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This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
En l’an trentiesme do mon aage
    Que toutes mes hontes j’ay beues…


Pipit sate upright in her chair
     Some distance from where I was sitting;
Views of the Oxford Colleges
     Lay on the table, with the knitting.

Daguerreotypes and silhouettes,
     Her grandfather and great great aunts,
Supported on the mantelpiece
     An Invitation to the Dance.

     . . . . .

I shall not want Honour in Heaven
     For I shall meet Sir Philip Sidney
And have talk with Coriolanus
     And other heroes of that kidney.

I shall not want Capital in Heaven
     For I shall meet Sir Alfred Mond.
We two shall lie together, lapt
     In a five per cent. Exchequer Bond.

I shall not want Society in Heaven,
     Lucretia Borgia shall be my Bride;
Her anecdotes will be more amusing
     Than Pipit’s experience could provide.

I shall not want Pipit in Heaven:
     Madame Blavatsky will instruct me
In the Seven Sacred Trances;
     Piccarda de Donati will conduct me.

     . . . . .

But where is the penny world I bought
     To eat with Pipit behind the screen?
The red-eyed scavengers are creeping
     From Kentish Town and Golder’s Green;

Where are the eagles and the trumpets?

     Buried beneath some snow-deep Alps.
Over buttered scones and crumpets
     Weeping, weeping multitudes
Droop in a hundred A.B.C.’s
itsall iwrite Sep 2018
natasha do a queen or george and you will boon boon shake kentish 27.09.18

 

natasha i need some rhythm

it will make kentish green

a bit of faith won't get criticism

followed by the bohemian queen.

you make the road mild

happiness from you does bust

under the 1982 canopy its like jesus to a child

this xfactor won't bite the dust.

you are a treasure

like 1986 assembly

give it some under pressure

you will rock 5000 at wembley.

natasha to you i invite

making a song request call

i want something from white light

and its imperative from hammer to fall.
itsall iwrite Jun 2018
global street art by aroe kentish town 15.06.18

have to be very cautious
now entering legal
need help from my mayor to be obnoxious
mr loose must focus the eye that's eagle.
we have a beautiful reception
clear and colourful like a rubiks cube
its the first criminal deception
catching your eye so pick pocketed as leave tube.
now calls for removal
its going to tare kentish apart
this was not given approval
like poetry being no art.
not welcome by camden
the compromise is narrow
just appeared like poetry that's random
i respect and appreciate and credit aroe.
to the artist that's noble
have to wait for decision on greet
will email through to global
they are responsible for art on street.
do not explain poetry.
itsall iwrite Sep 2018
3 gay brothers get contaminated in snore fest kentish delight 24.09.18

what a kebab
all over a load of chili
one took me to comedy lab
irish strict parents had 3 with gay *****.
like the medical intervention
gratitude was storing
the mask did have prevention
the gentle giant had rest with no snoring.
time to eat did rinse
think its turn right outside station
had plenty of raw mince
LG gets the delight job for cross contamination.
its not a confession
david cameron has left sinking
deep secret causing great depression
only explanation is at black cap winking.
love the schengen
this is to politically disturb
from this day on now vegan
live drink and smoke the herb.
end with no tact
its a kentish delight and thrilling
useless with woman are LG and isaac
to uncover the meaning needs up-skill ing.
itsall iwrite Jul 2018
CLLR roger robinson kentish town lift 08.07.18

thank you for the observation
let me explain with out being a dodger
please remember HS2 is causing frustration
my lift to you is quiet please roger.
society is not equal
on some we have the tread
make it hard and add to the sequel
less costing to society if dead.
great we have the greenwood
the point is to under use
not popular is government good
attendance showing not needed so no confuse.
as for the accessibility
being trapped on a platform will linger
2018 and understanding has no ability
fighting for disabled people i say TFL pull out finger.
Joe Cole Jan 2015
We lined the ridge of Senlac hill
The shield wall stood five men deep
In the autumn chill
The came at us on horse and foot
But we were the men of the Sussex weald
Men who would not yealed
Our shields now hacked and broken
Bodies bloodied bruised and sore
But we the housecarles of the English King
Would stand and fight the war
Prince William came with his aray the English crown to take
But we the men of Sussex
Would many French bones break
Alas our shield wall has broken
Kentish men on the right have charged
They sought to cut the Norman line
And so the men of Kent did die
The French now archers did deploy
With bitter arows fired high
Harold, our king, our leige Lord
Took an arrow in his eye
We gathered round his body
We men of the Sussex Weald
Our king was dead, the battle lost
But Sussex men don't yeald
The shield wall now in disaray
Large gaps now opened up
Brave men now die before the spear
From the broadswords vicious cut
And so we died on Senlac ridge
But there were no wounds in our backs
We died for England's glory
Cut down by spear and axe
The battle of Hastings in 1066 when William of Normandy took the English crown. The battle on Senlac ridge is about an hours drive from my home and I have visited the site many times
Joe Massingham Nov 2013
Geoffrey Chaucer died last weekend
about six hundred years ago.
One Autumn day muffled drums tapped
out a dying pulse, a knock at
heaven’s gate. I listen for hooves,
the soft thud of an old man’s shoes
on the path outside the ‘grace mansion’
in the corner of the churchyard,
thinking he might just be riding
down to Canterbury again;
but no, hooves and voices are both
silent. No more good wives’ tales
set down between journeys on the
King’s or even Bishop’s business
and reread at evening stops at
some inn along the Kentish road.

I sit a little longer, sad
until the voices of a priest,
a nun, a soldier, an ostler
carry to me upon the breeze
and I know the pleasure you will,
somewhere, sometime, in future years.
No one
not even you
will ever know
beforehand
how things will go.

Practice may make perfect
but perfect is no guarantee
of success.


The council sent a wrecking crew
which is
the sort of thing that council's do
and knocked the brick wall down
because the writing that was on it
didn't fit the image of this
Town
and it could have been
in
Camden
Kentish
or even Highgate Village which
is not technically a town but it
has lots of walls

Walls remind me of ghetto's
no go's
and,
'Halt who goes there?'

But it's just word association
like
council aberration
normal situation
and who pays reparations
to
the future generations
when we've used the whole
world up or washed it all
away?
itsall iwrite Sep 2018
please keep LG running 25.09.18

with no acquaintances
but not feeling lonely living
really enjoying the sequences
running kentish with all the giving.
lets try to dissect
not to judge and frame
the showman is like all those not politically correct
a dig to parliament to shame.
split from issac
no delight and with a kebab
then a reunion to be exact
both sharing camden market cars cab.
not psychic sally
lewisF is a super power
at present the LG is the rally
only lewisF no's who will flower.
kay is breaking
to much scrutiny
not the only one faking
just mixed 3 tons for **** community.
we got coming a twist
lewisG we have to keep
the game is entertaining i insist
kentish cross contamination is not cheap.
itsall iwrite Oct 2018
flush east finchley commuter toilet  - vile pic included  below 25.10.18

thank you for providing
need one in every town
for sure would drop a few for sliding
categorically as always in kentish brown.
not sure if its got a sprinkler
2018 should have all mod cons
what will cover my henry winkler
to young poetry addicts google the fonz.
where goes the smell
i suppose full on air conditioning
can not see no pipes for swell
this bog has hidden features auditioning.
gold bog and not least
all commuters lining up actually
if george was here he would head east
LA toilets are open in finchley.
https://ibb.co/e1edJA
itsall iwrite Jun 2018
europe and mathematics simple explained 17.06.18

around this will be fuss
poetry and mathematics will intertwine
zero ability to understand is the plus
won't be leaving no european shrine.
we do have to pay continuously
this will effect the way you feel
the figures and amount changing ridiculously
a sour feeling from sweet heart deal.
20 billion is headlining
600 million a week
my cut is 70 percent no underlining
the cost of poetry is bleak.
going to display all sums
buss es will clearly explain
highgate to kentish slums
not highlighting daddy got here on the gravy train.
are you awaiting equation
got to bring you some sadness
its as clear as the poetry invasion
all figures and savings are pure madness.
hate to explain poetry.
Mateuš Conrad Aug 2017
weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee!

i'm starting to get them...
         no, wait: i've lost the plot...
it's almost like...
alcoholics anonymous...
booo! booo!
  yep, *gatlin
knows
about as much,
            and bolt was
the voodoo doll
   of the jamaican sprint
team...
     whatever they make
him out to be: voodoo doll,
genuine, to me.
but i listen to these
youtube reformists,
they "alcoholics" anonymous
and i'm starting to
pledge myself into pitying
them...
   they really didn't make
much of their own company
when drinking? did they?
me?
    of course i cry!
    you play me the most emotionally
charged piece of classical
music and i'm a wendy spencer
(whoever the **** that is)
   using up about ten tissues
to mind the niagara falls of
sentiment...
                what's with so much
confessing, and the complete
lack of enjoying the trip?
   am i going to repent for me
drinking?
               **** no!
         if you can't keep up,
then there's no point in
keeping you motivated...
  if you can't bask in a sunset
of a litre of *** with me,
        what sort of pirate r'ye?
go on, ******, frown,
frown *******, frown!
beat me with you ugly stick...
hope you get the ian dury polio
counter-effect...
      while walking down
cuntish town you thought you'd
call to safe ground via kentish...
kent's impromptu:
   essex can have the veg 'n' blush
  fruits,
we're 'eeping the flou-wares.;
hmm... a(n) english garden,
after all.
       whaa whaa... tongue tied
in the grapheme shared between two
words, hence the bracket "optional" (n);
aye! yo!
           big up kingston-upon-thames!
charcoal those jamaican
   colours, and make sure
i get i ****-churn at notting hil
filling station of jerking inflatables
of juggling hips and pelvises
            of the caribbean woo, woo-manz;
suddenly my **** turns
into a crisp dipper with a salsa
of fat *** and chocolate drip
               of ***** mush...
   nice thought, i suggest you try
it sometime;
boy, you ain't 'ave ah 12" dipper?
   don't bother...
   look for the girls with the boney a,
i mean via m... take them to the mass
with the altar being:
    and rodeo it was...
   i never knew i had bones inside
the bush of my *****...
                    evidently? i have!
gold goes to vanilla manila,
silver? goes to strawberry blush...
bronze? ah...
    you ever wonder why oiled or
wet chockies look so fascinating
bouncing off moonlight?
   me too...
          kenyan brown is beyond
what the western niger showcases.
if they just dropped the madonna *******,
       i'd still **** them drunk...
when she's naked
     and you're naked,
                          and you're drunk:
              it's no time to be a *****-loner;
tea-cups and napkins,
  invoking a respectable "repertoire"
can belong to the white girls,
   along with the ***** collection of
abbreviated lies...
             i got bored,
started to loosen up a bit,
    i have no motto,
        i have absolutely no ethical concern...
what comes along is better than
paying for enforcing an encounter via
the liberty of paying for it...
   trouble is... when you pay,
and she *******...
           that's a real ******* problem for her...
she wasn't supposed to enjoy it,
she was supposed to get paid...
              ha! transcending the "ethics"
of prostitution is not an easy feat;l
more painful for her, than for me,
    with that octopus-like squeeze of imitating
a circumcised ***** having pulled
the ******* back...
    **** me... i never thought i'd own
an aubergine... thank **** that also
means: minus the c-ring: two birds, one stone.
itsall iwrite Sep 2018
chicken 4 coins 29.09.18

you won't have a clue
poetry readers not rich
got to admit it did turn me blue
main man and deceit caused a twitch.
but its all adding
not giving any rob
don't care about extra padding
love including flob.
well done for devious
respect did mass
not one bit of love minus
adore tomasz.
keep being criminal
you are not on most wanted frame
love now undeniable
my queen is playing the game.
lets end with hellish
hold head with pride
only room for one in kentish
competition is now open wide.
itsall iwrite Sep 2018
f09 g10 090204458--    27.09.18

welcome to a puzzle
this is going to bamboozle
for once in need of a muzzle
to persuade is the refusal.
f is really deep
more edge then a hexagon
but g is no sheep
he's on his own planet kentish-Saigon.
09 and 10 will subtract
its all going to happen friday
no good is trying to counteract
or trying to swap for sian or kay.
deep or arrogant
we have a choice
call number and be blatant
use your vote as you voice.
09 or 10 is unsettling
truly can not decide
over to reader for HM letting
faith in the BB fan is pride.
itsall iwrite Oct 2018
my stalker is called bill and he is old 17.10.18

the cat is out of the bag
you might need to get back on bike
don't mean to brag
but this reenactment load aim shoot and strike.
was daily getting fond
even if first wanted to deport
handing my paper could have been a bond
all will be documented in final report.
felt like royalty with crown
you were my champerone
i was the most wanted in kentish town
5 to 6 times a day not leaving alone.
even shopping and the intrude
no alone time taken
am i a genius to conclude
that my stalker is young bacon.
shame on the blue line
like a bullet i can stand
wednesday 17 oct 2018 is going to be full of shine
old bill come and shake my hand.
itsall iwrite Jul 2018
back under surveillance 04.07.18

i no the word
i don't give a *****
this is no quickie with a bird
my biggest fan is boy blue.
again was the arrive r
box me in like a cube
violence is not my driver
deeper is poetry then kentish tube.
the trigger is a alert
its a skill to be controversial
with the trolley he took the bert
cohesion and the london programme is not the commercial.
have to make a stand
poetry is for ever
again to bill i offer hand
the same goes to trevor.
hate to explain poetry. this is your job. tick tock.
Sam Lawrence Nov 2020
underneath Kentish Town
the fine Fleet flows down
sneaking out dammed ponds
slidden across the thistled Heath
the source that took relief
hidden, next to Anglers Lane
a vanishing of oyster shells
flicked by idle ghosts of fishermen
who spit a murmured gargle
deep below in sewage world
a water's roar
silenced to hush
by the concrete poured
over centuries of bricks

— The End —