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Cliff Perkins Jan 2019
I was five when the snow came.
“Come look outside!” my mother said.
Sleepy eyed, I stumbled to the kitchen,
Opened the door.

The world had changed!
Heaven come to earth.
The plainest things
Now objects of great beauty.

Crazily, I ran to join the magic,
Stopped in the middle of the yard
To take it all in
And let myself be taken.

But all beauty is not kind.
The cold was now seeping
Into my bare feet,
Fluttering through my thin pajamas.

“Come in” my mother called.
“I can’t.”
I believed this to be true,
Though now I can’t say why.

No logic could convince me
I was still able
To make those few short steps
Back onto our porch.


I was seventeen when I met her.
“You can come inside” she said.
Awkwardly I fumbled
Into the shelter we made for each other.

The world had changed!
Heaven come to earth.
The plainest things
Now objects of great beauty.

We ran to join the magic,
Played at house and lovers,
Young, foolish and happy,
Beautiful and blind,

But all beauty is not kind,
The cold was seeping
Stealthily
Into our daily lives.

“Come back.” she said.
I really believed I couldn’t.
Much easier doing nothing
Than taking any risk.
  

I was sixty when Death came,
Forced me to look with open eyes
Into the deep abyss
Where one must fall or fly.

The world had changed!
Heaven come to earth.
The plainest things
Now objects of great beauty.

He bade me come and join the magic,
Make the world my lover,
Take it all in
And let myself be taken.

But all beauty is not kind.
The cold was again seeping
Into my bare feet
Fluttering through my thin pajamas.

“Come in.” He called
“I can’t.”
I really felt this to be true
Though now I can’t say why.

No logic could convince me
I was still able
To take those first few steps
Away from my back porch.
Cliff Perkins Jan 2019
Expectations

Say you’re disappointed?
You show such shameless pride!
By whom were you anointed
To control this aweful ride?

Think you are the infinite?
That order seems quite tall.
If you are truly infinite
You’re infinitely small

Hilariously tiny speck!
Committing God’s great sin
"Ex- spect" means to look out
Yet you are looking in.

Look out at this great stage
Accept your one true role
Watch each wild scene rant and rage
Holy See the whole

‘Tis good to expect happiness
To rollick with the dance
But true meaning of "hap"-piness
Is things that come by chance

Before you search for Rapture
All around this globe
Remember the last chapter
Of the holy book of Job
Everyone on Facebook is taking trips to faraway places.  It is a symptom they are searching for something they feel is missing.  The irony is that what is missing is right outside their door.
Cliff Perkins Nov 2018
1.  Preparing the bed:
The best way to start a fire
Is never let it die
Bank the embers
They will burst back in flame
When you are ready again
Do not wait too long

If you are too late, still-
Leave some ashes from the old fire
Like memories, they hold warmth
And make a place
To welcome the new one

2. Choosing the Wood:
Some wood burns hot
Some burns cool
You need them both

One provides the heat
That keeps the fire alive
In difficult moments
But alone, burns out far too fast

The other tempers
Slows the burn
Makes the longer stronger fire

3. Spacing the Wood:
Distance is crucial
Place the pieces carefully
Close enough to heat each other
But allowing room to breathe

4. Tinder:
If there are no embers, use tender
It flames at a touch
Heart of pine is best

5. Tending the fire
If all above goes well
A roaring fire
Still needs your attention

Sparks go astray
Hearths grow cold
Care is an active verb
Anything can
look like a poem
and sound philosophical
simply by moving
the words on
different lines.

Am I doing it right?
Is this
really
talent?
Art?
Effort?

I think I am trying.
Really, I am
I go back and change the order
and I break lines
where it sounds right
But it does not take me long.
Not at all.

I try to be
intentional
and call it natural rhythm.
Instinct and style taking over
I alternate between
agonizing every detail
like When to Capitalize
and publishing free form poems without looking over them twice.

How is writing supposed to feel?
Should I labor?
or should it flow?
Or do I get to decide?

I think the things I talk of
mean something
at least.

But am I just
pretentious?

fooling myself into thinking that
using common poetry formats
somehow makes my work worthwhile?
Problems only We True Artists face.
Cliff Perkins Sep 2018
They are here
They are always here
I walk among them
So often unaware

Arising full of pain and stiffness
Is it cancer?
Struggling into my clothes with grunts and groans
Making coffee, spilling grounds everywhere
Grabbing my old stick
I stumble through the woods
Looking, listening.

We all affect each other
In intended and unintended ways.
My old hiking stick
Destroys the wondrous web
She spent all night making.

What power I have over her.
What power some have over me.
Even the smallest ones
In my gut or veins
Deciding only
If I live or die.

I am the destroyer.
I am the destroyed.
Flood and fire
Tooth and claw and fang

What does it mean?
What does it all mean?
Anything? Nothing? Everything?
Together we all rush along
A herd of cows on stampede
Pushing, pulling one another
No one knowing where or why

But the whole has its own direction.
Cliff Perkins Sep 2018
The fire sits here with me
Fidgeting as if to go
Yet still staying
Perhaps because it knows
I need a friend
Cliff Perkins Sep 2018
Pavement ends
You must slow down
Ahead lies a border

This side black hot asphalt
White hot daylight
But ahead, across the creek
Dirt road
Cool shade

Crossing over
The road disappears
In a tunnel of trees
Then wishing for deeper
Dives between red clay
kudzu covered banks

Birds flush wildly
As you climb the hill
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