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But would you burn for me
like i burned for you
or could you only smoke
so everyone thought we had wildfires
but it was only me being razed to the ground
while you stand there

ready to smoke for another
it was the sea And it’s uncanny ability
To wash you into me
So that
The particles of I met the particles of you
I wonder what his thoughts were
when he made the decision to look back to check
was it out of concern
or curiousity?
Was it an unconscious look?
Or simply a moment to defy Hades?
I want to know what the music sounded like
Was it light
Or heavy
Purple or crimson or a periwinkle blue?

Did she wail or make no noise?
Did you?

Did you reach out to touch her
Or needed to see what the texture of her fingertips were connected to?

Or did she, lovely Orpheus, call out to you?
I wonder whether she wanted to leave the dark
while the pitter patter draws out
Slowly
as if on a classic music box
I wait for the notes to be struck
Where I hear the door open
Lights flicking with shoes scuffing
But the pitter patter continues
without pause
and I’m left
waiting for notes that were not created
for you to walk in the door
the way he held her
without worry
without concern
made her soul ache

how had his knuckles
fingertips
and calluses

could hold everything that had been breaking
slipping through her grasp

like the shadows could see that his knuckles
were warning enough
We had come to see him, the aging Tenor sing.
He was as good as he had always been.
But half way through, a woman appeared,
Moving gracefully in bare feet upon the stage.
Entering the ring of bright spot light near him.
Long blond hair, falling loose around her neck,
Held back both sides by Turtle Shell combs,
Reflecting the light.
Adorned in but a simple, low cut black dress,
Her with a face beautiful as a new spring day.

Held in her left hand an ebony hued violin,
Touched fondly, like a well accustomed old friend.
Her right hand holding a bow, ready and waiting.

The Tenor’s and her eyes met and conveyed a message
Only they understood.  Then starting slow and low,
The full Orchestra commenced. The woman in black
Brought instrument up to her chin, lovingly resting
her face upon it, as if comforted by it's touch to skin.

The fetching violinist, like a graceful reed,
In summer breeze, began to gently sway,
Laid Bow to strings and a transcended beauty,
The voice of both her Instrument and from within she,
Emerged through her fingers, completely filling the hall.
With eyes closed, the slight movements of expression
On her face registering the feelings the musical notes made,
As if those gestures too, guided the bow's musical cords.
Slender precise fingers lovingly caressing the strings.
For nearly a minute, she and her violin played alone.
Her actions of body, hands and head in concert,
To her music, unavoidably hypnotic it could be said.
The Tenor started to sing, and yet my eyes stayed
Locked on her, as if no one else in the room was there.
The blond woman in the black dress owned the stage.

I have no idea how long that piece of music lasted,
I could not attest to what contribution the Tenor made.
Fully my attention and eventually my heart belonged
To that lovely, evocative young woman in the backless,
Little black dress.

It’s true that I may never see or hear her play again,
I know not, even her name.
And yet, I’m sure that I will never forget those
Few minutes mesmerized by her magical spell.
Hopelessly caught in her enchanting web.

With me sitting, third row, isle seat left,
Worshiping as I did, at her so pretty,
Slightly ***** naked feet, the striking
Blond woman in the black dress.
How often do we have these all too brief encounters, mostly
from a distance, on a train, the street, in a store, or a concert.
Captivated by someone we will most likely never see again.
Enchanted for but a moment?  And yet unable to forget.
For me it was this past week at a concert.
please, once more:

how do you explain
the way the trembles in their voices
created tremors across your skin
the same way his laughter could vibrate along your skin

how do I explain the way I can feel the resounding crack without seeing or hearing it
the echoes of pressure
the webbing pain exploding outwards

to explain the way the whisps of echoed fingertips cause the little death across my skin
rumbling like the quakes
between my bones
where the music resides

below the sorrow carved into the words
and freedom vibrating across the stone of terror
against the limestone of cruelty
and the sandstone of humour

rests the quartz of desire
obsidian of regret
and

she put the pen down and walked away
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