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magalí Mar 2022
Like any kid who is lucky enough to have the world want him in it, he has been taught how to love—a seminar where his dad shows him how to strip aloe vera in two to lay it over spots the sun has shined on for too long, a whole class dedicated to how his mom keeps on telling him stories to sleep even when he’s grown enough to read on his own.
The thing is, even though he had technically attended every lesson, he’d never thought he would need to pay attention to the instructions. So when it’s his turn for show-and-tell to go up to the front of the class and demonstrate how it’s done, he loves as if he's been forced to improvise.
Scene unscripted, role unrehearsed, character unprepared, all he can think about is how she had looked the moment right before, sunburnt by his bedside lamp on the pitch black of the room to showcase smoldered pores and the limestone of her thighs, skin that stands behind the pale line telling apart the stretch of her legs that had tanned over the summer and the one not even the sun had been allowed to kiss.
You can try to keep your plants well fed and end up overwatering them. You can lay under someone else's bedroom lamp and end up bulb-burnt. You can improv love and end up with violence. The lovers always lose at love—who else could lose the game other than the players?—because if practiced love can kiII, amateur love has every chance of leaving them as dust.
And no lesson in the world could have prepared him for that—not for the violence or the dust or the peeling skin or the failed classes—but to run a hand over a place that hasn't ever been even at sun's reach, and know he's going to be stripping aloe vera to soothe the scars he'll leave for time to come, and that he'll be telling unscripted, unrehearsed stories that stretch on and on to avoid reading out their end—(that no one, not even the sun wins).
DeVaughn Station May 2021
I used to have a plant that I loved.
The ones before neglected and left it
alone in the dark. At the base, there are still scars
yet I stared in awe whenever I saw it.
It had pink flowers mixed with bits of blue,
with a slim, tall, and strong frame.
The *** was white with a round bottom,
with red spots exposed by the chipped paint.
I loved it so hard because I wanted it to thrive,
but maybe I did too much. Every plant is different.
There was already yellow at the ends;
I didn’t notice the overwatering.
It hurt to see the plant go even though
I gave it love, and I thought it was enough.
Katie Jan 2020
The orchid is dead.

The “just because” orchid you bought me when things first started to feel rocky
is dead.

That delicate, fragile thing.

It’s hard to say what really killed it.
It wasn’t doing well from the beginning.
Perhaps it came to me a little broken.
Perhaps it had some fatal flaw that meant it would’ve died no matter what I did.

But overwatering it certainly didn’t help.


I think I might be stuck wondering for a while,
did I **** something beautiful or did you just present me with a dying flower?

Either way,
it’s dead.

I threw it away today.
She walks out in the morning sunrise
And never notices the sky.
She sees the cracks across the blacktop
And the cigarette butts hiding there.

She see the runnel in the gutter
From overwatering the lawns
But never looks above her shoulder
to see the cloud-forms in the sky.

Her gaze is always pointed downward
As if there’s money on the ground
And she will be the one to find it,
Not caring that the sky is gold.

She maybe sees a flower blooming
In another neighbor’s yard
But doesn’t spot the humming bird
That darts among the blossoms.

A fog of gloom hangs over her
Obscuring every scene
She has no wish to brighten up
She is depression’s Queen.
                               ljm
I used to walk with her til I couldn't do it any more.   I  happily walk alone now.

— The End —