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J Feb 2014
the sun,
      it beats down on the grass,
discontented and desolate,
      godless,
I pass with a nod

the cells,
      they spill out on the floor
with fury and desire,
      fullness,
it spills out on the floor

color,
       it reacts to the soul
radiant and lobotomizing,
       mind,
it beats down on the floor

and the sunset lasts forever.
Ross Robbins Aug 2011
A greased pig at the county fair,
A roller skating tween chips her tooth,

The *****'s pupils: pinned.
Heavy-lidded gaze notched up: a higher degree of horror.

Ecstasy and agony: life's charged poles, opposing,
I, dysthymic before the blister of try,
have touched too close to life's hot center,

A cliché, a disposable metaphor,
The insulin syringe (use once and destroy) of metaphors,
Oh restless boy (you're a man) you don't see it?

Beyond the sour vinegar of feet and let's pretend,
the mildew funk of gym-stale ****,
the recess bells gave way to sirens.

Oh, valor—Toro—pinned Pamplona,
Gored by c**k, though, not by bull
Cause see it seems—yes, Spain then.

Nothing written really happens, see,
mind to bear this burden.
Tense of verb fit the charge in air,
a crunchy taste like seizure mouth, the sockets blown
some smoke slips out the corner of my mouth, my eye
regards you trying to seem real.

2011
Polby Saves May 2011
Depression is reading bad poetry
Written by merely dysthymic people
Depression is people which does result in
Hell  
Depression is the pain caused by people
Trying, poorly I might add, to articulate what
'Depression means to me'
Depression is tantamount to hunger
Something we all must suffer
Some will starve to death
You, my poetaster chum
Are only late to dinner
The pang will pass

Copyright © 1996-Present
Polby Saves Apr 2010
Depression is reading bad poetry
Written by merely dysthymic people
Depression is people which does result in
Hell   
Depression is the pain caused by people
Trying, poorly I might add, to articulate what
'Depression means to me'
Depression is tantamount to hunger
Something we all must suffer
Some will starve to death
You, my poetaster chum
Are only late to dinner
The pang will pass
Copyright © 1996-Present- From The Crawlspace in the Cranium
Ottar Jul 2013
Walking in the bookstores, searching, questing, testing,
which book is the one, not for fun, or congesting,
IT will fill the hole in my dissatisfaction, it will give
meaning to an otherwise empty space filled by my warm

                                                                                      body.

I have been at this for years, sometimes I walk out with
less than I went in, other times I walk out with what I
bought and it is all for
naught and leaves me cold   to   the   touch,
                                     doesn't matter much,
in my dysthymic passive aggressive crunch.

I have Jesus, and I hope it does not take me
until eternity to have my ah-ha moment,
good or bad, don't point me at an omen.

Life is as fluid is the water cycle, and as
hard to find as the water table,
in the desert.

So how do I leave you;
I don't know the answer
to the impossible question,
a cramp in my digestion,
a cactus thorn in my side, doubt
not only clouds my mind and
evaporates my sound judge-
ment; but would I recognize,
or would it be discovered a surprise,
if I found what I was really
looking for.


  ©DWE072013
Gaye Sep 2015
I and you won’t be
Two unfamiliar women of our land.
I’ll not leave you to the radio
To swallow up our history,
We’ll have phone calls and photographs
Transported between seasons and changes
And barracks of old classics
Drilled in between our conversations.

You don’t leave the land, abstract-
Smell or your braced triangular family
But I, your daughter, a nomad
Demands change, unbuckled knees,
Thunder and lightning than a
Frozen damp lake.
I don’t know if this absurd let you down
Being a floating female disc
Without a silver hanging off her neck.

Your cotton sarees and senseless arguments,
Modest gestures and peripheral smiles
Walked miles with me.
My uncivilized ways and half assembled days
Somehow compromised your 7pm calls.
You didn’t declare an ownership
Or terrified me with protection
But your roots branches and leaves
Held me with an irresponsible luck.

You did want to walk with me,
Comprehend your traditions and family tree
But you grew obsessed over my books,
My anglicized friendships and father’s ways.
I don’t want us to wrap up stories
Let us be ‘us’, flesh and blood
Without English comprehensions,
Fork and Spoon-
The world is desperate to squeeze in between
‘us’.

I want to sit next to you every eve
Even when I’m miles apart
Sip your ginger tea and gossip with Leela
And I know you have more of
Mukundan, MT and Padmarajan
Jolted in between your memories
Wanting to be told, to be felt.

Retreating monsoons, half naked veranda
‘Shifting houses’ and ice cream spoons you lost
Bridged the gaps of a dysthymic brain.
Your diary and worn-out scribbles
Lifted an awkward silence, I ignored.
And I know there are plenty of
Conversations
Separated by a trigger.

Your four loud aunts and their-
Disproportionate-pinches,
The main house and its innumerable doors
And the single toilet your grandad possessed
Will always be ‘our stories’ with mango pickle
And little almonds
I recollect as your curfew years.

You need not worry, I will not-
Sit with bubbles in my mouth.
I can pinch your cousins and
Exchange few golden bangles.
I can walk the temple lanes with your-
Mother, silken skirts and jingling anklets.
And I know the family recipes,
The exact nicknames and garlanded gossips.
There will be days, get-togethers and
Photographs
Added into your prized collection.

A subconscious music flooded my psychology
When chlorine water, light-lit-days,
And flirtatious silly men
Swung in fine tune next to me.
There was always a detached-attachment
That translated a traditional ghost
Who announced a corner for itself
Somewhere exact I cannot pin point.

Let us not freeze the prologue
We can walk door by door
Between generations and blue window panes
In a coordinated tune guided by-
Voices of our ancestors.
The genes inside me needs a
Second hand journey
With-out an altered you and me.

— The End —