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Beneath the greenest earth lies my silence—words emptied and conversed within my stubborn mind. Foreseeing the foreseeable still made its way, despite my bad luck, and even if I could not reach for the two-way telephone, fearing I’d submerge myself into the deep hole of my grief, I’d still jumble the twenty-six letters and turn them into, “God, I hope he’s safe out there.”

Must I forsake the alphabets, just so you’ll reach out and yearn the same way I do?

Must I shake and tremble within the graveyard of my memories, in labored breaths, while my sorrowful ghost follows you in silence?

The world spoke of its benevolence between the once familiar you, where I found a home. But then, it was nothing—such profoundly ethereal grief that I am intolerably stuck within. Above it all were the dreams and laughter we used to create in the muffled whispers of the night. In a song I am listening to, I would lose myself just to hear it again.

Such hope I have, overcoming the sea in comfort and safety. Such discipline, to not dwell too much on the relinquishment of my deep loss—the once home I found, where on the second floor of nostalgia, I once saw you overlooking the port.

You taught me so much grief. I am now good at writing your name in four letters—beautiful, but futile.
grief is the receipt we once loved. I’m still thankful I was able to love deeply and I was able to overcome such loss. even if it means, we no longer know the person we used to love wholeheartedly.

I was able to write such piece because of this song called, “A House In Nebraska” by Ethel Cain.
casts huge leaf shadows on dirt
and the mockingbird's mocking me.

"mockingbird,"
I put my hands in my pocket
and pretend a smile,
"some things you can't out run,
church bells and a wedding dress,
funeral processions and baptisms,
the cop car radio,

she was so beautiful in her wedding dress,"

I'm pointing my finger up at the mockingbird,
"so I'm a few steps ahead of you in heartache,

it was a toss of the dice,"I tell the bird,

"I threw a handful of rice."

"so don't look sad at me, bird.
everyone gets hurt."

and on her branch in the sycamore tree
the mockingbird's crying to me...

"I'm a few years ahead you...
Sweet One, lonely bird.

I've walked through fire,
stared into the wall of shadow and sorrow
into the cold silence of tomorrow.

I hear what you're telling me, Dear One,
loves been a little ******* you, too,

and there in illusion lies the danger
so please be kind, my friend,

the sorrows that never seem to fade away
become the grey, dark sea,
and sunlight through the Sycamore tree.
Time drags its bruised knuckles across the table,

each second a small, red wound opening,

the clock's mouth ticking—drip, drop,

as if the faucet of the world were
leaking something vital,

and I sit, watching, my body becoming wood,

the joints creaking in their sockets,

my mind a slow slaughter, wings pinned to a board.
Lying still, comatose, waiting for time to pass by...
Wondering around the
City,
A thought comes to
Mind,
Could it be you
That my eyes
Find?

Did I read you're
Poem?
Feel the emotional pain,
Then like two
Stranger's
Walk past each other
In the poring
Rain
Song
Stranger's when we meet
David Bowie
Red
Someone forgot the pearl necklace today
I remember seeing a red and white skirt
the sound of the wind was strong
a floral set of earrings
As the camera rolled
a pause stood in the air
there wasn't a single cloud in the sky
the black blouse was transparent
the red on the mustang
reflected your sunshine face.
this poem
is like watching you
over and over again
The simplicity of rhymes
freely flows
through the readers mind.
As simplistic words unravel
in an array of poetic babble
we channel
the memes of our muses.

No forced word can capture,
no college can teach
the aesthetics of laughter,
the glamour of grief.

The essay of brilliance
awaits in the zone.
The Muse and the Master
in the hearts of gold.
Traveler Tim
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