LA burns, smoke blackens sky,
people flee and abandon cars,
90 and 100 mile an hour winds
feed and fan the flames, people
losing everything, even being
rich, or famous cannot save their
big homes and life's possessions.
Someplace in that expanding,
raging inferno my son, an Oregon
Fire Chief leads 300 Firefighters
and their 75 engines and water tenders
over 900 miles south into the fire storm.
Along with firefighters from other
states. Mutual support needed & rendered.

One of my son's firemen is his own son,
and my 21year old rookie grandson
with a little over one year on the job.
His seasoned father has fought many
battles with all kinds of fires, he set to
retire in May after 30 years on the job.
He has seen it all, with never a scratch
or a "singe", but my grandson has never
experienced anything of this magnitude,
being one of a 4-man truck crew battling
side by side in the belly of a raging beast.

All these 30 years I've worried for my son's
safety, now it starts anew, for our boy barely
a man that now walks in his father's shoes.

I will not sleep well until they are all
home safely. I grieve for the victims
of this awful tragedy.

Do not stand
          By my grave, and weep.
     I am not there,
          I do not sleep—
I am the thousand winds that blow
I am the diamond glints in snow
I am the sunlight on ripened grain,
I am the gentle, autumn rain.
As you awake with morning’s hush,
I am the swift, up-flinging rush
Of quiet birds in circling flight,
I am the day transcending night.
     Do not stand
          By my grave, and cry—
     I am not there,
          I did not die.
— Clare Harner, The Gypsy, December 1934

Over the holidays, I was watching Lisa’s sister little Leeza, she’s 14.
She has a rebellious fashion sense and a joyful innocence.
She’s still fearless too, and on-God, I hope she never loses that.

Too soon though—the disco’s coming to town—the world’s coming for her. It’s the same for all of us, I suppose, but in Lisa and my cases, covid shut it all down.

It’s a rite of passage—the shoes, the bodycon dresses and the makeup. Those carry negative connotations, I get it, but there’s an excitement too, about finally getting to dress like an adult—a woman—in one of those bodycon, cut-out dresses.

I know the pressures on women and their bodies, but at her age, it's not all stress, cattiness and comparisons—it’s just innocent teen fun. She and her posse can take hours just dressing and doing their make-up—together. It’s probably the best part of their night.

Leeza’s dad (Michael) saw the little group of teens, all dolled-up and launched, like a SpaceX Starship. Pacing the living room, he quietly opined to Karen (her mom), “I don’t want her going out dressed like that.”

Karen was right there with him to cool things down, “No, ***, at her age, it’s about self-expression, learning and girl bonding—these connections are really important in the girl-world.”

I’m not worried about Leeza’s physical safety. These girls are watched over and gently curated. Their every movement is orchestrated and security escorted—hell, Hamas couldn’t get to them—much less some gropey boy.

There’s just this new awareness these days of how unhappy some people are—and a lot of them are teen girls. I wouldn’t want to see Leeza mired in the sad, brain-draining social media pressure and self-esteem traps.
Teenhood is scary—I was feelin’ positively parental.

Then I looked at Lisa, and I was reminded that they’ve done all this before, and she has a big-sister, role-model too.
.
.
Songs for this:
Good Time Girl (feat. Charlie Barker) by Sofi Tukker
Dance To This (feat. Ariana Grande) by Troye Sivan

Floating high above the skies
               wearing
                                nothing but a pair of wings  
I untie all emotions
                                  and let my hair loose;    
Gliding gently *
                          o'er clouds
                   I soar like the birds of the sky do,
  
           and when the sun begins to die,
                           Oh, I just fly !

this is it, man
the last stop before hell
the final chapter before knowing the unknown
I prayed this day would never come
and I have feared it more than death itself
but now that it has arrived, I can’t move,
I’m paralyzed, comatose,
almost vegetable-like
too many nights were spent
laughing with diesel-powered killers,
singing with mop-haired lepers
in monotone slate
& dancing with minotaurs around
the open flame of age
it’s all behind me now
my days roll through soft and fuzzy
like peaches in the August heat
a cozy bed, comfy pillows, secure blankets
and yet, I felt safer in more dangerous places
(I always preferred the acid rain dripping from the mossy underpass over the holy water bubbling in the Vatican jacuzzi,
yeah dig?)
but now that I’m surrounded by all this
security, comfort and warmth
I feel less alive, almost finished,
when I’ve got so much more to unleash
like a mad dog, old and vicious and untrained by its master with enough bite
to inflame your wrists with rabies.
it’s been one hell of a picnic, lemme tell ya:
kissing death under the ring of vultures
loving women like a broken bear trap
delivering music like an olive branch
cleansing myself from these filthy poems
it’s time to turn it over to someone else
let them abuse the night
and listen to it scream
me? my nights weep themselves to sleep
and I join in on their sorrow.

looking around this empty room right now,
I’ve come to accept that the gig is up;
the party’s over, the lights are off
and everyone’s gone home:
the music here is quiet and tame
the basement echoes in phantom laughter
the window panes are no longer broken
the pyramids of beer cans have crumbled
the late nights have turned into early mornings
the dancing girls have turned into career women
and I had it good for a while, maybe too good;
shooting dice and rolling sevens and elevens
but now everything comes up snake-eyes.
I finally understood that the foundations of people
were more unstable than water and
less faithful than a Rush St. ******.
friendships and other relationships
sank faster than a mafia ****** weapon
(maybe that’s why they call them “ships”)
but as the aging hours of time came
crashing through like lightning:
I found love when love was unkind
I found hate when hate was merciless
I found people and stubbed them out like cigarettes
where by and by, it all turns to ash,
just mounds and mounds of ash,
windswept by gentle persuasion
and now they’re buried in their shrink-wrapped lives;
dropping kids off at soccer practice, attending PTA meetings,
hosting chili cook-offs, yelling at football games,
disgusted with Tuesday’s, bowling on Wednesdays,
pretending everyone’s doing fine and living quite well
while I am left here with myself
and this eerie moment
of reflection, now realizing:
it’s all gone.

I don’t know how it happens
but every nut job you meet in a bar
has a story they’d like to share with you
about their wild days of youth
or about how things and people were
decades ago without the usage
of what we have now.
they seem to be unstoppable,
their mouths are like pistons
running on an everlasting engine
pumping out these useless words,
these agonizing words that don’t
amount to anything
and the crazy part that blows my mind is
I continue to listen with great anguish
I am their ear, their therapy
I am the light to a handful of moths,
an oddity freely roving amongst them
these people were once people
a long time ago
fulfilling fantasies
they could never imagine
and now they have found me and latched on
as if anything had to do with anything
but I need them though, I need their agony
I need their glory and their damnation
because without their uselessness
how would I ever continue pumping out
these meaningless poems?