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vircapio gale Mar 2013
below the eyelid-waves,
another iridescence grows.
currents blur the view in pentacles of light
to rhythms of the waning breath
--warping what an artist's vision yields,
the canvas of the mind stretched taut
in hues to coalesce the old and new,
absorb the intertidal volumes
with keener intake,
firmest diaphram to lift the pressure out
and sink into pelagic origins finally,
imbue myself poseidonal,
renew the birth of "love"

i am soaking with it,
open mouthed my cry is swallowed by the sea
i am a kracken echinoidea
******* up the floor
of life exchanging me with joy--
of jellyfish and snail,
burrowed shrimp, eyeful gobies,
clowns in their anemones--
my spires swirling clouds of green
to carpet spotted sky with verdant wake
and springing there,
from crest to crest,
a body undulating foam, it rolls voluptuous to swell
the bioluminescent instant... taken in the vast, full span of time...
to see her born here,
'mid dolphin song and symbol crash of tide
protuberance of shore awash in seeming pleasure of the rhythmic act--
alive the goddess comes, into her flesh--
to widen eyes,
re-establish channels to the heart
as if an aperture of cloud
were opening again,
to end an ancient overcast
and usher down to earth
the lance of starlight that would reach beyond the wrecks of ocean depth...

so too her visage strikes the darker corners of the heart
illumes all buried hopes
of bottom dwelling wretchedness,
and draws the tide above the line,
littoral tresses falling,
steep in pools calcareous and algal
worlds remaking worlds within the contours sexing there
imagined limestone in your many perfect forms,
marble softness swimming in my eyes
awaken appetites of newfound youth again.
the ochre lines that stripe along your curves
let hidden ripeness waft across my passion-eye
and with the grassy dunes i lie, doze in wrack at once--
as arches of my sight are pierced with rays of inner sun
my seabreath muse purveys, inhaled;
i would see you as you are entirely,
disperse myself into aesthetic mist,
become the spray on coastal loam
a sundog floating in and out of forms
become your mullusk lust;
sipuncula embrace of benthic dust
and slip along the textures
of your progenation's flood--
emerge as one and many lives
becoming me, this vision
in your suds, your divination's scree
--the salty rooting of the coastal trees,
the sand, the wave and moon
upon the dancing kelp forestal out at sea...
shining in the winking foam and symbiota sand.
crevice and the length of dyads simulating one,
phallus, *****, and none--
egg and **** bed..
diatoms  flourishing  again...
in you i am the ****** my own gestation obviates
i am effluxion of all lives in balance
on an ever-swaying crestline of irruptive suds--
diaphanous array upon your porous *****'s heave
weaving in and out, continuing to blur
in riven sight and empty heart to fill
the blood containing rapid urgency
to feed, to taste and seek its nourish-all
when after having given up the possibilities of love
and having worn the incompleteness raw,
the obverse affirmation cracks the sky...
at last they burst surreal into the now
and lacking practice courting glory
stumble over habits long attuned to falsities unveiled
and drawn into your undertow,
all cravings wrung into the novelty of merging without end--
arrive, horizonal, and echo from the dawn of being more than one




.
littoral: of or relating to the shore
wrack: masses of dried seaweed, kelp found on the beach
sipuncula: marine worms
benthic: relating to the bottom of a sea or lake or to the organisms that live there
diatoms: algae or phytoplankton essential to ecosystems
effluxion: a flowing outward
SpongeBob SquarePants is an American animated television series created by marine biologist and animator Stephen Hillenburg for Nickelodeon. The series chronicles the adventures and endeavors of the title character and his various friends in the fictional underwater city of Bikini Bottom. The series' popularity has made it a media franchise, as well as Nickelodeon network's highest rated show, and the most distributed property of MTV Networks. The media franchise has generated $8 billion in merchandising revenue for Nickelodeon.

Many of the ideas for the series originated in an unpublished, educational comic book titled The Intertidal Zone, which Hillenburg created in the mid-1980s. He began developing SpongeBob SquarePants into a television series in 1996 upon the cancellation of Rocko's Modern Life, and turned to Tom Kenny, who had worked with him on that series, to voice the titular character. SpongeBob was originally to be named SpongeBoy, and the series was to be called SpongeBoy Ahoy!, but these were changed, as the name was already trademarked.

The series was previewed on Nickelodeon in the United States on May 1, 1999, following the television airing of the 1999 Kids' Choice Awards, and officially premiered on July 17, 1999. It has received worldwide critical acclaim since its premiere and gained enormous popularity by its second season. The SpongeBob SquarePants Movie, a feature-length film adaptation, was released in theaters on November 19, 2004, and a sequel is currently in production, with a projected release date of February 13, 2015. On July 21, 2012, the series was renewed and aired its ninth season, beginning with the episode "Extreme Spots".[2][3]

Despite its widespread popularity, the series has been involved in several public controversies, including one centered around speculation over SpongeBob SquarePants' intended ****** orientation. The series has been nominated for a variety of different awards, including 17 Annie Awards (with six wins), 17 Golden Reel Awards (with eight wins), 15 Emmy Awards (with one win), 13 Kids' Choice Awards (with 12 wins), and four BAFTA Children's Awards (with two wins). In 2011, a newly described species of mushroom, Spongiforma squarepantsii, was named after the cartoon's title character.
Davina E Solomon Jun 2021
Blessed are the poorly, for theirs is the kingdom of mudflats

The dispirited streak turgid waters
sinuously, through unsettled feelings
in the wake of boats shedding
filaments of fuel,
sheen on a turbid infusion
and the cordgrass nods a resilience
or an apathy as the silt settles
on their Piscean gleam

Blessed are the pure in heart for they shall see a salted heaven

Angelic Menhaden of the Atlantic,
are silvery stretches of scale,
dulled in death under a festering sun
and the retreating tide of dying waters
brined in ocean, freshwater spirited
to secret spaces, some dammed crevasse,
now  tumultuous  fate in a salted heaven

Blessed are those who hunger and thirst for righteousness for they shall be filled

At the Tabgha of this intertidal palette
Cattails whisper beatitudes
latched onto the tails of wind gusts
and the plovers descended
in a litany of  bird song
amassed like the manna
trailing  tidal waters
as the sea swallows herself.
Blessed are the herons, the mallards,
the geese. Time is measured
in the passage of fish that
cycle themselves through the innards of birds

Blessed are the meek for they shall inherit the rocks

The meek Menhaden, leaped
onto the rocks that hemmed the inlet,
escaping the hungry habits of herons.
They inherited Earth in agony    
pounding a rocky surface,
but the air I swim, had no water.
I prodded these  Menhaden of the Rock
to the fringe of retreating tides,
and they leaped to die once more
to breathe water that had no air

Blessed are those that mourn, for they shall be comforted

Blessed is the discomfiture
of my brackish tears
that streak marsh faces
as fish struggle out of dead water.
I take comfort I don't inhabit
tainted places or do I take comfort,
all places are the tint of poison,
the gleam of a genesis of sorrow
The fifth of June has been designated as World Environment Day by the United Nations. Today, in fact, will inaugurate the UN Decade on Ecosystem Restoration (2021-2030), a global mission to revive billions of hectares, from forests to farmlands, from the top of mountains to the depth of the sea [1]. Pakistan is the host country this year for the official celebrations. As we are aware, the protection of the environment and its restoration is of utmost importance given the damage to our environment. Today, helps highlight that our well being and economic development, are intricately and intimately connected to the health of the environment in that, World Environment Day, gives us an opportunity to learn more about our ecosystems, cultivate broad and enlightened opinions, encourages responsible conduct by people, their communities and their enterprises to help preserve and enhance our habitat [2].


I chose to write a poem on the Atlantic Menhaden, fish that are an important part of commercial fisher and in estuarine habitats . They are filter feeders, consume phytoplankton and zooplankton and constitute the largest landings, by volume, along the Atlantic Coast of the United States. They are found in coastal and estuarine waters like in the Hackensack Meadowlands [3]. They are harvested for use as fertilizers, animal feed, and bait for fisheries including blue crab and lobster, are food for striped bass and other fish, as well as for predatory birds, including osprey and eagles. Menhaden are silvery in color with a distinct black shoulder spot behind their gill opening [4]. It was late (November, December) last year that I spotted a lot of dead fish in the Hackensack river. It was reported then, that it may have been the lack of oxygen in the water [5] It was only in April this year that species of Vibrio bacteria were suspected as having caused multiple ***** failure in the Atlantic Menhaden [6]. In any case, high levels of contaminants in rivers, along with sediment make up for low levels of dissolved oxygen in the water in summer and along with the bacteria, are a threat to this variety of herring that are important to many other species that make the Hackensack their home.

Read more at
davinasolomon.org/2021/06/05/on-world-environment-day-beatitudes-for-the-dead-fish-that-inherited-the-mudflats/
Andrew Mar 2021
The mind sleeps, slacken
Like a fish net hung to dry;
Catching the naked wind.

— The End —