Ay sí, recuerdo,
ay tus ojos cerrados
como llenos por dentro de luz negra,
todo tu cuerpo como una mano abierta,
como un racimo blanco de la luna,
y el éxtasis,
cuando nos mata un rayo,
cuando un puñal nos hiere en las raíces
y nos rompe una luz la cabellera,
y cuando
vamos de nuevo
volviendo a la vida,
como si del océano saliéramos,
como si del naufragio
volviéramos heridos
entre las piedras y las algas rojas.

Pero
hay otros recuerdos,
no sólo flores del incendio,
sino pequeños brotes
que aparecen de pronto
cuando voy en los trenes
o en las calles.

Te veo
lavando mis pañuelos,
colgando en la ventana
mis calcetines rotos,
tu figura en que todo,
todo el placer como una llamarada
cayó sin destruirte,
de nuevo,
mujercita
de cada día,
de nuevo ser humano,
humildemente humano,
soberbiamente pobre,
como tienes que ser para que seas
no la rápida rosa
que la ceniza del amor deshace,
sino toda la vida,
toda la vida con jabón y agujas,
con el aroma que amo
de la cocina que tal vez no tendremos
y en que tu mano entre las papas fritas
y tu boca cantando en invierno
mientras llega el asado
serían para mi la permanencia
de la felicidad sobre la tierra.

Ay vida mía,
no sólo el fuego entre nosotros arde,
sino toda la vida,
la simple historia,
el simple amor
de una mujer y un hombre
parecidos a todos.

I thought,
There could be nothing more awkward
than two half naked middle-school girls
fighting in the middle of a locker room
the imaginative and ingenious verbal warfare of “*****” and “Perra”
bouncing off the tall cold grey concrete walls of the showers
combined with the energetic and exaggerated use of hand gestures and physical intimidation
could not be ignored
though I tried, even as the others spectated and incited the two opponents
Because mi guela always says Las mujercitas no se meten donde no la quieran
(Little ladies don’t intervene)
I thought there could be nothing more awkward
Than hiding my face inside a gym locker
With two half-naked middle school girls arguing behind me
Until I heard one of them say “Stop acting like a Mexican”
Mujercita o no I could not remain silent
“What’s that supposed to mean? I asked her, “You know I am Mexican too?”
I thought there could be nothing more awkward
Than two half naked middle school girls fighting
Until I saw both their eyes appraising me
Then shifting between each other
with their brows raise in agreement they said to me
“Mariza you know you’re white” “An Oreo when it comes down to it”
I didn’t know that the name of my favorite cookie could hurt so much
When said with a strange mixture of disinterest and certainty
And I didn’t even know what it meant
But I knew that it was an evaluation of my Mexicanness of my identity
All the mujercitas slowly poured out of that locker room
Not a one making an objection or even feigning interest in what was said to me
It did not matter that I spoke Spanish
It didn’t matter I grew up able to quote every Maria Silvestre movie line
It didn’t matter how much I idolized Vicente Guerro and Emilio Zapata
It didn’t matter how I saw myself
The mujercitas agreed I was dark on the outside, white on the inside
For years, I tried my hardest to prove I was Mexican
But it seems that the standards changed every year
No one was ever convinced
No one wanted to be associated with me
No one believed that I truly cared about the Mexican community
To this day I am trying
What does it mean to be Mexican?
I’m still trying to figure that out
It must be more than a facha, a look
It must be more than music, celebrations, a shared Language, And an Experience
It must be but
No body has ever told me what it is
Only what it is not
Which is Me
an Oreo
And all that it implies
A pocha, a race-traitor, a sell out
Dark on the outside white on the inside