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(Composed at Clevedon, Somersetshire)

My pensive Sara! thy soft cheek reclined
Thus on mine arm, most soothing sweet it is
To sit beside our Cot, our Cot o’ergrown
With white-flower’d Jasmin, and the broad-leav’d Myrtle,
(Meet emblems they of Innocence and Love!)
And watch the clouds, that late were rich with light,
Slow saddening round, and mark the star of eve
Serenely brilliant (such should Wisdom be)
Shine opposite! How exquisite the scents
******’d from yon bean-field! and the world so hushed!
The stilly murmur of the distant Sea
Tells us of silence.
                             And that simplest Lute,
Placed length-ways in the clasping casement, hark!
How by the desultory breeze caress’d,
Like some coy maid  half yielding to her lover,
It pours such sweet upbraiding, as must needs
Tempt to repeat the wrong! And now, its strings
Boldlier swept, the long sequacious notes
Over delicious surges sink and rise,
Such a soft floating witchery of sound
As twilight Elfins make, when they at eve
Voyage on gentle gales from Fairy-Land,
Where Melodies round honey-dripping flowers,
Footless and wild, like birds of Paradise,
Nor pause, nor perch, hovering on untam’d wing!
O! the one Life within us and abroad,
Which meets all motion and becomes its soul,
A light in sound, a sound-like power in light,
Rhythm in all thought, and joyance every where—
Methinks, it should have been impossible
Not to love all things in a world so fill’d;
Where the breeze warbles, and the mute still air
Is Music slumbering on her instrument.

   And thus, my Love! as on the midway *****
Of yonder hill I stretch my limbs at noon,
Whilst through my half-clos’d eye-lids I behold
The sunbeams dance, like diamonds, on the main.
And tranquil muse upon tranquillity;
Full many a thought uncall’d and undetain’d,
And many idle flitting phantasies,
Traverse my indolent and passive brain,
As wild and various as the random gales
That swell and flutter on this subject Lute!
   And what if all of animated nature
Be but organic Harps diversely fram’d,
That tremble into thought, as o’er them sweeps
Plastic and vast, one intellectual breeze,
At once the Soul of each, and God of all?

   But thy more serious eye a mild reproof
Darts, O belovéd Woman! nor such thoughts
Dim and unhallow’d dost thou not reject,
And biddest me walk humbly with my God.
Meek Daughter in the family of Christ!
Well hast thou said and holily disprais’d
These shapings of the unregenerate mind;
Bubbles that glitter as they rise and break
On vain Philosophy’s aye-babbling spring.
For never guiltless may I speak of him,
The Incomprehensible! save when with awe
I praise him, and with Faith that inly feels;
Who with his saving mercies healéd me,
A sinful and most miserable man,
Wilder’d and dark, and gave me to possess
Peace, and this Cot, and thee, heart-honour’d Maid!
Kìùra Kabiri Jan 2017
AIDS IN AFRICA!
Did you read the novel of our uptimes: Confessions of an AIDS Victim!
Did you watch the films of our time: about Philly Lutaaya and Wangeci!
First filmed movies of victims living with Aids in Africa
And did you see humans like living skeletons: thin as threads  
Body emaciated-denied of any fond flesh and tissues: zombies with souls only  
Ribs lean like loose groups of marionettes glued sticks-countable
Skin stretched slender and dry like rotting drought carcasses
Like harvest’s bounty, daily on reed-mats taken outcasts to dry in the suns
Waiting, waiting, waiting for its delaying-about-death!

Did you watch the agony in the victims of the viral virus?
The emotional struggle with rejection and dejection
The sorrows in regrets and the sadness in the imminent eventuality  
Did you watch the scare in those inwardly suckled sockets of eyes?
The hollow horror-stigma, severe in their scrawny faces clearly drawn and written
The dryness of their fears and fates, daily as they awaits for the-no-coming-damnations  
The torturous anguish of hoping, hoping, hoping the waiting will soon be over-rested!

Did you watch them with sorrows?
How mùkingo, kang’eeri, kìng’ùki………….....
Had ruined and damaged their promising lives
Had you watched them with fears?
How deserted and dejected they were
Did you watch their burials, a polythene bag for a coffin as outcasts of the suffering society-Emotional families alone in the final procession somewhere faraway from ancestral burial grounds?
Rest of the society watching from a safe distance as hastily they are sent deep into their underworlds

Did you watch how havoc ***-AIDS had done to families?
Grannies alone grappling with swelling families of needs
To eventually warm loneliness of surrounding graves: a total devastating calamity
Terrible tombs of sons, daughters and grandchildren: forever wiped-out generations
Did you watch the wiping out fatality of UKIMWI in rural villages?
Where the most sick finally retreated to, to reconnect with their angered ancestors
Gray-Aged counting on the crosses and daily, freshly dug moulds of soils
Carrying-containing their loved-ones larvae-ravaged remains

O God! Why did you create this thing between our thighs?
And burnt in it a desire to rise-jump, romp, **** and pump
O Lord! Why did you put in place this dry well between our *****?
And installed in it an urge to die to be drawn, drenched and danced
O’ Almighty Father! Why did you generate in us a desire?
A desire only to be quenched by this sinful sickening act-***!

Oh! Lord! Must we all die atop the trap of death-the ball inside the socket?
With all the sick beauties and wealthy behind bellied fat fed ARVs bodies-
Humanity, must we pitifully perish this way-slowly but disgraceful!?
Clearly know your partner; holily respect your partner!
Chain your dog, lock your kernel, secure your cheque-
Abstain-protect your love: protect yourself!  

© Kìùra Kabiri. All rights reserved.
lenore Aug 2019
how (w)horrific to be
marina wholly in
and (w)holily out
the dragon’s mouth.

marina warns what swallowing connotes.

isn’t this why agatha offers
her ******* like a double portion?

how did they swallow being swallowed?

and how did they convince the dragon
to declare them undevourable
without their qualities of flesh?
Connor Apr 2017
Woe is a horned creature
      Color/blue (soft)
      Youth of savage taste
        
Piano is envious for magic
(The noise is disquiet)
    
    Angel wise and
    a whisper

Mother cleaned up her
violent act on stage (a highwire)
    The temple forever stained with
     birth
    
          Garden of age/
          
       A river's foolish plea with the moon,
        
People wrapped in ivy dance holily
   With their April patterns in a truly
    Dionysian scene
    
         I am there (a poet)
             day belonging to death
as death is owed to
life

   I feel balanced in this state
   (on the edge of the river)
  
       we are joined by harmonies from the Valley,
         they can be heard from above
           flowing
           downward
           featherlike
           unafraid
          
           (a warmth/a womb)

II

   The sea is still alone
   (chasm of black)

Thinkers chase its waves &
Our eyelids disappear like marble
into empty flies
  released from a tropic fantasy
  
    The inevitable scream, humid &
     Covered in ash (volcanic)

III

Illness rejuvenates the dream/
questions remain questions

   An elephantine flowerbridal looms/

Smoke erases the memory stained in each ring of each pine,
          burdens relieved from the Antlers of
ancient death
         (smoke, tide, branches crackle in a flame, peace is envisioned here, I love you)
         Narrow ceilings attempt to re
         create
The sky/      
Paint flaking off pathetically (the palace)
darling ember washed away with simple time

    (Where has our capability for survival gone?)
    
         mapmakers and children watch their hair fall into a promising wishwell
    ...kept secret and sacred
    
         those who see the bottom of the well are branded with eternal laughter!

IV

? Healers hand
       (You've arrive
       d
       at the entra
       nce you once saw asleep)
      
                 The conquest for simplicity is finally realized as no conquest at all
                     You're in love again,
                    
(Yellow love)
!
Diljeev Nov 2021
Holily they allied
emerging from the dark,
him and the thespian inside,
the groom and the bride,
so is the story arc.
they whisper and hiss
"He has no one to call his",
well the herd can't be heard
call it marital bliss.
Not with his palms,
not when knelt,
only in his heart
can the missus be felt,
compels him to think
how it must be
to hold and be held,
call it the only miss.

— The End —