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Michael Hoffman Jan 2012
Hildegard of Bingen
the most musical abbess
of the year 1097 a.d.
met with Jung the unconscious detective
and Ginsberg the howling poet
for lattes at some Starbucks
in a vibrating city
on a shimmering afternoon.

Angelic minuets keep flowing,
effervescing through my chakras
like tonal champagne . . .
the glowing femme declared.
Beams of ethereal light infuse me,
tsumanis of energy tempt me
to dance right out of my habit.

Ignoring the possibility
of seeing a naked nun drink coffee in public,
Alan mused behind his hornrims . . .
I get what you mean
like I have felt the same perfusion of joy
watching cans of peas and ayahuasca
dance with talking bananas
at the A&P; Market near my pad in Brooklyn,
can you dig it?

Still suffering from his Freudian hangover,
Carl reframed them both . . .
Any conclusions or convictions
drawn from such experiences
may not self-verify because
your introspective identifications
attempt in vain
to concretize the amorphicity
of decentralized psychic sensations
which reach conscious awareness
only at the expense of extension.

What did he just say?
Hildegard asked Alan.
I have absolutely no idea,
the portly poet answered
as he doodled an intricate mandala
on his hemp napkin.
Nat Lipstadt Oct 2023
“What can a poem do?”
—————————-


”A poem
is a not a tourniquet
when you’re bleeding.
It’s not water when you’re thirsty
or food when you’re hungry.
A poem can’t protect you from an airstrike,
or from abduction, or from hate.
It’s hard to write when our words feel
like they’re not enough—they can’t do
the real, tangible work of saving lives,
or making people safer.”

(see (1) Maggie Smith)

<~>

as is my wont,
I write,
as is my Natted~inhabited,
retiring to the local watering holes of
Cerebrum & Cerebellum,
them regular haunts,
where all requests are mailed, processed, satisfied & marked;
‘return & render to the sender, who’s on a cerebral ******!’
and that request?

‘give me the words’ (2)

those ‘to do’ words, floaters, direct to top of list,
those ‘can do’ words, that can effect the affect,
spare the despair, realize the fungible, concretize cures,
soften hard waters, giving a worsening worn life fabric a
curated baby blanket feel, a 4-ply human tissue of

‘words that tell me everything’ (2)

salve solution verbs that bounty-wipe spills in entirety,
vacuum up spillage spoiling of 17 days of terrible nouns,
uncovered-unknown rages caused by inflicting prepositions
released a hatred rising,
safety rebury it deeper, drug & destruct the sleeper agents,
and let me start over again with

‘telling me everything by saying nothing’ (2)

the pausal silence, the quieted spaces tween the heartbeats,
where ‘reflection,’
the noun,
and its world of alternations,
reflection,
the noun,
look inwards, but shining outward,
this, this!
is where the poem goes to do!
enervating & arresting

its contradictory powers
rock you into wild docility,
possessive and submissive,
contradictory interferences,
smoothing the roughness,
closing the gaps it opens,
healing the caused truthful cuts,
with words that tell you
everything and nothing,
open the holes, filling the gaps,
that is what a
poem do,
in and by
the manner it is spoken…

<~>

“Sometimes a poem is the stone you carry in your pocket—the one you rub when you’re worried.  Let’s fill our pockets with poems.”
(see (1) Maggie Smith)
(1) Maggie Smith Oct. 24
(see link https://open.substack.com/pub/maggiesmith/p/what-can-a-poem-do

(2) see the lyrics  to”In a  Manner of Speaking”
To concretize my theorized love,
I could play the accidental odds and strew
slippery tongues of spotted petals
onto thickly trafficked highways,
or use the best predictive modelling
to deduce when and where I can poke out
a well-heeled boot to trick unwary spills
and ****** a kiss from the unsuspecting
lips of any suitably compatible
passerby oft times inconvenienced and passed
on by.

These well-oiled and crudely experimental
methods do produce expected results,
but not the breakthrough nor the looked-for
satisfaction of appropriate reactions,
so I'll keep my dotted eyes tucked in
their pulpy stems and my shoddy toes curled back
while I beam my bits of invitation through
circuitous routes spatially arrayed along
parallel paths where one might search
with an extra-terrestrial inventiveness,
and wait.

I know the trials of these errant waves
won't add up to a guarantee
my burpy blips of a pulse can reach
the receptively comprehending and responsive
soils I seek, but it's the remoteness of a stead
to come stalking that appeals, and despite
the Hawking drone of unveiled warnings
I might regret such contact, I'll risk it all
on vaguely washed wishes this astronomical
anomaly with an alien sensibility has
one match.
This work is licensed under a Creative Commons Attribution 3.0 License.
Mia Barrat Jun 2015
I write in the trance of triangular years
whose reverse-osmosis has done but clear
the last memories I held dear

and somewhere along the line of
perpendicular feelings, Love
found its nesting in my heart like a dove
seeking the shelter it was deprived of

because maths and science concretize
my malady. Brittle beings, they vaporize
like mist exhaled for exercise.

These faces I try to exorcise
are the only ones I recognize
Emperor Icecream Apr 2013
the poet is dead
but the pen still got an ink
the poem is in rhythm
but i can't figure out the meaning
where the writer writes to write
and not to be written
where it all starts
and the eye darts
on the ****** white page
deeply savaged
by thoughts in mind
serene and appealing
laughing and dancing
to concretize these thoughts
to make immaterial material
to transcend something spiritual
the poet is dead
yet he is living
not lurking in the dark
but educating
the future in the making
Unknown dreams
Inside our eyes
Take time to shine
Images concretize
And i realize
That this rhythm
Is silently embodied
Wholly for itself
Unknown dreams
Inside our eyes
Take time to shine
Images concretize
And i realize
That this rhythm
Is a poem in itself

— The End —