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CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
you are all of the mind’s dirtiest trick:

a weathered image of Magdalena,
a sleight of hand and a swirl of skin.
                        defying the laws of inebriation like a culprit
      set loose, or the pallor of the moon excreting its habiliments.
the old rancor of the tree from its spurious beating. vestal buds of autumn
    frugal hands of drizzle in April, prostitutes pirouetting, pried open,
   dissected in faces of the tabloids (their almost acrobatic supremacy on centerfolds)

   all mangled like the unclear, yet certain picture of a 1990s havocked
      retrospect.

you are all of the mind’s filth: a putrid modal-jazz entrapment
   and I am that sad fellow at the elbow room of some dislimned establishment
       falling as lithe as poppies in spring

  only when my mind starts to sing freely, a clenched, harmonic framework
  will my bones start to unloose in the ether, death with its ammoniac perfume,
   closes in like an unwanted visitor with a bounty of silence drowning everything.

i imagine you anything but     lustrous this evening.
     there are certain points in the pressures of your gravity
that levitate to mere intersections of the finer points of ecstasy.

i imagine you    all soft   and plump  as a word   of salvage
   without the vigor   of   blandishments  when you start with   your
    own   way of  moving i imagine you  as blunt as   a dull  knife
     plunging   into   me – i imagine your  sidereal   satellites  fail  in their   coverage
   over impossibly the   blackest  of skies   in February,|

i imagine  you  anything  but clean
   and   all white and spruced up   with   the most
  drenched   light,   real   to the touch  and swiftly moving across  the afternoon
like  wishing you   all but   perverse  and   anomalous
    and   strikingly   beautiful.
absinthe Jan 2017
feeling burdened—it tends to happen
particularly when meddling impressions run rampant
swarm circles in my hefty head, ignore the next exit ramp, and
let devils' advocates covet the cove i donned my dome once upon never

although i know this may be chalked up to intelligence
and subsequent ignorant claims that swear it's heaven sent
i swear it’s not for me. so tell all the hell-bent docents to leave
and let live my cognizance dim—to do what i can’t. to let it be.

it is what it is
and what it is
is it’s
excessive

i don’t need no informants
playing mentee won’t mend me
i’m torn sufficiently
far as i can see, it seems

don’t mentor she who beseeches
by way of screams and screeches
me and my strings are beat
by ****** and needless needles’
stitches and ventures heedless

i’m piecing my torn fabric
it’s grown so thick
it’s a feat, recognition
when simple addition alters
fact into fabrication

like my elation
in inebriation
guards sorrow
from knocking at my door
knocks my guard down
and has me floored

it hits my inhibition too
and i’m home-free
no guilt signaling
and i pull singles
i switch with tickets
i use to ticket my skin

no appointment
nor disappointment
walking in walk-in clinics
and sketchy shops
flickering the light
it sheds on both
my faces. i can face them
only with this double vision

i watch mark
as his sketches mark me
like stretch marks,
remarkably

in hopes of realizing on the double
the vision i envision into reality
he lets me let him put his hands on me
seemingly steadily
and we feel as our arms stretch

he draws me in
fills me ink
and vibrant me pends
his vibrating steel
and sharp pens
as they liven
my limp existence
reincarnating me instantly  

after sweet sleep
i wake bitter for some reason
feel dull but also sharp-ied
peeping the nonsense i let seep steeply
into my skin last night when i was peaking

now i can reminisce
on the pain of squirming
wallow over it instead, and
not the overflown gore of streams

and catastrophic waterfalls
that break through my largest *****'s walls
they leave what makes me, me,
with breakthroughs of which it can only dream

if only i can fall like the tears asleep
that crash and wave and overshadow my role
in turn leaving without desire
to turn over no stone
nor use any for stepping on
like the ones more close to normal
do coax

i do it all wrong
like they did me
i walk on coal
though from here
it appears
as though i'm an anomaly
only my sole seethes

when on the rocks
my walker, he makes me so strong
he lets me drink him from dusk to dawn  
he says he’d **** for me from here on
i love how foreign i am to him like heron

not the bird though it’s true
us three often see hues blue
we soar blue skies when our hearts fume blue
and they feel too sore like brews do
when they're too soft to heal each bruise or
make room for pain to grow and strength to bloom
so i walk on water as walker

kills me
he’s to die for
imploring in notes low
that i not stop, so i hop on
and once it’s well thought over
he can tell
overthinking’s my problem

i stand alone in the corner,
my core knows
all my o’s and woes
can be all gone
once one o centerfolds corner
and in comes the
coroner

who walks and rear-ends me
and e-r lose hope and leave me
when he cores me from his soul
and i let my breath roam

but he sends me
soaring over the moon
soon as he shows how he listens
and soon we both know
blinding luminescence

my eyes when they glisten
make all my mourning go missing
like the overthinking overkill
i hit when morning rays missile

and he curtails them at curtains
blacker than the blacklist
my man drenched
my nemesis in
deep sleep
with the fishes  

eventually, however
again and against my will, i endeavor
on reading the biography i penned
block my own writing
and let writers block lock me in
i get stuck on the same page
thought no force impedes
the power i home in my palms
nor my thumb's ability to thumb
through the page
yet i somehow flip it
and become my own victim

i did it.
it tells the history of tears
now extinct due to me overbearing
leading to drainage that came as
the very last bead beat me
for forbidding fibs
and calling dibs on *******

still, ringing in my ears
leaks empathy
for crocodile tears
trickling
as they salivate
over their next meal,
me

i swallow my tongue
not realizing fully
i’d just had my last meal
because they consumed me
quietly
with quibbles
and plots of consuming me
openly

ignorance is less so whats lacks
and with no inkling of doubt
worse in terms of that
which the mind keeps
then refuses to release
when need be
hence: me

after i head over
obvious traps
i let flash
atop my head

like clouds overcast
i’m convinced i tripped
on my own heels
like thunder that strikes
one man down twice
out of spite

but in spite
of everything, now that i know,
my eyes and i are drained no more
see, we’ve ever since grown more so
and metamorphosed
beyond words morbid

like those i anticipate
my gravestone
will go on
to hold

this is the reality of being kept cold-cut as meat
that heads *******, idiots, dunces, cons, and so on
those who bring forth obstacles that spurt in growth
inch by inch quicker than their thickening skulls

each time
the sage i pick thinks
my life needs spicing up, either
my screams of agony are mistaken
and my inseams nipped at the bud

or my spirits appear uplifted
and mistaken are my sorrow-filled tears
with joy-plagued wails,
each time
deep-seated sage seeds **** my green

lord knows that while i understand—to some degree
the world can’t come close or know what brews
in the disorganized chaos that is me intrinsically
i don’t fib when i allege that my angle isn’t deceit

nor right, necessarily
just dense as these
basins, wrinkles and dents
my tense cortex insists on heaving  

it would be obtuse of me
to anticipate that anybody
would watch my back
if not mine and me

it's all only a tactic
and i may feign obliviousness
to support this spinelessness
and keep it all in tact

insects fester
i feel each tentacle
extend incessantly
like these rants

they all ax my lumbar
no one's barred from my club
lumberjacks and jack’s slumber
i only lust after the latter

and jack's not all bad
he’s why my caps rested
soon as he hands it to me,
expressing the extent to which

i impress him
granted
my hands-off approach
that manages
to get hard jobs done
better than jills before

he’s a mild nuisance
when one of us isn’t speaking
but he promotes my irritability
with his attempts at weaving
our fingers together

it offends me
and all i long for
is knocking him out
like him and my neck's heart

or my kneecaps’ kneepads
the cap that’s my hat
can at last roll fast,
though no one should ask

i can’t say if i’m ok
jack ko’d my voice box
and i feel highjacked
but i insist, they insist
on the charm of the third

one i get him
like the lights, off,
that’s when i go on to hop off
tip toe off his tip top to get off
on the silence my mind writes off

none of it matters to me
mankind ramps up my love for luxury
the ivory warmth Mr. Browns rain
all over my cold windshield
puts me where i love to be

without them,
antidepressants
would depress and hail on
but their chocolate depressants
elevate me and i hail mary
when they hail hope on me
and i'm newly merry

when it’s all over,
i seek refuge and rush down
and on to the one and only John
where rest can be found
he’s bold as kohl and cold
as his marble floors call for

it's he who keeps my thoughts snowed in
and spares my teeth cracks no dentures can fix
suppresses my urge to purge like Snowden honing in
on how not one man cares less for one careless node in
systems nor the cancerous danger of no protests nor dents

it’s tasteless, the rice that is humanity
so i dine solitarily
in solemn grief
seeing the uselessness we
as crumbs and morsels have come to be

individuals in division
invincible in coalescence
bound to form solid solidarity
likely as the moment

satan and saint agree
to raise their satin
black and white flags,
respectively

to enwrap
two into
one
fabric. silky, smooth, seamless
as is the cocoon
          i once was foolish enough to assume
    would secure the very same wholesome skin
                         it would later go on
to help me consume.

cannibalism.
tufa alvi May 2014
But me, I'm still trapped inside my head I kinda feel like it's a purgatory
So polite and white, but I got family who would ****** for me
Think I'm living paradise, what would I have to worry 'bout?
Dealing with these demons, feel the pressure, find the perfect style
Making sure my mom and dad are still somewhat in love
All these backfires of my experiments with drugs
And I experience the touch of my epiphany in color form
The difference between love and war inform me I'm above the norm
But, give me anybody though, I'll gladly chew his face off, them bath salts
Rhymin like it's summertime on asphalt, hot
Haven't picked a major label think I'm black balled
I still don't got the heart to pick my phone up when my dad calls
Will he recognize his son when he hears my voice?
I put this music against my life, I think I fear the choice
And I don't know what I'm running from, but I'm running still
I conversate with acquaintances, but it's nothing real
I'm from a city that you hear and think a bunch of steel
So a hundred mills wouldn't make me sign a ******* deal
Money kills, that's the truth, it's called the route of evil
But I want that Rolls Royce that the homie Lennon drove
So, if you ain't talkin' bout some money I'ma send you home
Unconventional, special but unprofessional,
Adolescent expression that's lettin' me meet these centerfolds
As troubles fill my mind capacity I let them go
If I was Johnny Depp in Blow, I would let it snow
That's just me all wylin' out and being extra though

And, if God was a human it'd be yours truly
Watching horror movies with some foreign groupies, thinking this decor suits me
I do drugs to get more loopy, I'm in tune to ancient jujitsu spirituals, it's blissful
Looking out as far as eyes can see
I'm glad that me and this elevation could finally meet
I think I'm JFK's final speech
They try assassinating all of my beliefs
But I'm asleep so whisper to me for the peace of mind
And he be high some **** to grind on top a Jesus shrine
Twenty thousand on my watch cause I needed time
If y'all would leave me the **** alone, that'd be divine
Can't decide if you like all the fame
Three years ago to now it's just not the same
I'm looking out the window ashing on my pane
****, I wonder if I lost my way
Paige Apr 2013
You pluck at the stems of grass,
Unwinding the world one strand at a time,
Forcing them into alignment,
Making a pattern, making it fit.
But it always unravels, doesn’t it.
The continents spin and the
Tectonic plates will not remain still
Enough for us to get a firm grip.
We reach towards the centerfolds
But our hands always slip.
Janine Tan Oct 2017
Shattered glass sprayed out across the floor
Bloodstains on the door
Splinters like rain
A scene that will drive you insane

The story's hard to tell
The reason to how I fell
Empty search for an alibi
No giving in to the lie

Let the tools do the killing
Let the heart do the healing
There's a fate that needs sealing
An embrace full of feeling

Reach to the core of it all
Read one of the centerfolds
Tell me what you see
'Cos I see everything

A piece of framed art
A story with heart
Souls in unity
Love in solidity
Lawrence Hall Dec 2020
Lawrence Hall
Mhall46184@aol.com
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com


                            Reading is a Suspicious Activity:
                                Blue-Penciled in Solovetsky

   “…Soviet writers failed to write about their personal thoughts.”

                                               -Yevtushenko

Reading is a suspicious activity
Unless it’s a technical book of instructions
Or a hunting magazine with centerfolds
Of seductive semi-automatics

Writing is a forbidden activity
Unless it’s a grocery shopping list
Or the code to a new computer game
Of zombie valkyries with ******* tats

They’ve only gotten as far as statues thrown down
They’ll destroy the libraries next – and maybe you
A poem is itself.
You cannot Love
in moderation
all in or all out
no *******
no blowup dolls
or Centerfolds
just she who
really matters.

— The End —