walk into the room
With your pencil in your hand
You see somebody naked
And you say, who is that man?
You try so hard
But you dont understand
Just what youll say
When you get home

Because something is happening here
But you dont know what it is
Do you, mister jones?

You raise up your head
And you ask, is this where it is?
And somebody points to you and says
Its his
And you say, whats mine?
And somebody else says, where what is?
And you say, oh my god
Am I here all alone?

Because something is happening here
But you dont know what it is
Do you, mister jones?

You hand in your ticket
And you go watch the geek
Who immediately walks up to you
When he hears you speak
And says, how does it feel
To be such a freak?
And you say, impossible
As he hands you a bone

Because something is happening here
But you dont know what it is
Do you, mister jones?

You have many contacts
Among the lumberjacks
To get you facts
When someone attacks your imagination
But nobody has any respect
Anyway they already expect you
To just give a check
To tax-deductible charity organizations

Youve been with the professors
And theyve all liked your looks
With great lawyers you have
Discussed lepers and crooks
Youve been through all of
F. scott fitzgeralds books
Youre very well read
Its well known

Because something is happening here
But you dont know what it is
Do you, mister jones?

Well, the sword swallower, he comes up to you
And then he kneels
He crosses himself
And then he clicks his high heels
And without further notice
He asks you how it feels
And he says, here is your throat back
Thanks for the loan

Because something is happening here
But you dont know what it is
Do you, mister jones?

Now you see this one-eyed ******
Shouting the word now
And you say, for what reason?
And he says, how?
And you say, what does this mean?
And he screams back, youre a cow
Give me some milk
Or else go home

Because something is happening here
But you dont know what it is
Do you, mister jones?

Well, you walk into the room
Like a camel and then you frown
You put your eyes in your pocket
And your nose on the ground
There ought to be a law
Against you comin around
You should be made
To wear earphones

Because something is happening here
But you dont know what it is
Do you, mister jones?

reinvention of the jazzy period? 1920s, don't tell me!
1930s ****** and Capone and the Pacinos - chi:
   or cha cha: capuχino - hence the missing c -
   truant Capote wrote a bestseller meanwhile -
grizzly ra - and some bling to boot: always a favour;
oh i don't mind - it minds itself:
philosophers are removal van people:
boxes wherever you look: per se a,
per se b, per se c, per se d. i grew a beard because
i thought: might as well fiddle with it, get itchy
with pretending violin playing - always better than
counting money - grew one to counter the fiddler on the roof:
meaning? fiddle of the chin - you lucky people are so funny,
i got university education and can't laugh -
it's hilarity multiplied by Clinton: sure, the rich can do
anything... but nothing publicly - attention span of goldfish,
keeping an image or brushing your teeth to a routine:
hello dentistry, o'la chemists with toothpastes!
plus the deficit, plus Gorbachev and a hungover.
well, you do look like the generation that spawned
the first world war - cocktails and chandelier champagne
popsy-turvy - hunched burp - ****** warfare;
jazz poker or jazzy blackjack? you look so ******* familiar
that it isn't even funny... the populists are goose-marching
but you still need a partying excuse
to **** at a reed to breath under the blood-bath
waters of minimal exertion -
       Fritz Ferdinand also said:
                      fry 'em up, the young will
become un-bored - savages of the dance-floor
will need but one excuse: the airy-fairy one...
then the Zeppelins and the donnerkrieg -
or the thundering prior - rather than pre-,
  tropismuskrieg - alternative the compass read alter
N - north - the revisionist segment that's
a compass to mind: the equivalent of north
in human dynamism: K - krieg - war...
somehow potassium too -
                                 war
  
         peace                                  modernity

               ­               antiquity

           the model moral movement: krieg -

                                       krieg (K)

         frieden (F)                                        zeitnah (Z)

                                      antike (A)        

the fakz - the facts - and nothing else - sure
i was limiting myself to a skew, or a rhombus -
not exactly what you were thinking of:
chaka demus & pliers - tease me tease me tease
                                         got a spare cup of sugar
                   and a screwdriver? oh no... till i lose
   my t.v. license and my zombie soul;
are these the same ******* that got shifted to America?
don't blame me for what the ****** royal did
  to the ****** pauper - you have a basketball team,
and a dozen rappers - what's the... ahem... problem?

Every time we say goodbye.
by
Jude Kyrie


The ash line lengthens
From my untouched cigarette.
Smoke rings billow
Like clouds passing eternity.

Its past the time of sleep
Only memories flow
Only of you
always you..
The bartender
freshens my drink.

The music weeps from
The sweetness of sound
That only the alto sax
Can bring..
A nelson riddle arrangement
Touches my soul as always.

When you're near,
there's such an air of spring about it,
I can hear a lark somewhere,
begin to sing about it,
There's no love song finer,
but how strange
the change from
major to minor,
Everytime we say goodbye.

It's Ellas trademark song
But we borrowed it.
It was ours honey.
Just for a while.

The whisky burns my throat
As the saxaphone wails.
The ashtray smokes
You are behind its mist.

The bar is quiet and peaceful
The drinks dull all pain.
Outside the rain is falling
The neon lights color
the pavement
in muted reflections.

I see us again
through the window.
Arm in arm
walking in the rain.
Then you float away
Like the smoke
in my ashtray.

The sax builds the last line
Ella almost whispers
*Everytime we say goodbye

only today i learned ø denotes
        an encoding of diameter,
and it's Scandinavian,
                     or how the globe is
past the equator,
         and the lob-sided earth,
winters in Australia in the Summer months
in Europe.

    high philosophy begins with Beijing
dialectical highs,
    but take the route of lower philosophy
and encounter diacritics rather than dialectics,
because that matters, too,
        θought, a moral ought,
   and φilosoφy - and missing ought -
          and the two being irreversibly twins
in said... or θought an immoral ought,
                 sure, tubes, mistook ø74 for something
akin to φ...
    high philosophy never acquires a diacritical
dilemma...
                  or why local don't do anything
but actuate automatic application
   and those immigrant, or bilingual troops question...
    ø = diameter, not to be confused with the θ;
             higher philosophy begins with dialectical
beginnings,
               "lower" philosophy also begins with
dialectics, but it ends with diacritical application,
rather than utopian: nowhere from nothing.

what am i going to say next? *machado de assis's
philosopher or dog? introduction.

          ........................................­..................................
..............................­......................................................
..........­.................................................................­.........
.......................................................­.............................
...................................­.................................................
...............­.................................................................­....
............................................................­...........
(or a paragraph on the pleasure of drinking,
    or how to save you an optometrist appointment,
or how to take an interlude,
   to do the opposite of the Andy Warhol stipend
for making enough buggers hearing your
opinion, unchallenged,
                    but never having a diacritic concern).
hence the pending, or what everyone seems to
desire these days, circa 100 years later,
     how to provoke an interlude, how to hunger
for interludes rather than fame,
           i also drew a sketch before starting,
       shat -
                  and hey presto!
           ****!
                   yuck in orange in florescent.
yellow (florescent), F, pretty pretty pretty,
          in pink the bit about diameters and phi,
           again in yuck orange: swigs and the wiggle...
a paged concern for graffiti.
                  again, pending, yet to be hottie
and poster boy of a poem,
        again the impromptu break worth of fame that
actually isn't fame, but a chance to compare
                   how much whiskey makes up for the
Niagara continuum.
        again, (pending):
............................................... (how the hell do you
write pending ~15 minutes later?!)

the concept of Monday is greatly undermined
by Darwinism,
    as is Tuesday through to Sunday,
generally the function-able week desists the idea
of an Iron Age, as does the pantomime
of all that's worth celebrating -
generally speaking Darwinism is anti-history,
theology has nothing to ask of Darwinism
to argue against,
                             theology isn't a history,
but Darwinism is the purest variation
of history, variance of how we define logic
and its applicability, whether it's
i + think            /             1 + 1
    and have the moral attraction toward a 2
         or variate a moral action into a 3:
cos Radiohead simply sang 2 + 2 = 5 in a song:
cheat! matchstick principle regarding counting!
machado de assis? Darwinism is peppered with
overt imagery than salted with:
you get to sneeze a lot...
             a writer's voice: irony, mockery,
         consolidating the lessened counter-productiveness...
Flaubert, Dickens, Zola, Balzac, etc.,
                    homie, rap that **** out, condense it,
i thought Brazil was half the way America should have
endeared you? i had problems with Prussia
Austria and Russia... guess i was wrong how thuggish
i had to be with the Orpheus *******...
       cos the lyre was dumbo blunt deaf and therefore
cacka...
     higher philosophy begins with dialectics,
"lower" philosophy begins with diacritics -
     a return to the source, a debate with Ivory scales
concerning the Rosetta - a neo-formatting of
what's quiete
                           right: Sophia: hence anew: Rosetta.
and all for the pear that's woman and whether Satan
chose the fruit prudently according to Milton.
or the progress of a drunk:
centipedes and Fitzgeralds, Hemingways,
lust and last said...
                           the cf. of every apparent transitory
made to provoke the quasi and quack,
              ducking the Donald and the *****,
in agreement,
                     a happiness toward the tiresome
encrusting of what's worth being stated,
and then the deviatory,
                              as marketed a deviation
from a Louis Napoleon -
                                    because no Belarus was
to be chequered by an impeding force...
                      hence the cha cha cha...
                                    and hence the stanzas of
Argentinian tango...
              juicy and later the cruelty choking
of what some might make of Macbeath's habitual thinking
                                       worthy of a classroom
                audience; and that too is
exposable in return for being disposable.
higher philosophy is regarded as such with
dialectics,
                        but "lower" philosophy is
yet to be regarded as such with diacritics -
     not a case of what's to be said, and thus bedded,
but a case of how's something said,
                                and thus given a freedom
of: bedded, wedded, pimped, or whimpered into
                                     surviving writing a poem about;
also achieved by Humphrey and that chuckle of
revising Casablanca for an unnecessary quote dynamic /
diatribe when Hiroshima said
                 much more than the above certified:
boom! 1 million ******* dead.
       that's an overt-quote that gropes the many
amens among the citations of Marilyn, and still gets away
with                     a memory of J.F.K.,
           because that ****-honing masterpiece
was needing my memory rather
                                   than a b. b. q.    scewing.
          i find people rather forgetting:
jeopardy battered boundless gym orientational
                     thoughtless two shots of tequilas
            and three paraphrases of sours in biting a lemon
to upkeep a trough of a suntan with the H-He:
boom boom, higher tier laughter,
             ingesting that inflation of prop
                    boom boom, v bomber,
                     squeeze...
                    lob-side lo & behold,
                                       'n'        - squiggly extra thus born.

it was a day in spring
and my vision was red–a
monochrome of the senses
i look at my knees and they
are scrapped

i look at my eyes and they are red
i look on my bed and i see red,
the bud of the bud is still there
but i do not remember the day

i cannot leave the house;
i’m safer in my thoughts.
i understand why there were
Woolfs and Fitzgeralds before me

i will crystallize those weeks in my
words; we were too happy in
photographs; i go back to the places
we smiled and cannot breathe:
i look at myself and i cannot breathe.