Now the need to rediscover himself rises over him, he leaves the Machiavellian stupor and the breath of his organism flavored with bile, alchemy, and pours it out until he expels his cancer-causing avital situation. Everything was already clear, Ludwig had a great refuge of himself, he was the superman who locks up all ages, who is senile and youthful; since it is surrounded by the aura of the perceptual smell of evil. That he renews knowledge and does not feel invariable, that he is a Cybernetic and divine Monarch. In contrast, the other is a mastiff that allows himself to docilize his instinct and follow the one who beats him, the one who mistreats him and shatters his will that accompanies the master who makes use of him, who uses him today, still and always. Now almost in his normal state, he decides to smell better and change his appearance, he coughs up his lobes by filling them with broth from Colibrí's twittering. He combs his damp hair and talks to himself by saying words like ...: Hello, how are you ... Who will you be today ...? Although his spirit is reluctant, he goes to the birthday of his friend Sara, a close friend of his, and lends to his benevolence. When he arrives, he repeats the protocol and cheers up his appearance, greets the ladies present, and hand in hand with the gentlemen, in Ludwig's intimacy an anti-desire pierces, the anguish of a weak pleasure that his expiring sap disturbs in the worldliness of him.

Distracted, he continues, walks with her eyes, and stops them in a brown hair, with radiant light he receives the sensual gesture, and the damsel takes her hair with her hand, pulling it towards her back. Ludwig, astonished and puzzled by her, made her look ******, he already imagined receiving from her a smile her, but knowing that he loved her, that her hair would let go of her and engender in him the impression of her as possessing the sculpture of her. He approaches her with a firm temper a little more, glancing at her casually. She, very contemplative, manages to find the vigor of her strength by getting close enough, he very thoughtful, pending her every step it would be easy for him to glimpse the future, to find his equivalence to his unpredictable existence, who for the moment would desire glory and majesty and not fugitive decadence, like something suicidal that instead of satisfying him, kills him.

When he was preparing to meet her, he did not hesitate and the last steps to her were the most solid, wherever he was with his idea of having her, he hung in his stomach the sharp desire to put out his eyes with a fork and thus proceed at a slow pace in his masochism in frisking his agonizing death. There came the other gesture where he would drop his arm and brush it with hers, with a stealthy touch he could see a certain excitement between his teeth, and the saliva was escaping from his mouth when he looked at himself in a mirror, also seeing how it trickled down his makeup chin impatience. He never believed that such a phenomenon would happen to him, so it was where Sara, who was tasting a delicious menu, was going to tell him that she was leaving her and that later he would call her. As he left and went through the front garden, he felt the birthday song being sung to the piano and at the same time he saw someone outside with an immutable expression --- And Ludwig told himself that the strange-looking one was an Augur del Budú, that It weighed on her stoic peace of being normal, which was just her high-profile imagination. Then he walks through the Prehistoric Park, crosses a low-level tunnel that endangers his balance when he barely sees his hands, but he manages to advance without paralyzing his limbs and reaches the main street where he sees a dog run over, takes it, and says to himself. ..: "I will take it to the food chain of my Green City, where the pure bacteria will gnaw its tissues ..." With great strength and noble spirit, he entered his Floral Forest, where he points the Cypress to the Sea, thus releasing it and sheltering it with his Deist energy, which is more than medullary and unbeatable. He withdraws and cannot help turning and looking at him, as if said Energy wanted him to resurrect the dog. Believing in his conscience, he asks permission to rest, he lies lightly on the humus; where photosynthesized leaves inoculate the percentage dreams of vegetables, trees and flowers. What the archer in his bolt threw, his chest oppressed unbreathable pneumonia, driving him to sleep for twenty-four hours. When he wakes up, still lying on his humus bed, he wants to lighten his heavy load by eating well, and drinking himself into alcohol. He did not know how to proceed, whether to beg or rob the wealthy of his leftovers, or humble himself with God and disavow him from throwing misfortunes, carelessness, cataclysms, the self-criticism of being imperfect, and whether he has to bleed or He has to defecate, provoke personal disgust, and may this lead him to lust, baseness, sin.

The more he brooded, the more weightless he became, and the murderous scavengers lurked around his will. Like a narcotic effect, it loses its cognitive capacity and reverses itself swirling through the funnel of reverie, where the sub-world circulates and where repressions, oppositions, and powerlessness collide. At the initial place where he hallucinates and sees himself entirely, he leaves the vigil and goes into the subconscious ...: He sees Debra in her moderated state where she was leaving that space --- Ludwig looks at her and so does she, but nothing is said to each other, only he says to himself "I prefer to love her to my distant ideal and not body versus body, just as the thought of her makes of her a kind, sweet and current portrait ..."

When he begins to walk renewed, he sees several Debra in reproductive phases, they worked ardently in his subconsciousness. Some kissed him, others beat him, others confused him and others hurt him. In favor of his life and for his salvation, the virtuous side would mercifully go to dismay him and open the floodgate of reality, to desolder his eyelids and flowing air go with its dreamlike substances. Already fully awake, he sees through the window of the branches how the clouds moved and how everything moved, the bushes with their branches and their flowers. When seeing with alienated simplicity and electrifying the sky, the radiant light beams touch the vibrant colors, which touch his heart like a disquieting shout, although at the most acute in his decay it will be like the noise that broke his eardrum, or like the chard that her stomach upset. He gets up and straightens up, by the time he's standing, he takes a paper and writes ...: "How relieved I am to dabble in sleep ..., now that I make the inscription tangible ..."

When he left his home, he was accompanied by a splendid sun, the birds fluttered with indescribable happiness, the prevailing clarity and cleanliness of the environment was already perceived, seeing that everything was hubbub, he continued to be a victim of his endogenous suffering. But the children's laugh made him laugh, dissipating his sorrow. Passing through the Prehistory Park, where he always believed that trees were Dinosaurs; he remembered the jerks of his father when he took him to school. He concludes that there is no place on earth that is not ancient, and here in this park you can smell the sacrifice of the primitive to survive. In the same way, the Mammoth in instincts was the same as **** Sapiens, only that it took its spear against the animal because it evolved faster, without knowing why ...?, Perhaps to see this inhabitant moistened in the Jordan, very close to Jesus Christ. The world revolves around the man in need, who invents what is necessary, in this case fighting his hunger. In this way he kills the Mammoth, cutting it into pieces to then eat it, and whoever takes the food from it, simply dies in the struggle to survive before his ambitions.

When he got out of his mind, he set out on the path to follow, and when he crossed the Fountain of Geysers and Hot Springs; he saw at the top of the Waters of Delphi, that woman with chestnut hair; Sara's birthday. She was alone and with her eyes without detaching them from the vapor, from the liquid element, so excited Ludwig approaches her almost calm, with a racing heart that he could hide when talking to her --- Well he said to himself ..., now I'll talk to you ... - Excuse me, You. I saw you on Sara's birthday, I saw you surrounded by many people. Look, I would allow myself to be by your side, I promise not to get in the way --- Thus, the soliloquy continued, with great shock I watched her and seeing how delighted she was, I could even kiss her, achieving it with ease, because it was daytime, perhaps where it was. found in the nomenclature matter.

After a while, when she was thinking of quickly moving away from the place, from the Source that inspired her enchantment, she spoke to him and said ...: “We women are not very fixed when the man casts his insatiable gaze, but we do the vanity of feeling admired. That's why I remember you at that party, I even got really worried when the saliva ran down your chin, I thought you were going to faint. As you can see, if I remember you.--- He did not take long to ask her name, and he told her that her name was Antonieta. Ludwig thought how beautiful her name was --- she has the name I like the most, and she illuminated with adulation cleared her eyes making them greener and more feminine in her manners. He knew that he would be calmer if he met her again, asking her to be so. She affirmed his request, but it would be in a few more weeks; because she had to fulfill a contract with the Ballet Company. Since she was an actress and a dancer, this was going to take place in the city of San Lorenzo. Thus it is that the ballad mishap was fulfilled, in the thick of the Park, one and the other had the magic of enchantment; her with her eyes of her green sea of the rocky shore, of the green algae and the salty green fish with the immeasurable shine in her eyes eager to dance and interpret the steam dance of that deep-rooted Thermal Spring.

Even when she wanted to start saying goodbye to her, he was imbued with her beauty, like the wind of pure air that lifts her hair with pacifism and open disposition, with the peace of a face that looks at the ****** world and at first instance positive and very beautiful. Well, Antoinette said ... I have to go. I would have liked to be here more, but I have to continue rehearsing the Work. She telling Ludwig ...: I want to let you know that we are slaves to fulfillment and we all seek to communicate, that's why like you I will also go. Together they left without saying anything and when they reached the exit they said goodbye with an injective kiss of love, with sweetness and psychology. The latter, she leaves the place until lost in the hazy gray of the day. When Ludwig wanted to talk to himself about what had happened, the preliminary virus entered her brain, so that he could not remember her clothes, only her hair from the Thermal Abbey with her spells that he introduced stiff and sharp the benefit by clouding his unreason produced by the virus of unreason. He believed he was Troilo and she Créssida, raising his suggestive and despotic view of her, whose order tells him to walk away ... Perhaps where ...? Maybe to drag the golden threads of her dress destined for her debut. By introducing his instinct to a simple will, he remembers Sara and puts forces in her footsteps to shorten her arrival. As he passed through the jasmine trees, he approached his house in a tiny way, up to the Eucalyptus massif that always welcomed him, expelling the unmistakable and pleasant aroma of his house. Before it struck, Sara said ... come in, and he came in but didn't see her, and he started looking for her around the dining room and the living room, until she came out of somewhere fast and well dressed with the scent of a great woman, with the better scents that surrounded her satin dress with attraction and grace. She tells him that she is going to the Aula Magna to see a group of Medieval Music. He tells her that if he left so after her, arguing that he came to see her and tell her how beautiful he found her friendship with her and how good it feels to be I live here, She tells him not to worry when she smiles at him, and he agreed to her words telling him how happy he was after the sun that rose magnifying everything, even she felt willing to improvise their good moods.

He answers her by making her words difficult as if intensifying her anemic and soft ductility in her breathless lungs. She rebukes him by saying that her illness should be treated more regularly. And he answered her only by shaking her head moderately, telling her that when he was not with someone like her, he believed he felt that the weight of the calculations of the geophysical world and the floating voices did not leave her hope in the peace in peace. her brain. Sara takes Ludwig's hands, giving him her comfort. My poor friend Ludwig, Alma Matter, you have now awakened the affection that I have never felt before for someone I hold dear and feel good today. She gets up and serves him a Vermouth, to go to the exhibition. In the fourth sip he wanted to fall into the hands of a certain audacity, he could not avoid falling into the ******* of the vision of paintings and sculptures, he wanted to stop and go to the garden to philosophize, perhaps with a butterfly such as the peaceful and healthy essence, full of transparency and stillness. She in this way she stretched her nose towards the ****** leaves, filling them with pure color, with pure airy candor. Sara, looking at him through the glass door, understood his state and wanted to caress his head and face. She immediately called him Ludwig ... come on, it's about time ...! He waited for him to close the door, before cutting off his overexcitement, until Sara quickly arrived and they went to the car. Upon arriving at the Aula Magna, both were in an excellent state of predisposition. They went in and up, sitting in the box. They instantly cheered up and Ludwig, shocked, was getting ready to tell him of his well-being, but the lights just faded to initiate the presentation. They begin by instrumentalizing the works of the 15th century in Spain and France, to later continue with choral music from the  Gregorian´s chants  Solesmes.

In the intermission, they commented on the lightness of the performers with their instruments and the fiery auditors acclaiming the variations and colors of the voices. His gestures also said how perplexed some attendees were by the perfection of his mastery. As they continue, pairs are introduced performing music for Bach's Harpsichord, and ending with pieces by Vivaldi, El pastor Fido and others by Telemann for Guitar. In the final moment, Ludwig remembered his youth and among them the metallic sound of the instruments that his father carried to compose in his house, assimilating the inexhaustible sounds of those volumes in his sensations. And so the aerial images escaped beyond music and love, from that inexhaustible resistance of his body, from his doubtful states which destroyed the apogee of his evolution. Those great awakenings of little serenity like the great clamor of union that he saw in his parents that later he did not seem like that, but belligerent on all sides, and how hatred broke out and disordered in his person increasing in swearing mouths altered in not measuring his words. Very close together on the step, they said goodbye to the Auditorium, and with a melodic sound, Sara appears singing, Ludwig not understanding that mixture that she sang in her French hymn. He seemed very bohemian and spoke of the pioneers of the Juggler Song. With telepathy he carried the fulfillment of his wish for a magical state, which had no input or output, only it corresponded to extracting an abstract thought from what was divinely related to music. Outside of Ludwig, Sara sang with satisfaction the appropriate atmosphere appropriate to her, but not so with his who was about to spill an ocean of liquids from eyes and ears, in which would come the remnants of quiet time, of the conflict of the others, maybe Debra with a handicapped part endocrinately composed with the flow of mineral and organic acids. In order to open the necessary contact of a soon to relieve, to suspend the claustrophobic tormenting existing, derived from the seizing and painful gesture of her unbearable wanting to heal and not getting it.

Ludwig said intimately ...: Uz ..., Uzzz ..., What a burning sensation I feel, it will pass ...! When the fatigue was overcome, the derutinization begins, to receive the delight, the music of the plumber ingredient of early life. That if it is spontaneous, it is capable of generating great proportions of delight and externalizing the result of the bodies in agitation that still emanated from its rhythmic musical cortex. They said goodbye to the Aula Magna "Bernardo Courtois", leaving a memorable satisfaction in his already enlarged spirit.

Tenho medo o tempo todo
Medo de salas de aula
Escritórios
De atravessar a rua
Bancos
De esperar o ônibus
Da rua escura, do beco
De ser passageira num carro que vai bater
Ou ver quem amo morrer
Tenho medo porque amo tudo descontroladamente
Amo até o ódio que cria em mim rebeldia
Que me faz desafiar os dias
Tenho medo do tempo
De te esperar na fila do cinema e você finalmente decidir que não é a mim que quer para ti
Apavoro só com o pensamento de voltar para casa com outra frustração
Eu não aguentaria, tenho medo de não aguentar
Tenho medo do abandono
Dos olhares
Até de altares
Que me lembram o medo de infância de que talvez houvesse um demônio em mim
Um medo neurótico, paralisante
Que nem por um instante
Me deixa refletir quem sou

Guidelines:
1. Free-association must be preceded with the phrase, “I love you.”
2. Furthermore, approach writing with passion. Note: do not approach aggressively.
3. Continue until physically unable.

                                             **Recite the following:
        I, Aula Tullius Sulla, will never forget how I felt writing this. I do solemnly swear, for once and for real, to fully appreciate every word. I will think of the tear shed before and after “letting it out” whenever I am obligated to “let it out”.
     I will never be a plumber or an entrepreneur nor anything else “more stable” than writing, because living a comfortable life does not cure my unstable heart. I recognize the monster painted white and covered with straight lines has no authority.
       All senses are hereby owned by the heart, which retains authority over the mind. I promise to work in close collaboration with both. The following piece of literature is mine, all rights reserved, and will not be touched without permission. I recognize that giving permission may result in excess exposure, failure, or fame. All works constitute as chaotic beauty, but consequential wounds may be mended regardless.
    [Repeat x 100] I love to write.

sinto tudo tão inacabado como se minha alma fosse uma obra com aquelas paredes de concreto com uma só mão de tinta branca com os fios das lâmpadas soltos em todos os cômodos de mim me sinto como a música no carro que sempre mudo antes de acabar porque sempre quero ouvir a próxima ou como a terceira vez que voltei pra finalizar esse texto como o último abraço que dei no meu pai e nem levantei da cadeira o caderno da minha aula de arte moderna a mensagem que eu comecei a escrever no ponto de ônibus e não deu tempo o último beijo que eu dei em você e nem encostei a língua no céu da tua boca amanhã já vem e não conclui nada de hoje se eu morresse eu nem teria vivido

Sabe quando a gente ama sem nem ver? Tem acontecido por aqui! Sempre que avistava ela há anos atrás eu ficava nervosa. Naquele restaurante que era bom mas também não era nada demais, ficava querendo dar um oi, perguntar quem é você? O que tá fazendo da vida? Adorei seu crachá do cartoon! E passou... Um tempo depois eu estava rodando meu Instagram e boom, foto dela com uns conhecidos da minha cidade... fiquei sem entender nada, mas naquela época eu tava em outra e passou.. Depois de um tempo a encontrei em uma aula da faculdade por acaso e a vontade de falar continuava. Tu não vem nunca nessa aula né, qual seu tema do tcc? Você ê muito séria!... Ela tem cara de brava, amigos, eu gostei dela, mas ela não tem nada no Instagram, como que vou começar a falar com ela?... E passou... Então o famoso tinder veio, só pra confirmar nosso match e abrir as portas pro diálogo. E eu já tinha bastante coisa pra perguntar e falar... Ficou! Dessa vez ficou, porque já tava na hora de ser. E que bom que está, me faz feliz, sorrir, dançar na cozinha enquanto cozinho, me faz acreditar em mim, me traz aquele amor leve, sem nem ver... Acolhe, me deixa confortável pra deitar no peito e chorar, me abraça apertado pra ansiedade ir embora, me sinto segura. Sem contar as zilhões de diversas coisas que ela faz, cozinhar, organizar minha casa pra tirar obsessor kkk, arrumar meu pc, vixe, essa mulher tem feito de tudo por aqui. E é nessa bagunça organizada do amar que vou terminar... ficamos!

¿Decís que la rima ya ha muerto, y que es ruido
De compás monótono, muy fuerte al oído,
Y que rotos ritmos son música interna
Para los arcanos del alma moderna?

¿Música? Mas cuándo lo que no es eufónico
Por suerte ha dejado de ser inarmónico?

Descoyuntamientos y palabrería,
No serán ni han sido jamás Poesía.
Es a sus dominios áspera la ruta,
Y todo el que quiera, su don no disfruta.
Y así como el mármol a cincel se labra,
Al esfuerzo nacen idea y palabra.
Siempre el arte es largo. Poeta o artista
No con bagatelas el lauro conquista.

Grautier dijo: «Calce la Musa un estrecho
Coturno». Y os digo, que el píe que no es hecho
A molde no holgado, rehúya la ordalia
Del verso, y que lleve más libre sandalia.

Dejad a la Musa su veste radiosa:
Las trabas del verso no tiene la prosa.
¿Y cuándo el desorden, la no coherencia,
Han sido armonía y han sido cadencia?

«Son cosas sutiles, son matices trémulos»,
Decís, «y vosotros que sois nuestros émulos
No entendéis».
                                    Es cierto. Jamás lo estrambótico
Entendemos, menos lo insulso o caótico.

¿Que usáis simbolismos? Lo diáfano es norma:
Jamás lo que el hombre retuerce o deforma.
¿Queréis que os comprendan?  Sed siempre muy claros:
Que brillen los versos cual mármol de Paros,
Y en ellos, la rima cual oro en la jagua,
O rosa de fuego temblando en el agua;
Y como el poema del BJiin cruza Elsa,
Que siga la Musa radiante y excelsa,
Dejando cual huella de luz vivos rastros,
Y orladas las sienes en polvo de astros.

Ícaro, atrevido, vio vano su anhelo....
Si no tenéis alas no intentéis el vuelo.
Quedaos en tierra si la fuerza os falta.
Es duro el ascenso. La cumbre es muy alta.
Poesía es Arte, del Arte la cima,
Y la estrofa es alma, y es ritmo y es rima.
Verdad que las reglas son difícil aula,
Mas falta no hace que entréis a la jaula;
Y de Arte y de numen al soplo y al toque
Tan sólo ha surgido la estatua del bloque.

Les tocó en suerte una época extraña.
El planeta había sido parcelado en distintos países, cada uno provisto de lealtades, de queridas memorias, de un pasado sin duda heroico, de derechos, de agravios, de una mitología peculiar, de próceres de bronce, de aniversarios, de demagogos y de símbolos. Esa división, cara a los catógrafos, auspiciaba las guerras.
López había nacido en la ciudad junto al río inmóvil; Ward, en las afueras de la ciudad por la que caminó Father Brown.
Había estudiado castellano para leer el Quijote.
El otro profesaba el amor de Conrad, que le había sido revelado en una aula de la calle Viamonte.
Hubieran sido amigos, pero se vieron una sola vez cara a cara, en unas islas demasiado famosas, y cada uno de los dos fue Caín, y cada uno, Abel.
Los enterraron juntos. La nieve y la corrupción los conocen.
El hecho que refiero pasó en un tiempo que no podemos entender.

De pronto, como un breve latigazo,
mi nombre, Friedt, estalló en el aula.
Yo me puse de pie, y un poco trémulo
avancé hacia la mesa, entre las bancas.
Era el examen último del curso
y al que tenía más miedo: la gramática.
Hice girar resuelto el bolillero
Las dieciséis bolillas del programa
resonaron en él lúgubremente
y un eco levantaron en mi alma.
Extraje dos: adverbio y sustantivo.

Me dieron a elegir una de ambas
y elegí la segunda. -¿Y qué es el nombre?
díjome uno y me asestó las gafas.
Sentí luego un sudor por todo el cuerpo,
se me puso la boca seca, amarga,
y comprendí, con un terror creciente
que yo del nombre no sabía nada.
Revolvía allá adentro, pero en vano,
me quedé en absoluto sin palabras.

Y empecé a ver la quinta en qué vivíamos:
el camino de arena, cierta planta,
el hermano pequeño, mi perrito,
el té con leche, el dulce de naranja,
¡qué alegría jugar a aquellas horas!
Y sonreía mientras recordaba.
-¡Pero señor -rugió una voz terrible-,
el nombre sustantivo, una pavada!-
Tiré a la realidad: sobre la mesa
los dedos de un señor tamborileaban,
cabeceaba blandamente el otro,
el tercero bebía de una taza.

Hacía gran calor. Yo tengo una
cara redonda, simple, colorada,
los ojos grises y los labios gruesos,
el pelo rubio, la sonrisa clara.
Yo quería jugar, no dar examen
darlo otro día, sí, por la mañana...

Se me nubló la vista de repente,
los profesores se me borroneaban,
adquirió el bolillero proporciones
gigantescas, fantásticas,
oí como entre sueños: Señor mío,
puede sentarse... -Y me llené de lágrimas.

Testimony of the Love of Life

Ludwig ...: “Today ..., tomorrow and the day after, will be the today that walking has taught me through the experience of running through the months together with the years, and I have not feared the divine or the unknown. Today I have seen the greatest reflection of light, which enlivens, guides me, and will show me a space of trust, perhaps one of those who come here in summer, and singles are linked together. And possibly the other is the one who does not speak to me, nor does he expose himself like those in the summer, they only appear radiant or multi-stimulating, giving opportunities. Like other times, his inspirational work is repeated with something poetic ...: "And where you are blind, that the light bathes my eyelids with a deep glow ... Just keep quiet and speak with your eyes ...just look at, for the strange and watery feel …and so be the ear who perpetuates the sound. And so it is that in the static, it is impossible to accept ...how ironic that laughter opens to wards arousal ...When you turn on the light, and see the fearful darkness I perceive the new knowledge ... "

Ludwig ...: How many more times will I have to endure changes, such as those that come against my will ...?

But I know well what I represent and what I have to join, and thus alleviate my life and do not disapprove of what I feel in poetry, or perhaps the meaning I see in it seems rudimentary. Above all, the doubtful, the interested, the most enviable thing that a person has, that is multifaceted does not manifest itself specifically, but goes straight ahead to hide the verisimilitude, and only entrusts to others or another the worst armed evil of today ... "The tiredness of the targets, that if they remain close they move away, distrusting the worst cruelty ..." Well, now, get away from me cursed and cruel. Let me let you sleep in the sweet comfort of sleep and finally fight for me. Until I get angry with others, but everything is bearable. I don't want to think too much, I'm afraid to forget, or maybe I don't want to fear anything, I just know that I will ruin the attempts since there will be nothing to cheer for since I was born not to live and build absolutely nothing (End). Almost leaving the same thought, brief in content, but great in prosecution, he feels the voice of a flute and its faithful sound.

Fernando ...: Friend ..., as soon as I knew that you came I was very happy, especially now that, who knows if we will see each other again? The truth is that in a week I'm going back to Germany, I've already confirmed the flight. But make me sad alone, no I want to enjoy this moment of this place with so much bustle, so many hours under the sun and good friends.

Ludwig ...: Life is so short, everything happens so fast and we continue to yearn tirelessly, we continue to tirelessly squeeze memories. Sometimes, I feel that time does not pass later and I would like to grow old later, or if some accident or illness has to come, let it come. Or sometimes, I am interested in childhood, but I am more interested in Today.

Fernando ...: Play the flute today with something from yesterday that is so beautiful .--- Take the flute and play without stopping as if it were falling into the water.

Ludwig ...: I'm leaving Fernando, I hope we say goodbye before you go .--- Fernando tells him logically I'll go to your house to say goodbye. They both go back to their homes, and in them, some desire for company animated. It was the gentle company of the sea breeze. But in Ludwig Antoinette boiled like her attractive spiritual force, which is extensive to explain.

Ludwig ...: It was very nice to see you, and I wish you good luck.
Fernando ...: Thank you, also for you.

They hug and say goodbye. Each one moves away, Fernando goes happily where his parents, while Ludwig has no one, except Antonieta, who would see later and this time in the beautiful landscape at night. He walks and walks, until the crosses of the night of the great lighted city, indicating that he was close when he passed near the Park. As he passed by he longed to see Antoinette at the fountain, but he went on and crossed the underpass and approached his beloved home. Upon reaching the front yard, he saw Antonieta sitting.

Ludwig ...: Antoinette ...! But how can you be out here? We agreed to meet at seven and I know it's seven-thirty, sorry for the delay.

Antonieta ...: Don't worry, it has helped me to know your environment, and how wooded it looks.

Ludwig ...: You're right, I call this the Flower Forest of my Green City.

Antonieta ...: If I understand now, this is very different from everything.

Ludwig ...: Although now I am fixing some parts that remain of my parent's old house. So I am going to repair the most essential.
Antonieta ...: It will be very nice in this beautiful, beautiful and picturesque place.

Ludwig ...: Well, what do you want to do? , go somewhere or stay here.

She replies that she wants to stay and Ludwig tells her that as she wishes, so he takes advantage of inviting her to a celebration of the anniversary of a Film Institute. She tells him that she would confirm him these days, but that she does invite him to a trip to Calypso Lake. Ludwig agreed and then invited her to roast a fish and some salads.
Antonieta helped him and then they ate the exquisite menu, they sat by the edge of the fire to talk.

Ludwig ...: One day I was coming from Sara's house, and on the way, I found a run-over dog, I took it and brought it here, where I assumed the food chain would be. In effect, that way I felt as if it were a clean place, open as a field of ecological habitat, the current city that I have. As you can see here, it is wide, its extension reaches one hundred and fifteen thousand hectares.

Antonieta ...: Your Ecologist city is very big and it also has a lot of beauty. It is an ideal place.

Ludwig ...: Do you know if I die I will donate it to people who wish to cultivate this fertile space.

Antonieta ...: I hope you don't die Ludwig so later, I would like you to always keep your property.

Ludwig ...: How nice to hear that!

Ludwig takes her by the head and hugs her for a long time. He tells her that if he was okay and she tells him that he made her feel that way. He intimately thought ...: “How much I miss running through the hills, sliding down the slopes until I reached the top and raising my hand to cool my phalanxes in the mountain air. But still, my phalanxes are warm hugging her, who shares the peace with me. When he finished thinking, he began to look at the small flames of the stove and suddenly the smoke on his exhale. Ludwig followed the fumarole that lost him, that astonished him. Antoinette was asleep, so he left her stretched out in the fire and followed the walking cemetery smoke. He left behind the pool, the orange groves, the oaks, and the eucalyptus, always following her as if she were an oil stain on the water. But he did not understand the bronze glow, but he did like to get away from the world and he did that in his redoubt. He says ...: "I want him to speak to me, to name this spot, but he makes me follow it everywhere." The fumarole was deposited on a large stone, and it reached here, then it disintegrated. Ludwig reached out and touched her, feeling that she was warm. And he says that what was there was very valuable and that something would come out of it ... After coming back the same way, he felt a certain suspicion on his back, it was how lonely and quiet the forest was, not even the owls cawed, only the cold of the night circulated. Upon reaching the pool, he skirts it to the other end, where he ducks it, seeing that some were there.

When suddenly in the mirror of the water, the aureoles of gray rain appear irrigating the lagoon. He says What a sensational ... what a pure rain ...!Then he goes to the path to his house, where Antonieta was sleeping. Now she was coming back to life, to the jungle, the drops produced the formidable sound of her falling, of the largest waterfall that exists. When he reached the extinguished stove, he saw that Antonieta had taken refuge under the willow tree.

Antonieta ...: How could you let others take over something so yours, right ...?

Ludwig ...: This is beautiful, it has also healed me of many ailments, actually I love it like everything that exists here.

Antonieta ...: What do you want from me ...?

Ludwig tells her that he liked her just the way she was and that she was something similar to what she was extracted from the wooded place.  She says how beautiful it to hear that, and asks him to share as much time as they could .--- Ludwig tells him that she thought like an exemplary mother, he says ...: Don't you know how I like to hear that it be so? Uh ... I think it's time to leave you. You are right, I have to go to work tomorrow, she answers him. They call a taxi, and Antoinette leaves Ludwig at midnight. When she got home it was still raining and the cold was freezing more than ever, Ludwig warns her about the invitation on Saturday. Antonieta receives him like this, but she wanted to say something to him before, Ludwig is left in suspense waiting ..., and she gives him a big kiss, with the same desire to give it to him. When he returned home, the rain was a great spectacle, it was a bit of a joyful feeling and a bit of sadness at the same time. Because that's right, it could be temporary or drizzle, this time it was with the body of a Cyclops with its neck twisted.

Ludwig ...: How I love her! just like that time in that poem after the rain everything seemed beautifully damp, very still, very decisive of harmonious peacefulness. Yes, after it rained, everything is more beautiful ...! He gets out of the taxi, after walking down the sidewalk and feeling the water on his shoulders, he enters a restaurant. In these days of light legs and impetuous silence, he saw how he treasured his gifts on his behalf. The rainy night was majestic and close to a resurrection. Millions and millions of icy drops and Ludwig drank the hot coffee, with thousands of thoughts all alluding to the wonderful watery element. He wanted everything, that is, what surrounded him made him want more, although the distrustful mania, did not let it open Totally, like those sleepless nights, of not being able to reconcile posture and sleep. This night that blackened like ink, made him think about that rock and what would come out of it, maybe everything would be solved with a hammer or a chisel, or that a lightning bolt would transform it. He also prowled Antonieta, Fernando, Debra, Sara smiling, Roberto with his rag, and Víctor with his shyness. He imagined his parents in youth who left them the gift of today to transmit what they lived while alive. He also thought that he was normalizing himself and that he had Antonieta very close to supporting him. In the thought of long analysis of him, he could see how the world has taught him to love and respect, and those things with beating hearts caused the greatest breakdown, the greatest erosion, that which has been abandoned and inactive. So the earthquakes, so the wars, so brotherly hatred, and self-consciousness and let us return to our primitive existence, retreating to humility. Whether it is out of love or envy, destruction marks us, whether it is because of the lust for power, isolation, and whatever remains to happen. He takes the second coffee and goes out to wander without knowing where ...? Walk and walk, pass near the Aula Magna, keep walking until you reach the end of the road, where there is no cement, only the accompanying earth that was coughing from a cold, which assimilated the minerals where death could wait for him and cut his throat, or he would simply walk away. long steps through the countryside. As he traveled the surroundings, along rural roads, when he passed some houses with canopy lights, he saw how they inhabited their houses seeing the smoke in the chimneys. After a long walk, he approaches the escarpment, when he sees that someone was coming to meet him, it was a fisherman who came with his fishing device at a slow pace. And so it happened, the man of the sea only pierced like a dark bolide.

Ludwig comments how strange he was, he seemed an enigmatic being and not a fisherman. Maybe he's a caretaker or an Augur. It was incredible how he was wet, it was necessary to get indoors. With no other alternative, he descends the gorge until he reaches the beach, which now seemed all sea all water, beyond the limit. Now this space seemed alien to him. But what may seem uncomfortable, it was a vital necessity, that he wanted to be alone in his house. Ludwig wanted more than ever to feel the experience. He needed his body to rest, and he wanted to relax, forever he wanted a surprise, and he just appeared done star then another and another, until it clears and the rain stops. Ludwig is amazed at having come so far, looks for some dry branches, and sets fire. He puts the coat to dry and sleeps like an angel, before falling asleep he begins to remember ...: The stone ...?, He crossed himself with his numb hand and wrapped himself in his arms. The wind blew softly, carrying and bringing various aromas, until the sleeping voices with their gnats say good night ...: “Me Ludwig, I will not speak very close to your ear, but I tell you that where you have arrived in our proscenium, is the high observing of the emotions felt and lived. And today you have done it allowing the push of your vague spirit, which pulls you, taking you wherever your spirit wishes, you only accept his opinion. Today dear Ludwig, the immortal issue is valid, and what you have reached is infinite ... "

The sleeping light is gone, along with the others that supported it. Ludwig closed his eyes and said goodbye to the sleeping voices, while his body floated in the warm air and his voices manifested gratefully from his friends. Around her, the wind carried and carried, carried and carried. In the morning she had a fever and looked like a real frosted corpse. It could be helpful if you took off your coat overnight and dried it. Still, the first beams of lights were enough to revive him and begin to wake him up. When he was warming up more, he got up and went back to the city, but this time he did not do it through the rural road, but rather went along the coastal beach, to the sea huts. He sometimes looked back to see where he was. In the sand he saw more than his footprints, he saw a penguin and a beached whale, he saw innumerable algae next to the white of the waves, he saw how the gulls carried minnows in their beaks and the sea lions dove. Beyond some dolphins danced in rounds, one another lined up as if they were children with playful youthful souls. Some with their pigtails beat the foam that would cut like globules of insipid foam. This time the wind brought from all sides, the ceiling was populated with little clouds, with cirrus clouds resembling the angry Oblong milk, and above all this air simulated being freshly made, it was breathable and stimulating. Those species thrown out of their own environment, would not return from their home, they would only be after the last effort to revive, but everything had remained that way. Everything was reduced to footprints and those of the whale was furrowed as if asking to have feet and get rid of the executioner. Over and over again he turned his head to see what distressed his feeling, but he couldn't do anything, even he knew that he was like them dying ... ”When above his face rotted without healing from leprosy, below his legs became thin. This is how death attacks, if not from the center, it destroys us on the other hand ... " And his continuous odyssey, at the top of the crown, he saw the summer cabins, indicating that his redoubt was close by. His house was approaching by leaps and bounds, he no longer wanted to look, or eat, only to gather his little strength to sleep.

When he arrived he did nothing but go to the humus to sleep. The road continued with himself and a long way traveled, without a doubt this path was the one he undertook without asking anyone. All that made him seek more in him, is the agitation of himself, nothing more than losing what has hurt him so much, society, sinister men, slave factories, and the cohabiting environment in general. His emigration is indefatigable, he goes where the misunderstanding has left him, but this time he is very refined without belligerence, only what he has collected from him, which as no one can pay the right to put aside all resentment and accept that we will always be subject to be squeezed like another object in between and people. Maybe, Ludwig, is the one who will each of us go to the link with humanitarian sentiments. How many times will you continue looking for something different, what gives an answer to the intrigue of being normal or wondering ... If we are part of normality ...? Our restlessness takes us very high, sometimes it is difficult for us to descend from the highest, of course, everything goes gradually because everything happens like this, but who takes care of the changes caused by ourselves ...? It was late when another of the sleeping voices made him soak her cornea, still with a sea breeze. Despite the autumn rain, it hadn't dampened the ground and the air temperature seemed to be springtime. In the afternoon he went for a walk nearby, until he reached the Abbey, the one he saw succumb in his dream, the one threatened by the deadly light.

When he entered he saw how the warm and thermal suns lodged in its walls. He saw how they remade the image of Christ and saw how everything in the neat incense, he sanctified. He contemplated how the face of the most sinful person was going to ask for mercy, being able to see that the venous Christian hand was forgiving. Here everything remains the same as Nazareth or Jerusalem because it accompanies very attached to the heart, not only the pious but the well-affectionate. I know that he will not disappoint me, I know that I cannot assure the believer of his Faith, that because of the silence that dwells here, what this sacred place claims to contain will continue to be unfathomable forever. To Christ himself, to the superiority that we all need to have.

Ludwig ...: Does everything seem so still ..., so static ...?, But at the same time you can see dynamism, like pilgrim logs in their pilgrimages, or in that common sob to all, to the need to regret the yearned for. When his smallness magnified him, making him more deified, but as a human that he was, nothing in the world. The pain in the face of suffering is the indecision of our Faith that irrevocably resembles the face of Jesus, which we need to represent the mortal pain common to all humans, called "Sons of the Lord".Of the consequences of the facts is the answer to the others, who wander uncertainly on the worldly path ambitioning the favorite and magical Sermon on the Mount. The feasibility of being relegated by a human being is nothing more than a trifle, it is nothing more than being disoriented. Therefore, everything that comes from another it is nothing more than an abandoned wind. His attitude towards others always dies, when he could not cling to another creed or has been dependent on religious neutrality.

amarte es esto:
una palabra que está por decir/
un arbolito sin hojas
que da sombra/

amarti es istu:
un aula qui va a dizer/
un arvulicu sin folyas
qui da solombra/