke
almost in a whisper
qu'est-ce-que t'en pense
and it dawned on me
yes the young parisienne
with the distant desirous eyes
was no less male than me

dismal movies
in the forum des halles
being screamed at in pigalle
and then howled at again
by some kind of madman
or vagrant who told me
to go to the bois de boulogne
to meet what he saw
as my destiny
menaced
by a sinister skinhead
for trying on tessa's
wide-brimmed hat
getting ****** in les halles
with sara
who'd just seen
dillon as rusty james
and was walking in a daze
sara again with jade
at the caveau
de la huchette jazz cellar

cash squandered
on a gold tootbrush
two tone shoes
from close by
to the place d'italie
portrait sketched
at the place du tertre
paperback books
by symbolist poets
but second hand volumes
by trakl and deleve
and a leather jacket
from the marche aux puces
porte de clignancourt
losing gary's address
scrawled on a page
of musset's confession
walking the length
and breadth of the rue st denis,
what an artist's paradise
(as juliette once wrote me).
Jonny Angel Jul 2014
I've seen devices
I never knew existed
& I wonder how those things work,
these things look like double headed chickens,
some are even long,
thick & bumpy,
a few solar-powered.
I think I'm going
to buy me a drum
& beat a fancy tune,
turn things up a notch,
work myself into a frenzy
perhaps visit a cabaret
& play a mime,
'cause I'm speechless.
Tim Knight Nov 2012
Let soles touch floors
on hills, in bars, between cafe terrace doors;
beside scarred walls that bleed paint
of the young, naive, those who cannot wait;
only to be scrubbed down by the thick bristled
brush of the Gendarme in white.

I’m 22 in the 18th,
with a one bed roomed house
high above the wake.
Next door is a wafer thin, paper thin,
not-that-thick-let’s-the-sound-in
wall; the portal through
to another war, of words exchanged
by a relationship estranged by
lies, cheats, drug filled leaps, missed-another-call
in Tuesday’s heat.

Here we take tea without milk,
waste time on the Pigalle, free of guilt.
We let warm metro, subway air
melt our faces,
as we stagger back a few several paces
not to be knocked down by taxis, brimmed with cases of
those visiting and leaving, staying around until the end of the races.

When will you calm down Paris?
When will your children lose their
keys to their cars and cannot drive
quite as far?
When will the tourists leave, so to uncover
the real autumn leafed workers, stretched
inside suits and dresses, only to be late
to that members meeting starting at 8?
Visit www.coffeeshoppoems.com for more poetry!
Carl Halling Jul 2015
Early days as a flaneur;
I recall the couple
On the Metro
When I was still innocent
Of its labyrinthine complexities;
Slim pretty white girl,
Clad head to toe
In new blue denim,
Wistfully smiling
While her muscular black beau
Stared straight through me
With fathomless, fulgorous orbs;
And one of them spoke
(Almost in a whisper):
"Qu'est-ce que t'en pense?"
Then it dawned on me...
The slender young Parisienne
With the distant desirous eyes
Was no less male than I.

Being screamed at in Pigalle,
And then howled at again
By some kind of wild-eyed
Drifter who told me to go
To the Bois de Boulogne to seek
What he clearly saw as my destiny;
Getting ****** in Les Halles
With Sara
Who'd just seen Dillon as
Rusty James,
And was walking around in a daze;
Sara again with Jade
At the Caveau de la Huchette.
                                                                    
Cash squandered
On a cheap gold-plated toothbrush,
Portrait sketched at the Place du Tertre,
Paperback books
By Symbolist poets,
Second hand volumes
By Trakl and Deleve,
And a leather jacket from
The flea market
At the Porte de Clignancourt.
                                                                    
Metro taken to Montparnasse,
Where I slowly sipped
A demi blonde
In one of those brasseries
(Perhaps)
Immortalised by Brassai;
Bewhiskered old man
In a naval officer's cap,
His table bestrewn
With empty wine bottles
And cigarette butts,
Repeatedly screeched the name
"Phillippe!" until a bartender
With patent leather hair,
Filled his wineglass to the brim,
With a mock-obsequious:
"Voila, mon Captaine!"
                                                                    
I cut into the Rue du Bac,
Traversed the Pont Royal,
Briefly beheld
Saint-Germain-l'Auxerrois,
With its gothic tower,
Constructed only latterly,
In order that
The 6th Century church
Might complement
The style of the remainder
Of the 1er Arrondissement,
Before steering for the
Place du Chatelet,
And onwards...Les Halles!
"Tales of a Paris Flaneur" is a relatively new work in its present form, having been based partly on a story written in about 1987 (and subsequently destroyed), and partly on material written specifically for what became the autobiographical novel, "Rescue of a Rock and Roll Child".
There must be the difference
b/w imagining & seeing --
the things we...
feel & touch, by its all means.
Watching pretty young ladies,
but not so pearl kind of gurls,
Wearing blue jeans with holes in soft knees.
Without carin' of their age,
re-considering 'em 296-BABES of Boulevard Valenciennes.
Some standing by the pole...
Some walkin' down La Pigalle streets,
perhaps, there must be the difference
b/w reality & elm of dreams --
the things we feel & touch or kiss & love, in betweens.

— The End —